Showing results by publisher "riverrun" in Mystery, Thriller & Suspense

Every Icelander knows about the Gudmundur and Geirfinnur disappearances. 1974. In two separate incidents, two men vanished into thin air. Then, out of it came six murder confessions and six convictions. Yet in the decades that followed, these too evaporated. Anthony Adeane explores the stranger-than-fiction story that has unravelled in Iceland across 45 years. He provides the first full account of the case, paints a fascinating picture of the country, and places each development in the contexts that shaped them: from the Cod Wars to the Cold War, the 2008 economic crash and beyond.

At first, Detective Chief Superintendent Frankie Sheehan believes the murder mystery game sent to her office is a birthday gift from one of her colleagues. But when Frankie studies the game's contents, she notices a striking resemblance between the 'murder victim' and missing 22-year-old Lydia Callin. As Frankie and her team investigate, a series of grisly crimes connected to the game are discovered across Dublin city and Lydia's involvement with a shadowy network of murder mystery players becomes clear. 

DCS Frankie Sheehan is experiencing a crisis of confidence - having become wary of the instincts that have led her face-to-face with a twisted killer and brought those she loves into direct jeopardy. She is summoned to the rural Wicklow mountains, where local mother of two Debbie Nugent has been reported missing. A bloody crime scene is discovered at Debbie's home, yet no body. Not only is foul play suspected, but Debbie's daughter, Margot, has been living at the scene for three days.  

January 1983, Colchester CID. A new year brings new resolutions for Detective Inspector Nicholas Lowry. With one eye on his approaching 40th birthday, he has given up his two greatest vices: smoking and the police boxing team. As a result the largest remaining threat to his health is now his junior colleague's reckless driving.

For admirers of Tom Rachman's work, this is a return to the formal ingenuity and technique that he exhibited so flamboyantly in his debut. It's set during a crisis in democracy, a society in lockdown linked digitally but convulsed by a social media frenzy, and is told by a little-known, little-read Dutch novelist named Dora Frenhofer, who has decided that her life as an old woman in this post-truth pandemic world has become too much. But like a twenty-first century Scheherazade Dora spins stories to fend off the evil day, conjuring connections from her past to give meaning to the present.

Dr. Adam Knox returns from serving with an NGO in the Central African Republic in disgrace. His attempt to protect patients from a brutal militia ended in disaster. He's a little rougher, a little wiser, and a lot more cynical. His new clinic tends to the vagrant, vulnerable and victimized of LA's streets. It earns from the villains willing to pay for discretion. His cynicism remains until the night a beaten Romanian woman abandons her son on his operating table. She seems to be on the run.

1985. Kazumasa Yuuki, a seasoned reporter at the North Kanto Times, runs a daily gauntlet against the power struggles and office politics that plague its newsroom. But when an air disaster of unprecedented scale occurs on the paper's doorstep, its staff are united by an unimaginable horror and a once-in-a-lifetime scoop.

A collection of four novellas: each taking place in 1998, each set in the world of Six Four and each centreing around a mystery and the unfortunate officer tasked with solving it. Prefecture D continues Hideo Yokoyama's exploration of the themes of obsession, saving face, office politics and interdepartmental conflicts. Placing everyday characters between a rock and a hard place and then dialling up the pressure, he blends and balances the very Japanese with the very accessible, to spectacular effect.

July 1983, Essex. A boy playing hide-and-seek sees a fox tugging at something up on a railway embankment. He approaches it cautiously. Seconds later, a blast is heard, and rooks ascend from the poplars surrounding the farmhouse at which the boy is spending his summer holiday with cousins. DI Nick Lowry is called upon to investigate two deaths at Fox Farm, the home of eminent historian Christopher Cliff. The body in the farmhouse kitchen is Cliff himself, having seemingly taking his own life with an antique shotgun. The fox-disturbed body on the property boundary is as yet unidentified.

July 2015, Sevenoaks. 12-year-old schoolgirl Alice Johnson went missing while doing her paper round, her bag found discarded on the pavement. At 08.00, she was spotted standing in heavy rain at the side of the busy by-pass. At 11.00, she was seen talking to the driver of a black car in Tonbridge. After that, nothing. Alice was never found. Nine years later the body of another schoolgirl, Joleen Price, is pulled from a nearby lake and a local man named Vince Burns detained. Convinced that Burns is guilty in both cases, SIO Dave Armstrong calls in the Finder.

Bournemouth 2008, the height of the financial crash. Don Bayliss, a timid and well-mannered accountant, vanishes after leaving his office before a scheduled meeting. His wife is both perplexed and distraught. His clothes are found discarded at the mouth of Poole Harbour. The Finder begins with the last sightings of Don on the day he went missing, hearing how he seemed in a hurry, somewhat distracted? He unearths a string of overlooked clues that lead him to face the unlikely friendships that Don had made and more.

Jenny Tinkley lives to mother her two complicated sons and prop up her technology-obsessive husband. Hank, who has installed gadgets, cameras and voice-recognition devices in their smart house. He tells her it's all designed to help her, but she is convinced their home is judging her - reminding her to load the laundry, buy milk, do better - and she becomes paranoid that she's being spied upon by the white goods. 

Meet Ned and Alice: internet entrepreneurs with a delightfully demagnetised moral compass. In Berlin, their combined talents have brought social media start-up The Thing Factory, to the verge of lucrative success. But Ned - a businessman with a history of shady dealings - is unhappy at his increasing lack of control in the company. As his anxieties become harder to ignore, Alice's ambitions are meanwhile tempting her to jettison her own principles for a turn at the wheel.

It's November 1983 in Essex, and there are reasons to be cheerful. 'Uptown Girl' is sitting pretty at the top of the charts, Risky Business is raking it in at the box office and there are now four channels on the telly. However, social tensions are beginning to bubble beneath the surface: Mrs Thatcher has embarked on her second controversial term, and the situation in Northern Ireland is ever-escalating. Yet in the garrison town of Colchester, it's another deadly standoff that is hogging the headlines. 

Daniel Amat has left Spain and all that happened there behind him. Having just achieved a brilliant role in ancient languages at Oxford University and an even more advantageous engagement, the arrival of a letter - a demand - stamped 'Barcelona' comes like a cold hand from behind. He arrives back in that old labyrinthine and near-mythic city a few days before the great 1888 World's Fair, amid dread whispers of murders - the injuries reminiscent of an ancient curse and bearing signs of the genius 16th century anatomist Vesalius.

Gateshead, April 1866. The Apprentice of Split Crow Lane takes the forgotten case of a child murder in 1866 as a springboard to delve deeply into the pysche of the Victorians. What Jane Housham finds in this exploration of guilt, sexual deviance and madness is a diagnosis that is still ripe for the challenging and a sentence that provokes even our liberal modern judgment.

Sandbeach, South Wales. Two women have come forward to make historical sexual allegations against a pillar of the local community, Matthew Cooper. And child-safeguarding protocol demands that Social Services remove the accused from his home and his family while a formal assessment is carried out. The Cooper case lands on the desk of inexperienced Social Worker Kit Goddard. Although intrepid and intuitive, she is ill-prepared for such a high-profile case. 

Social worker Kit Goddard is convinced that Sandbeach Child Services have let an injured 17-year-old boy down, just like they'd done to her brother 10 years earlier. Since the referral came in, it had been passed between departments, her own manager Georgia and colleague Tim brushing it off as a low-risk, low-priority case. But Kit can't shake the feeling that something isn't quite right. Scanning the referral, she notices that the house 17-year-old Dylan Meredith lives in with his 'weird' mother had been described as decrepit.