Spanning 15 years of work, Everywhere I Look is an audiobook full of unexpected moments, sudden shafts of light, piercing intuition, flashes of anger and incidental humour. It takes us from backstage at the ballet to the trial of a woman for the murder of her newborn baby. It moves effortlessly from the significance of moving house to the pleasure of rereading Pride and Prejudice.

This collected short fiction celebrates one of Australia’s most loved authors. These stories - that delve into the complexities of love and longing, of the pain, darkness and joy of life - are all told with Helen Garner's characteristic sharpness of observation, honesty and humour. Each one a perfect piece, together they showcase Garner’s mastery of the form.

He straightened his spine, raised his head, and extended his gun arm towards me in a slow, vertical arc. I saw then what he was, and stood still in front of him, for he was here on business. He was a small, serious, stone-eyed angel of mercy. Janet is a skeptic, a journalist; Maxine revels in New Age fantasies; and Ray, a drifter, is a born-again Christian. The common ground is the house they share. But their fragile domestic balance is about to explode amid the smashing of ukeleles, the unexpected ascension of an angel and a sudden shower of jonquils.

When Primrose makes an unplanned detour into a dilapidated suburban golf course called Whistles, she has no idea that the past will come rushing back at her, bringing every detail of her life into stark focus. At 36, her marriage is teetering from illness and infidelity. A visit from her commanding brother-in-law looms ominously on the horizon. And by a twist of fate, Peter, the boy she loved twenty years ago, is now living across the street. Primrose cannot escape the increasing demands to make a choice.

Frances is an artist in her forties living a quiet life in a remote mountain town in NSW, far away from the glittering lights and famous personalities of the Sydney art world she once knew. When an invitation arrives from a former lover to attend his exhibition at a state gallery, Frances is plunged back into the past, where a single irrevocable act changed the course of her story. Told across two time periods, Frances's story wrestles with themes of power and privilege, womanhood and motherhood, artistic doubt, the male gaze upon the female body, and the commodification of art.