Madame Pratolungo is a close companion to Lucilla Finch, a young woman who has been blind since birth. Madame Pratolungo records the narrative of Lucilla's trials from falling in love with Oscar Duborg, her wealthy and shy neighbor, to ending up in a romantic entanglement between Oscar and his brother Nugent. When Lucilla temporarily regains her sight thanks to Herr Grosse, mistaken identities and manipulative schemes are there to greet her.

Published 10 years after Collins’s most popular novel The Woman in White, Man and Wife centres on the confused and inequitable marriage laws of 19th-century Britain, reflecting the author’s own antipathy toward the institution. The plot follows the fortunes of a woman who, committed to marriage with one man, comes to believe that she may have inadvertently married his friend, according to the archaic laws of Scotland and Ireland.

Appearing in 1852, Basil was Wilkie Collins’s second published novel. The eponymous narrator is emotionally torn between two women: Margaret Sherwin and his sister Clara. His marriage to Margaret, a draper’s sexually precocious daughter, is to remain secret and unconsummated for the first year, as agreed with her father.

When Lord Montbarry dies suddenly in his Venice palace, and his courier goes missing, suspicion is instantly thrown on his new wife, the beautiful Countess Narona, who has collected his life insurance and fled to America. Montbarry's former fiance, Agnes, still harboring feelings for him, and Henry Westwick, Montbarry's younger brother, decide to investigate this tragedy and head for the palace, now a hotel. Not long after their arrival they experience strange and unsettling occurrences, and the circumstances of Montbarry's death begin to unravel. 

Set in the financial centres of 1820s Frankfurt and London, Jezebel’s Daughter (1880) tells the story of two widows: Madame Fontaine, who will go to any lengths to secure her daughter’s marriage, and Mrs Wagner, who devotes herself to her late husband’s social reforms. In pursuit of her endeavours, Mrs Wagner befriends Jack Straw, a former inmate of Bedlam, who plays a pivotal role as the action, full of plotting and counterplotting, unfolds, culminating in the morgue, where several lives hang in the balance.

Brought to you by Penguin. Brought up at Dorlcote Mill, Maggie Tulliver worships her brother, Tom, and is desperate to win the approval of her parents, but her passionate, wayward nature and her fierce intelligence bring her into constant conflict with her family. As she reaches adulthood, the clash between their expectations and her desires is painfully played out as she finds herself torn between her relationships with three very different men: her proud and stubborn brother, a close friend who is also the son of her family's worst enemy, and a charismatic but dangerous suitor.

A quiet, unassuming man who loves nothing more than his daughter, his music, and his violincello. His life is seriously disrupted by a zealous young man who sees a disparity between the monies paid out to the Warden and the monies paid out to the 12 bedesmen that live in the hospital of Barchester Cathedral as charity cases, according to Hiram's Will. 

Dorothea Brooke is an ardent idealist who represses her vivacity and intelligence for the cold, theological pedant Casaubon. One man understands her true nature: the artist Will Ladislaw. But how can love triumph against her sense of duty and Casaubon’s mean spirit? Meanwhile, in the little world of Middlemarch, the broader world is mirrored: the world of politics, social change, and reforms, as well as betrayal, greed, blackmail, ambition, and disappointment.

The Woman in White famously opens with Walter Hartright's eerie encounter on a moonlit London road. Engaged as a drawing master to the beautiful Laura Fairlie, Walter is drawn into the sinister intrigues of Sir Percival Glyde and his 'charming' friend Count Fosco, who has a taste for white mice, vanilla bonbons and poison.  

Wilkie Collins' follow-up to The Woman in White and No Name is an innovative take on mistaken identity, the nature of evil, and the dark underbelly of Victorian England. The story concerns two distant cousins, both named Allan Armadale, and the impact of a family tragedy, which makes one of them a target of the murderous Lydia Gwilt, a vicious and malevolent charmer determined to get her hands on the Armadale fortune. Will the real Allan Armadale be revealed, and will he survive the plot against his life? 

Set in the turbulent years following the death of Lorenzo de' Medici, George Eliot's fourth novel, Romola, moves the stage from the English countryside of the 19th century to an Italy four centuries before her time. It tells the tale of a young Florentine woman, Romola de' Bardi, and her coming of age through her troubled marriage to the suave and self-absorbed Greek Tito. Slowly Tito's true character begins to unfurl, and his lies and treachery push Romola toward a more spiritual path, where she transcends into a majestic, Madonna-like role.

Set on Egdon Heath, a fictional barren moor in Wessex, Eustacia Vye longs for the excitement of city life but is cut off from the world in her grandfather's lonely cottage. Clym Yeobright who has returned to the area to become a schoolmaster seems to offer everything she dreams of: passion, excitement and the opportunity to escape. However, Clym's ambitions are quite different, and marriage only increases Eustacia's destructive restlessness, drawing others into a tangled web of deceit and unhappiness.

At the opening of The Claverings (1866) the beautiful Julia Brabazon jilts her lover Harry Clavering in order to make a marriage of convenience with a wealthy but dissolute earl. Harry licks his wounds, leaves London to train as a civil engineer, and falls in love with his employer's daughter, to whom he soon becomes engaged. But when Julia returns unexpectedly as a wealthy widow, the flame of Harry's old love is rekindled.

Can You Forgive Her? is the first of the six Palliser novels. Here Trollope examines parliamentary election and marriage, politics and privacy. As he dissects the Victorian upper class, issues and people shed their pretenses under his patient, ironic probe.

The timid and cowardly Henry Jones alone knows the whereabouts of a second will, which disinherits him from his uncle's property. During his guilt throes he arouses the suspicions of all around him.