This is a richly detailed saga of politics and power in the colonial world – of land seized, fortunes made and lost, and the violence let loose as squatters and their allies fought for possession of the country – a war still unresolved in today's Australia.

Detective Alan Auhl does things his own way - and gets results. He works cold cases now. Like the death of John Elphick - his daughters are still convinced he was murdered, the coroner not so sure. Or the skeleton that’s just been found under a concrete slab. Or the doctor who killed two wives and a girlfriend and left no evidence at all....

When Matt Ballard was starting out his career, three boys were murdered in the same area, the remote and bleak Gibbet Fen. When the main suspect was killed in a hit-and-run, the killings stopped. But Matt was not satisfied that the real murderer had been caught. Over 25 years later, Matt gets a photo in an unmarked envelope. It's of the Gibbet Fen crime scene. And the picture was taken before the murder took place. More photos arrive, relating to the historic murders, as well as intimate pictures of Matt's very secret private life.

Young Elly's world is shaped by those who inhabit it: her loving but maddeningly distractible parents; a best friend who smells of chips and knows exotic words like 'slag'; an ageing fop who tapdances his way into her home, a Shirley Bassey impersonator who trails close behind; lastly, of course, a rabbit called God. In a childhood peppered with moments both ordinary and extraordinary, Elly's one constant is her brother Joe. Twenty years on, Elly and Joe are fully grown and as close as they ever were. Until, that is, an earth-shattering event that threatens to destroy their bond for ever.

Wealthy racing yard owner Edward de Jersey has spent the last few years of his life reaping the rewards of his criminal mastermind past and spending his free time priming his star horse, Royal Flush, for a Derby win. Having successfully pulled off some of the most lucrative heists in history as 'The Colonel', at the height of his activity, he was one of the most prolific criminals of his time. But, when his financial advisor invests his fortune in an internet company that crashes quickly after, he is left with no choice but to return to his old ways.

Violette Toussaint is the caretaker at a cemetery in a small town in Bourgogne. Casual mourners, regular visitors, and sundry colleagues - gravediggers, groundskeepers, and a priest - visit her to warm themselves in her lodge, where laughter, companionship, and occasional tears mix with the coffee she offers them. Her life is lived to the rhythms of their funny, moving confidences. But her routine is disrupted by the arrival of the local police chief, who insists on scattering the ashes of his recently deceased mother on the gravesite of a complete stranger.

Yearning for what they’d left behind and disillusioned by city living, Jack Ferguson and Harry Turner leave Perth to return to the rough opal-mining environment of Coober Pedy, on the edge of the Stuart Ranges in South Australia. They discover, however, that all is not as idyllic as they remembered. They face harsh conditions, personal trials and a lack of funds. But determination, hard work and a little luck see them begin to establish themselves....

Thirty-eight year old Cassandra is lost, alone, and grieving. Her much loved grandmother, Nell, has just died and Cassandra, her life already shaken by a tragic accident 10 years ago, feels like she has lost everything known and dear to her.

Frances is an artist in her forties living a quiet life in a remote mountain town in NSW, far away from the glittering lights and famous personalities of the Sydney art world she once knew. When an invitation arrives from a former lover to attend his exhibition at a state gallery, Frances is plunged back into the past, where a single irrevocable act changed the course of her story. Told across two time periods, Frances's story wrestles with themes of power and privilege, womanhood and motherhood, artistic doubt, the male gaze upon the female body, and the commodification of art.

England, 1920. Eleanor Swift has spent the last few years travelling the world: taking tea in China, tasting alligators in Peru, escaping bandits in Persia and she has just arrived in England after a chaotic 45-day flight from South Africa. Chipstone is about the sleepiest town you could have the misfortune to meet. But then, from the edge of a quarry, through the driving rain, Eleanor is shocked to see a man shot and killed in the distance. Before she can climb down to the spot, the villain is gone and the body has vanished.