A collection of BBC radio full-cast dramatisations of Jane Austen's six major novels. Jane Austen is one of the finest writers in the English language, and this volume includes all six of her classic novels. Mansfield Park: on a quest to find a position in society, Fanny Price goes to live with her rich aunt and uncle. Northanger Abbey: young, naïve Catherine Morland receives an invitation to stay at the isolated Gothic mansion Northanger Abbey.

Sir John Woodstock (James Fleet) is the Lord of the Castle and basically in charge of keeping order in the ramshackle medieval village. Although he hates all that torturing and usually lets the peasants off with a bit of community service. He lives in his huge but slightly falling down castle (but then it was built by the French, so what can one expect) with his daughter Anne (Martha Howe-Douglas) and very teenage son Henry (Steven Kynman). Anne’s best friend Charlotte (Ingrid Oliver) nearly always joins Anne on her constant quest to find fit men in the village. 

For three decades, Rupert Hardacre was one of the big beasts of advertising: he worked hard, played hard, and lived hard. But he fell harder. Driven out of every reputable agency in town for drinking all their whiskey and sleeping with all their wives, he used the remains of his fortune to found Hardacre's, the best (and only) advertising agency on the M25. Now he's so confident that his name alone will take him back to the top, he's happy to leave all the actual work to the creative department.

In Big Beacon, Norwich's favourite son and best broadcaster, Alan Partridge, triumphs against the odds. TWICE. Using an innovative 'dual narrative' structure you sometimes see in films, Big Beacon tells the story of how Partridge heroically rebuilt his TV career, rising like a phoenix from the desolate wasteland of local radio to climb to the summit of Mount Primetime and regain the nationwide prominence his talent merits.

Rod Millet has always dreamed of working at the Maltby Collection, but on being appointed Deputy Curator of Painting and Sculpture, it quickly becomes clear that the son of a self-made biscuit mogul isn't going to fit into the musty, insular world of London antiquities. But when, on his first day, Rod learns that the museum has been earmarked for closure, he starts a campaign to save it (threatening his boss Walter Brindle’s plans for a cushy early retirement). With the collection’s future secured, the staff turn their energies towards romance.