From the highly acclaimed author of Ninety-two in the Shade and Cloudbursts comes a collection of alternately playful and exquisite essays—including seven collected here for the first time—borne of a lifetime spent fishing.

Chester Pomeroy is a onetime rock star turned casualty of illicit substances. In the hands of Thomas McGuane, Chester's story is a high-wire act of extravagant emotion and steel-nerved prose. As he haunts Key West, pestering family, threatening a potential in-law with a .38, and attempting to crucify himself on his ex's door out of sheer lovesickness, Chester emerges as the pure archetype of the McGuane hero.

For more than four decades, Thomas McGuane has been heralded as an unrivaled master of the short story. Now the arc of that achievement appears in one definitive volume. Set in the seedy corners of Key West, the remote shore towns of the Bahamas, and McGuane's hallmark Big Sky country, with its vast and unforgiving landscape, these are stories of people on the fringes of society, whose twisted pasts meddle with their chances for companionship.

As a citizen, Nicholas Payne is not in the least solid. As a boyfriend, he is nothing short of disastrous, and his latest flame, the patrician Ann Fitzgerald, has done a wise thing by dropping him. But Ann isn't counting on Nicholas's wild persistence, or on the slapstick lyricism of Thomas McGuane, who in The Bushwhacked Piano sends his hero from Michigan to Montana on a demented mission of courtship, whose highlights include a ride on a homicidal bronco and apprenticeship to the inventor of the world's first highrise for bats. The result is a tour de force of American Dubious.

In McGuane's first novel set in his famed American West, Patrick Fitzpatrick is a former soldier, a fourth-generation cowboy, and a whiskey addict. His grandfather wants to run away to act in movies, his sister wants to burn the house down, and his new stallion is bent on killing him: all of them urgently require attention. But increasingly Patrick himself is spiraling out of control, into that region of romantic misadventure and vanishing possibilities that is Thomas McGuane's Montana.

New York Times bestselling author Jim Harrison (1937-2016) was a writer with a poet’s economy of style and trencherman’s appetites and ribald humor. In The Search for the Genuine, a collection of new and previously published essays, the giant of letters muses on everything from grouse hunting and fishing to Zen Buddhism and matters of the spirit, including reported pieces on Yellowstone and shark-tagging in the open ocean, commentary on writers from Bukowski to Neruda to Peter Matthiessen, and a heartbreaking essay on life on the US/Mexico border.

Their plans were conceived in a drunken excitement and resulted in more horror than any of them could have imagined. There was the poet able to retreat into beatific reveries of superb fishing in cold, fast streams; the Vietnam vet consumed by uppers, downers, and violence; and the girl who loved only one of them - at first. With their ideals ostensibly in order, they set out from Florida to save the Grand Canyon from a dam they believed was being built. Along with the tape deck for the car, the liquor, and the drugs, there was also a case of dynamite.

Once again, John Gierach tells the world why the pastime of fly-fishing makes so much sense—except when it doesn't. In sparkling prose, with more than a touch of humor, he recalls the joys of landing that trout he's been watching for the last hour—and then losing an even fatter one a little later. Joy and frustration mix in Gierach's latest appreciation of the fly-fishing life as he takes us from his home waters on the Front Range of the Rockies in Colorado to fishing meccas all over North America.

While most of us fly-fish to escape from daily life, for John Gierach and his friends fly-fishing IS a way of life. They are trout bums. But John Gierach is also an exceptional writer. The essays in Trout Bum are reflective, bitingly humorous, and enormously wise in the ways of fishing and men. In vivid, unforgettable detail they recount the emotional, spiritual, and tangible adventures and pleasures of stalking trout in and around the Rockies—day in, day out, from season to season, with friends, and alone.

The Rum Diary was begun in 1959 by a then-22-year-old Hunter S. Thompson. It was his first novel and he told his friend, the author William Kennedy, that The Rum Diary would "in a twisted way...do for San Juan what Ernest Hemingway's The Sun Also Rises did for Paris."

These stories attest to the generous compass of Thomas McGuane's fellow feeling, as well as to his unique way with words. In this collection, filled with grace and humor, the ties of family make for uncomfortable binds: A devoted son is horrified to discover his mother's antics before she slipped into dementia, and a father's outdoor skills are no match for a change in the weather. But complications arise equally in the absence of blood, as when lifelong friends on a fishing trip finally confront their deep dislike for each other. 

Sunny Jim Whitelaw, a descendent of pioneers and owner of a large bottling plant, may have died, but he has no intention of relinquishing control: his will specifies that no one gets a cent unless his daughter, Evelyn, reconciles with her estranged husband, Paul. But Evelyn is a strong-willed woman, fiercely attached to the land, whose horses transport her to a West she feels is disappearing, while Paul is a suave manipulator, without scruples, intent on living well.

Sunshine State trivia buff Serge A. Storms loves eliminating jerks and pests. His drug-addled partner Coleman loves cartoons. Hot stripper Sharon Rhodes loves cocaine, especially when purchased with rich dead men's money. On the other hand, there's Sean and David, who love fishing and are kind to animals - and who are about to cross paths with a suitcase filled with $5 million in stolen insurance money. Serge wants the suitcase. Sharon wants the suitcase. Coleman wants more drugs... and the suitcase.

In Dumb Luck and the Kindness of Strangers, Gierach looks back to the long-ago day when he bought his first resident fishing license in Colorado, where the fishing season never ends, and just knew he was in the right place. And he succinctly sums up part of the appeal of his sport when he writes that it is "[A]n acquired taste that reintroduces the chaos of uncertainty back into our well-regulated lives".

In Jimmy Buffett: A Good Life All the Way, acclaimed music critic Ryan White has crafted the first definitive account of Buffett's rise from singing songs for beer to his emergence as a tropical icon and CEO behind the Margaritaville industrial complex, a vast network of merchandise, chain restaurants, resorts, and lifestyle products all inspired by his sunny but disillusioned hit "Margaritaville".