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Lies, Inc.
- Narrated by: Luke Daniels
- Length: 7 hrs and 11 mins
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Vonnegut= Genius
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Galapagos takes the listener back one million years to A.D. 1986. A simple vacation cruise suddenly becomes an evolutionary journey. Thanks to an apocalypse, a small group of survivors stranded on the Galapagos Islands are about to become the progenitors of a brave, new, totally different human race. Kurt Vonnegut, America's master satirist, looks at our world and shows us all that is sadly, madly awry - and all that is worth saving.
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The only boring Vonnegut book so far
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Hyperion
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On the world called Hyperion, beyond the law of the Hegemony of Man, there waits the creature called the Shrike. There are those who worship it. There are those who fear it. And there are those who have vowed to destroy it. In the Valley of the Time Tombs, where huge, brooding structures move backward through time, the Shrike waits for them all.
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doop.
- By Tom on 13-12-2016
Publisher's Summary
When catastrophic overpopulation threatens Earth, one company offers to teleport citizens to Whale’s Mouth, an allegedly pristine new home for happy and industrious émigrés. But there is one problem: the teleportation machine works in only one direction. When Rachmael ben Applebaum discovers that some of the footage of happy settlers may have been faked, he sets out on an 18-year journey to see if anyone wants to come back.
Lies, Inc. is one of Philip K. Dick’s final novels, which he expanded from his novella The Unteleported Man shortly before his death. In its examination of totalitarianism, reality, and hallucination, it encompasses everything that Dick’s fans love about his oeuvre.
What listeners say about Lies, Inc.
Average Customer RatingsReviews - Please select the tabs below to change the source of reviews.
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- Amazon Customer
- 21-03-2020
Classic PKD but not his finest
Despite its unusual publication history, and the observation by many that the final book is an amalgam of two short stories, this book is a classic PKD story. Firstly, this provenance is not unusual for his novels. Having read the short stories, and most of his novels, this is a familiar pattern. It might even be that the majority are constructed in this way. Secondly, the themes of shared irreality, fanciful weapons, and complex conspiracies are his stock in trade.
However, this is not the best such novel. In particular, the question of the protagonist's experience does not become an emphatic theme of the novel as it does in Ubik, and the reader is free to discard the struggles with multiple realities as a simple delusion.
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