To win an impossible war, Captain Kel Cheris must awaken an ancient weapon and a despised traitor general.

Captain Kel Cheris of the Hexarchate is disgraced for using unconventional methods in a battle against heretics. Kel Command gives her the opportunity to redeem herself by retaking the Fortress of Scattered Needles, a star fortress that has recently been captured by heretics. Cheris' career isn't the only thing at stake. If the fortress falls, the Hexarchate itself might be next.

Gyen Jebi isn’t a fighter or a subversive. They just want to paint. One day they’re jobless and desperate; the next, Jebi finds themself recruited by the Ministry of Armor to paint the mystical sigils that animate the occupying government’s automaton soldiers. But when Jebi discovers the depths of the Razanei government’s horrifying crimes - and the awful source of the magical pigments they use - they find they can no longer stay out of politics.  

After being murdered, his consciousness dormant and unaware of the passing of time while confined in an elaborate water trap, Kai wakes to find a lesser mage attempting to harness Kai’s magic to his own advantage. That was never going to go well. But why was Kai imprisoned in the first place? What has changed in the world since his assassination? And why does the Rising World Coalition appear to be growing in influence?

All Systems Red is the tense first science fiction adventure novella in Martha Wells' series The Murderbot Diaries. For fans of Westworld, Ex Machina, Ann Leckie's Imperial Raadch series, or Iain M. Banks' Culture novels. The main character is a deadly security droid that has bucked its restrictive programming and is balanced between contemplative self-discovery and an idle instinct to kill all humans.

On his way to his betrothal, young Lord Penric comes upon a riding accident with an elderly lady on the ground, her maidservant and guardsmen distraught. As he approaches to help, he discovers that the lady is a Temple divine, servant to the five gods of this world. Her avowed god is the Bastard, "master of all disasters out of season", and with her dying breath she bequeaths her mysterious powers to Penric.

On a far-off colony, humans tower over the local species who grow the plants they need. Narr keeps the workers in line—someone has to. But when Narr learns just how short-lived their species is, the little alien embarks on a big mission: to find out why their people die and how to stop it. Stubborn and hopeful, Narr has a plan for the locals, for humans, and for the future.

There was a plan. She had the money, the connections, even the brains. It was simple: become one of the only female necromancers, pass as many certifications as she could, get a post near the capital, then… profit. The funny thing about plans is that they are seldom under your control. Now Aelis, a daughter of a noble house and a trained Magister of the Lyceum, finds herself in the far-removed village of Lone Pine. Mending fences and delivering baby goats, serving people who want nothing to do with her. B

Tamsyn Muir’s Gideon the Ninth unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap out of the audio, as skillfully animated as arcane revenants. The result is a heart-pounding epic science fantasy. Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse.

Making a much-anticipated return to the world of Hild, Nicola Griffith’s Menewood transports listeners back to seventh-century Britain, a land of rival kings and religions poised for epochal change. Hild is no longer the bright child who made a place in Edwin Overking’s court with her seemingly supernatural insight. She is eighteen, honed and tested, the formidable lady of Elmet, now building her personal stronghold in the valley of Menewood.

The girl knows she has a destiny before she even knows her name. She grows up in the wild, in a cave with her mother, but visions of a faraway lake come to her on the spring breeze, and when she hears a traveler speak of Artos, king of Caer Leon, she knows that her future lies at his court. And so, brimming with magic and eager to test her strength, she breaks her covenant with her mother and, with a broken hunting spear and mended armour, rides on a bony gelding to Caer Leon.

In the world’s most magical metropolis where spirits run noodle shops and cash-strapped dragons stage photo-ops for tourists, people still think fairies are nothing but stories, and that’s exactly how the fairies like it. It’s a lot easier to feast on humanity’s dreams when no one believes you exist. But while this arrangement works splendidly for most fair folk, Lola isn’t one of the lucky ones.

Light-years from home, it’s Ira’s second chance. Just another anonymous student at a space station university. Not the orphan whose Earther heritage was erased. Not some social experiment put on display by his adoptive father. Not the criminal recruited by the human rebels. But when Ira’s loyalties clash once again, two wars break out: one on the ground and one within himself. Which will Ira stand with? Which will take him down?

Sergeant Adriene Valero wants to die. She can't. After enduring a traumatic resurrection for the ninety-sixth time, Valero is reassigned to a special forces unit and outfitted with a cutting-edge virtual intelligence aid. They could turn the tide in the war against intelligent machines dedicated to the assimilation, or destruction, of humanity. When her VI suddenly achieves sentience, Valero is drawn into the machinations of an enigmatic major who’s hell-bent on ending the war—by any means necessary.

Our universe is ruled by physics, and faster-than-light travel is not possible - until the discovery of The Flow, an extradimensional field we can access at certain points in space-time that transports us to other worlds, around other stars. Humanity flows away from Earth, into space, and in time forgets our home world and creates a new empire, the Interdependency, whose ethos requires that no one human outpost can survive without the others. It's a hedge against interstellar war - and a system of control for the rulers of the empire.

Egypt, 1912. In an alternate Cairo infused with the otherworldly, the Ministry of Alchemy, Enchantments, and Supernatural Entities investigate disturbances between the mortal and the (possibly) divine. What starts off as an odd suicide case for Special Investigator Fatma el-Sha’arawi leads her through the city’s underbelly as she encounters rampaging ghouls, saucy assassins, clockwork angels, and plot that could unravel time itself, in P. Djèlí Clark's Tor.Com Original, A Dead Djinn in Cairo.