Once upon a time that was called 1828, before all the living things on the land and the fishes in the sea were destroyed, there was a man named William Buelow Gould, a convict in Van Dieman's Land who fell in love with a black woman and discovered too late that to love is not safe. Silly Billy Gould, invader of Australia, liar, murderer, forger, fantasist, was condemned to live in the most brutal penal colony in the British Empire, and there ordered to paint a book of fish. Once upon a time, miraculous things happened....

In a triumph of marketing, the Tasmanian salmon industry has for decades succeeded in presenting itself as world's best practice and its product as healthy and clean, grown in environmentally pristine conditions. But what are we eating when we eat Tasmanian salmon? Richard Flanagan's expose of the salmon farming industry in Tasmania is chilling. In the way that Rachel Carson took on the pesticide industry in her groundbreaking book Silent Spring, Flanagan tears open an industry that is as secretive as its practices are destructive and its product disturbing.

Dolly Maunder is born at the end of the nineteenth century, when society's long-locked doors are just starting to creak ajar for determined women. Growing up in a poor farming family in rural New South Wales, Dolly spends her life doggedly pushing at those doors. A husband and two children do not deter her from searching for love and independence.

In 1966, at the age of 10, Martin Flanagan was sent to a Catholic boarding school in north-west Tasmania. Of the 12 priests on the staff, three have since gone to prison for sexual crimes committed against boys in their care. In 2018 and 2019, a series of disclosures about the school appeared on the ABC Tasmania website. Then came the Pell case. What followed was a frenzy of opinions, none of which represented Flanagan's view. The Empty Honour Board is part memoir, a reflection on truth and memory, and what is lost in rushing to judgement.

Spanning the years 1900 to 1977, The Covenant of Water is set in Kerala, on South India’s Malabar Coast, and follows three generations of a family that suffers a peculiar affliction: in every generation, at least one person dies by drowning—and in Kerala, water is everywhere. At the turn of the century, a twelve-year-old girl from Kerala’s long-existing Christian community, grieving the death of her father, is sent by boat to her wedding, where she will meet her forty-year-old husband for the first time.

The Persimmon Tree opens in Indonesia in 1942 on the cusp of Japanese invasion and the evacuation of Batavia (Jakarta) by the Dutch. Seventeen-year-old Nicholas Duncan is on holiday there, in pursuit of an exotic butterfly known as the Magpie Crow. It's an uncertain, dangerous time to be in Indonesia, and Nick's options of getting out are fast dwindling. Amidst the fear and chaos he falls in love with Anna, the beautiful daughter of a Dutch acquaintance, and she nicknames him 'Mr Butterfly'.

Carpentaria is Alexis Wright's second novel, an epic set in the Gulf country of north-western Queensland, Australia. The novel's portrait of life in the precariously settled coastal town of Desperance centres on the powerful Phantom family, leader of the Westend Pricklebush people, and its battles with old Joseph Midnight's renegade Eastend mob on the one hand, and the white officials of Uptown and the neighbouring Gurfurrit mine on the other.

"'Cattle Kings' ye call us, then we are Kings in grass castles that may be blown away upon a puff of wind..." - Patrick Durack, 1878. When Patrick Durack left Ireland for Australia in 1853, he was to found a dynasty of pioneers, and build an empire of cattle-land across the great stretches of Australia. His grand-daughter, Mary Durack, with a profound sense of family history, has rebuilt the saga of the Duracks, a saga that is the story of Australia itself, huge, pioneering, and tremendous in concept.

Hugh and Margaret Darcy are raising their family in Sydney amid the brothels, grog shops and run-down boarding houses of Surry Hills, where money is scarce and life is not easy. Filled with beautifully drawn characters that will make you laugh as much as cry, this Australian classic will take you straight back to the colourful slums of Sydney with convincing depth, careful detail and great heart.

Dorothea Brooke is an ardent idealist who represses her vivacity and intelligence for the cold, theological pedant Casaubon. One man understands her true nature: the artist Will Ladislaw. But how can love triumph against her sense of duty and Casaubon’s mean spirit? Meanwhile, in the little world of Middlemarch, the broader world is mirrored: the world of politics, social change, and reforms, as well as betrayal, greed, blackmail, ambition, and disappointment.