In this episode, Katie Skillington speaks with registered architect and academic at Melbourne University, Jarrod Haberfield. Katie and Jarrod discuss the subject of Jarrod’s PhD, which focused on Art and architecture and the emergence of the art-museum typology. They discuss art’s influence on Jarrod’s architecture work, the role of criticism in art and architecture, and the realities of undertaking a PhD compared to working in an architecture firm.

Hearing Architecture is proudly sponsored by Brickworks. Thank you so much for listening. Thank you so much to our guest, registered architect and academic at Melbourne University, Jarrod Haberfield. Thank you so much for sharing insights from your PhD and what goes into a massive research project like this. We can’t wait to hear more about your work in this area in the future.

Our sponsor Brickworks also produces architecture podcasts hosted by Tim Ross. You can find ‘The Art of Living’, ‘Architects Abroad, and ‘The Power of Two’, at brickworks.com.au or your favourite podcast platform.

If you’d like to show your support please rate, review, and subscribe to Hearing Architecture in your favourite podcast app. If you want to know more about what the Australian Institute of Architects is doing to support architects and the community please visit architecture.com.au

This is a production by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. The Institute production team was Madelynn Jenkins, and Claudia McCarthy, and the EmAGN production team was Katie Skillington and Daniel Moore.

This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time.

In this episode, Daniel Moore speaks with one of the guest keynote speakers at this year's Australian Architecture Conference, Executive Director, Head of Design Studio, and a founder of Allford Hall Monaghan Morris, Paul Monaghan. Paul is a registered architect in the UK, internationally acclaimed with a focus on redefining the built environment. His key projects in workplace design, arts, education, residential and masterplanning sectors have all been recognised with numerous UK and international awards, including the 2015 RIBA Stirling Prize for Burntwood School.

As a strong advocate for better cities, Paul is a member of the UK government’s Office for Place Advisory Board and The Ministry for Housing, Communities and Local Government’s steering group for the establishment of an expert design body working towards greater design quality and community involvement in planning decisions in England. Paul was a member of the advisory group for MHCLG’s Building Better, Building Beautiful Commission, which published its report in 2020. We’re thrilled that Paul will be joining us in person this year at the Australian Architecture Conference. This episode serves as an introduction to Paul's keynote lecture at the conference.

Hearing Architecture is proudly sponsored by Brickworks. Thank you so much for listening. Thank you so much to our guest, UK registered architect, Executive Director, Head of Design Studio, and a founder of Allford Hall Monaghan Morris, Paul Monaghan. Thank you so much for sharing your stories about building better housing in the UK and Europe. We know there is a lot we can learn from your work here in Australia and we can't wait to hear your lecture at this year's conference.

Our sponsor Brickworks also produces architecture podcasts hosted by Tim Ross. You can find ‘The Art of Living’, ‘Architects Abroad, and ‘The Power of Two’, at brickworks.com.au or your favourite podcast platform.

If you’d like to show your support please rate, review, and subscribe to Hearing Architecture in your favourite podcast app. If you want to know more about what the Australian Institute of Architects is doing to support architects and the community please visit architecture.com.au

This is a production by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. The Institute production team was Madelynn Jenkins, and Claudia McCarthy, and the EmAGN production team was Daniel Moore.

This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time.

In this episode of Hearing Architecture, Daniel Moore is speaking with registered architects Ed Lippmann, director of Lippmann Partnership, and Peter Sarlos of Sydney East Architects and special counsel at M&A Lawyers. Daniel, Ed and Peter discuss a case study regarding moral rights in architecture in which one of Ed Lippmann’s projects was involved. Moral Rights provisions in Australia’s Copyright Act expressly recognise and protect the rights of authorship, including the right of attribution, the right against false attribution, and the right of integrity. Ed and Peter take us through the case study where another architect was engaged to undertake work that impacted one of Ed’s projects and how he and the other architect addressed his moral rights as the works were undertaken.

Hearing Architecture is proudly sponsored by Brickworks. Thank you so much for listening. Thank you so much to our guests, registered architects Ed Lippmann, director of Lippmann Partnership, and Peter Sarlos of Sydney East Architects. Thank you so much for sharing your case study on moral rights with us. We look forward to hearing from you again in the future. If listeners would like to know more about the moral rights, copyright laws, and the various codes of conduct relevant to architects, please feel free to visit the Australian Institute of Architects Acumen website at acumen.architecture.com.au to search and download all the relevant practice notes.

Our sponsor Brickworks also produce architecture podcasts hosted by Tim Ross. You can find ‘The Art of Living’, ‘Architects Abroad, and ‘The Power of Two’, at brickworks.com.au or your favourite podcast platform.

If you’d like to show your support please rate, review, and subscribe to Hearing Architecture in your favourite podcast app. If you want to know more about what the Australian Institute of Architects is doing to support architects and the community please visit architecture.com.au

This is a production by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. The Institute production team was Madelynn Jenkins, and Claudia McCarthy, and the EmAGN production team was Daniel Moore.

This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time.