Mia and Finn are busy turning a derelict house into their dream home when Mia unexpectedly falls pregnant. But just when they think the house is ready, Mia discovers a shocking message scored into a skirting board: I WILL SAVE THEM FROM THE ATTIC. Following the clue up into the eaves, the couple make a gruesome discovery: their home was once a real-life murder house, with the evidence still concealed within the four walls.

On a summer evening in 1931, Lilly Blackwood glimpses circus lights from the grimy window of her attic bedroom. Lilly isn't allowed to explore the meadows around Blackwood Manor. She's never even ventured beyond her narrow room. Momma insists it's for Lilly's own protection, that people would be afraid if they saw her. But on this unforgettable night, Lilly is taken outside for the first time - and sold to the circus sideshow.

Growing up on their hardscrabble farm in rural Kentucky, 15-year-old Albertina "Bertie" Winslow has learned a lot from her mama, Polly. She knows how to lance a boil, make a pie crust, butcher a pig, and tend to every chore that needs doing. What she doesn't know, but is forced to reckon with all too soon, is how to look after children as a mother should. When Polly succumbs to a long illness, Bertie takes on responsibility for her four younger siblings and their dissolute, unreliable daddy.  

Ainsley Greenburg is a fixer. It’s what she prides herself on. So when Ainsley realizes her marriage is at its breaking point, she makes a decision to repair it, no matter the cost. Approaching her husband to propose the arrangement is supposed to be the hard part, but Peter agrees to the salacious plan almost immediately. The rules are simple: They will each date someone new once a week. They will never discuss what happens on the dates. Soon, though, the rules are broken, turning terrible mistakes into unspeakable consequences.

Single mum Ellie is shown a missing person post on Facebook. It’s of her three-year-old son, Tyler. But he’s right there, holding her hand. Surely this is some kind of prank – she knows her friend Louise can go too far with her jokes sometimes. And Ellie is used to the other mums gossiping at the school gates. But now the other parents are questioning whether Tyler is really her child. Ellie does everything she can to prove the post is fake, but the longer it goes on she knows it is malicious. Who would do this to her? And why?

The year is 1883, and in New York City it's a time of dizzying splendor, crushing poverty, and tremendous change. With the gravity-defying Brooklyn Bridge nearly complete and New York in the grips of antivice crusader Anthony Comstock, Anna Savard and her cousin, Sophie - both graduates of the Woman's Medical School - treat the city's most vulnerable, even if doing so may put everything they've strived for in jeopardy.

In a small Southern town where loyalty to family and to "your people" carries the weight of a sacred oath, defying those unspoken rules can be a deadly proposition. After 15 years of growing up in the Ozark hills with his widowed mother, high-school freshman Boady Sanden is beyond ready to move on. He dreams of glass towers and cityscapes, driven by his desire to be anywhere other than Jessup, Missouri. The new kid at St. Ignatius High School, if he isn't being pushed around, he is being completely ignored.

Foster sisters Krystal and Nichole have always been there for each other, so when Nichole is committed to a psychiatric hospital after trying to kill her husband, Krystal drops everything to defend her. Scarred by a hard upbringing, Nichole and Krystal managed to construct comfortable lives for themselves. Krystal became a respected lawyer, and Nichole was happily married to an architect - until Nichole starts raving that her husband isn’t her husband, believing that he’s an imposter.

Like many couples, Michael and Jolene Zarkades have to face the pressures of everyday life—children, careers, bills, chores—even as their twelve-year marriage is falling apart. Then a deployment sends Jolene deep into harm's way and leaves defense attorney Michael at home, unaccustomed to being a single parent to their two girls. As a mother, it agonizes Jolene to leave her family, but as a solider, she has always understood the true meaning of duty. In her letters home, she paints a rose-colored version of her life on the front lines, shielding her family from the truth.

Beckett: If you’re reading this, well, you know the last-letter drill. You made it. I didn’t. Get off the guilt train, because I know if there was any chance you could have saved me, you would have. I need one thing from you: get out of the army and get to Telluride. My little sister Ella’s raising the twins alone. She’s too independent and won’t accept help easily, but she has lost our grandmother, our parents, and now me. It’s too much for anyone to endure. And here’s the kicker: there’s something else you don’t know that’s tearing her family apart.