Try free for 30 days
-
Black Country Music
- Listening for Revolutions
- Narrated by: LaNecia Edmonds
- Length: 7 hrs and 20 mins
Failed to add items
Add to basket failed.
Add to Wish List failed.
Remove from Wish List failed.
Follow podcast failed
Unfollow podcast failed
Buy Now for $18.99
No valid payment method on file.
We are sorry. We are not allowed to sell this product with the selected payment method
Listeners also picked
-
Cocaine and Rhinestones
- A History of George Jones and Tammy Wynette
- By: Tyler Mahan Coe, Tyler Mahan Coe
- Length: 25 hrs
- Unabridged
-
Overall
-
Performance
-
Story
By the early 1960s nearly everybody paying attention to country music agreed that George Jones was the greatest country singer of all time. After taking honky-tonk rockers like “White Lightning” all the way up the country charts, he revealed himself to be an unmatched virtuoso on “She Thinks I Still Care,” thus cementing his status as a living legend. That’s where the trouble started.
-
Why Tammy Wynette Matters
- By: Steacy Easton
- Narrated by: April Doty
- Length: 5 hrs and 19 mins
- Unabridged
-
Overall
-
Performance
-
Story
With hits such as “Stand By Your Man” and “Golden Ring,” Tammy Wynette was an icon of American domesticity and femininity. But there were other sides to the first lady of country. Steacy Easton places the complications of Wynette’s music and her biography in sharp-edged relief, exploring how she made her sometimes-tumultuous life into her work, a transformation that was itself art.
-
Eating While Black
- Food Shaming and Race in America
- By: Psyche A. Williams-Forson
- Narrated by: L. Malaika Cooper
- Length: 10 hrs and 34 mins
- Unabridged
-
Overall
-
Performance
-
Story
Psyche A. Williams-Forson is one of our leading thinkers about food in America. In Eating While Black, she offers her knowledge and experience to illuminate how anti-Black racism operates in the practice and culture of eating. She shows how mass media, nutrition science, economics, and public policy drive entrenched opinions among both Black and non-Black Americans about what is healthful and right to eat. Distorted views of how and what Black people eat are pervasive, bolstering the belief that they must be corrected and regulated.
-
Freedom Dreams
- The Black Radical Imagination
- By: Robin D.G. Kelley, Aja Monet - foreword
- Narrated by: JD Jackson
- Length: 10 hrs and 47 mins
- Unabridged
-
Overall
-
Performance
-
Story
First published in 2002, Freedom Dreams is a staple in the study of the Black radical tradition. Unearthing the thrilling history of grassroots movements and renegade intellectuals and artists, Kelley recovers the dreams of the future worlds Black radicals struggled to achieve.
-
Chronicling Stankonia
- The Rise of the Hip-Hop South
- By: Regina Bradley
- Narrated by: Regina N. Bradley
- Length: 4 hrs and 22 mins
- Unabridged
-
Overall
-
Performance
-
Story
Chronicling Stankonia reflects the ways that culture, race, and southernness intersect in the late twentieth and early twenty-first centuries. Although part of southern hip-hop culture remains attached to the past, Bradley demonstrates how younger southerners use the music to embrace the possibility of multiple Souths, multiple narratives, and multiple points of entry to contemporary southern black identity.
-
Maybe We'll Make It
- By: Margo Price
- Narrated by: Margo Price
- Length: 10 hrs and 18 mins
- Unabridged
-
Overall
-
Performance
-
Story
When Margo Price was nineteen years old, she dropped out of college and moved to Nashville to become a musician. She busked on the street, played open mics, and even threw out her TV so that she would do nothing but write songs. She met Jeremy Ivey, a fellow musician who would become her closest collaborator and her husband. But after working on their craft for more than a decade, Price and Ivey had no label, no band, and plenty of heartache. Maybe We’ll Make It is a memoir of loss, motherhood, and the search for artistic freedom in the midst of the agony.
-
-
3 days
- By Anthony on 11-10-2022
-
Cocaine and Rhinestones
- A History of George Jones and Tammy Wynette
- By: Tyler Mahan Coe, Tyler Mahan Coe
- Length: 25 hrs
- Unabridged
-
Overall
-
Performance
-
Story
By the early 1960s nearly everybody paying attention to country music agreed that George Jones was the greatest country singer of all time. After taking honky-tonk rockers like “White Lightning” all the way up the country charts, he revealed himself to be an unmatched virtuoso on “She Thinks I Still Care,” thus cementing his status as a living legend. That’s where the trouble started.
-
Why Tammy Wynette Matters
- By: Steacy Easton
- Narrated by: April Doty
- Length: 5 hrs and 19 mins
- Unabridged
-
Overall
-
Performance
-
Story
With hits such as “Stand By Your Man” and “Golden Ring,” Tammy Wynette was an icon of American domesticity and femininity. But there were other sides to the first lady of country. Steacy Easton places the complications of Wynette’s music and her biography in sharp-edged relief, exploring how she made her sometimes-tumultuous life into her work, a transformation that was itself art.
-
Eating While Black
- Food Shaming and Race in America
- By: Psyche A. Williams-Forson
- Narrated by: L. Malaika Cooper
- Length: 10 hrs and 34 mins
- Unabridged
-
Overall
-
Performance
-
Story
Psyche A. Williams-Forson is one of our leading thinkers about food in America. In Eating While Black, she offers her knowledge and experience to illuminate how anti-Black racism operates in the practice and culture of eating. She shows how mass media, nutrition science, economics, and public policy drive entrenched opinions among both Black and non-Black Americans about what is healthful and right to eat. Distorted views of how and what Black people eat are pervasive, bolstering the belief that they must be corrected and regulated.
-
Freedom Dreams
- The Black Radical Imagination
- By: Robin D.G. Kelley, Aja Monet - foreword
- Narrated by: JD Jackson
- Length: 10 hrs and 47 mins
- Unabridged
-
Overall
-
Performance
-
Story
First published in 2002, Freedom Dreams is a staple in the study of the Black radical tradition. Unearthing the thrilling history of grassroots movements and renegade intellectuals and artists, Kelley recovers the dreams of the future worlds Black radicals struggled to achieve.
-
Chronicling Stankonia
- The Rise of the Hip-Hop South
- By: Regina Bradley
- Narrated by: Regina N. Bradley
- Length: 4 hrs and 22 mins
- Unabridged
-
Overall
-
Performance
-
Story
Chronicling Stankonia reflects the ways that culture, race, and southernness intersect in the late twentieth and early twenty-first centuries. Although part of southern hip-hop culture remains attached to the past, Bradley demonstrates how younger southerners use the music to embrace the possibility of multiple Souths, multiple narratives, and multiple points of entry to contemporary southern black identity.
-
Maybe We'll Make It
- By: Margo Price
- Narrated by: Margo Price
- Length: 10 hrs and 18 mins
- Unabridged
-
Overall
-
Performance
-
Story
When Margo Price was nineteen years old, she dropped out of college and moved to Nashville to become a musician. She busked on the street, played open mics, and even threw out her TV so that she would do nothing but write songs. She met Jeremy Ivey, a fellow musician who would become her closest collaborator and her husband. But after working on their craft for more than a decade, Price and Ivey had no label, no band, and plenty of heartache. Maybe We’ll Make It is a memoir of loss, motherhood, and the search for artistic freedom in the midst of the agony.
-
-
3 days
- By Anthony on 11-10-2022
Publisher's Summary
Black Country Music tells the story of how Black musicians have changed the country music landscape and brought light to Black creativity and innovation.
After a century of racist whitewashing, country music is finally reckoning with its relationship to Black people. In this timely work—the first book on Black country music by a Black writer—Francesca Royster uncovers the Black performers and fans, including herself, who are exploring the pleasures and possibilities of the genre.
Informed by queer theory and Black feminist scholarship, Royster’s book elucidates the roots of the current moment found in records like Tina Turner’s first solo album, Tina Turns the Country On! She reckons with Black “bros” Charley Pride and Darius Rucker, then chases ghosts into the future with Valerie June. Indeed, it is the imagination of Royster and her artists that make this music so exciting for a genre that has long been obsessed with the past. The futures conjured by June and others can be melancholy, and are not free of racism, but by centering Black folk Royster begins to understand what her daughter hears in the banjo music of Our Native Daughters and the trap beat of Lil Nas X’s “Old Town Road.” A Black person claiming country music may still feel a bit like a queer person coming out, but, collectively, Black artists and fans are changing what country music looks and sounds like—and who gets to love it.