Advanced Fiction Writing

Gotham Writers' Workshop has mastered the art of teaching the craft of writing in a way that is practical, accessible, and entertaining. Now the techniques of this renowned school are available in this audiobook. Once you've listened—and written—your way through this book, you'll have a command of craft that will enable you to turn your ideas into effective short stories and novels. You will be a writer.

A creative writer's shelf should hold at least three essential books: a dictionary, a style guide, and Writing Fiction. Janet Burroway's best-selling classic is the most widely used creative writing text in America, and for more than three decades, it has helped hundreds of thousands of students learn the craft.

This is a short book, with just one goal - to teach you the simple principles you can use right now to design a powerful scene before you write it. If you've already written your novel, you can use these same principles to make each scene better.

Are you writing a novel, but having trouble getting your first draft written? You've heard of "outlining," but that sounds too rigid for you. You've heard of "organic writing," but that seems a bit squishy to you. Take a look at the wildly popular Snowflake Method - a battle-tested series of 10 steps that jump-start your creativity and help you quickly map out your story. All around the world, novelists are using the Snowflake Method right now to ignite their imaginations and get their first drafts down on paper. In this book, you'll follow the story of a fictitious novelist as she learns to tap into the amazing power of the Snowflake Method. Almost magically, she finds her story growing from a simple idea into a deep and powerful novel. And she finds her novel changing her - turning her into a stronger, more courageous person.

What is the role of the writer? Prophet? High priest of art? Court jester? Or witness to the real world? Looking back on her own childhood and writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have assumed, what roles they have chosen to play. In her final chapter she takes up the challenge of the title: if a writer is to be seen as "gifted", who is doing the giving and what are the terms of the gift?

Vivian Molloy hardly expected to retire early from teaching, but for her husband, Dave, she'd do anything. But when Dave abandons her after a weekend away, she returns home to their picturesque town in Tasmania, shell-shocked and alone with nothing to fill her days. When an old colleague tries to rope her into teaching a writing class at the local library, Vivian is hesitant. How can she teach with her life falling apart? But it is the people she meets that help her remember who she is.

Writing historical fiction involves more than taking a story and substituting carriages for cars. The historical novelist must do her best to understand the mind-set of the people she writes about, even while she explores the timeless and universal desires common to human beings of every time and place. This book describes historical fiction, tells the writer how to research, construct an authentic historic story world, and make the reader feel as though he or she is in the midst of the action.