The Potteries Girls

Staffordshire, 1911. Money is in short supply for Ginnie Jones’ family, and she is sent to Haddon Workhouse. When she meets Clara and Sam, she hopes that she has made friends for life...until tragedy strikes. Three years later, Ginnie finds work as a mouldrunner at the Potteries, but never stops thinking about her friends. When Sam and Ginnie are reunited, their bond is as strong as ever, until Sam is sent to fight in the war. Can Ginnie find the joy that she’s never had? 

July 1914. Britain is in turmoil as WW1 begins to change the world. While the young men disappear off to foreign battlefields, the women left at home throw themselves into jobs meant for the boys. Hiding her privileged background and her suffragette past, Constance Copeland signs up to be a Clippie on the trams in Staffordshire, despite her parents' disapproval. Constance, known as Connie, soon makes fast friends with lively fellow Clippies, Betty and Jean, as well as growing closer to the charming, gentle Inspector Robert Caldwell.

Needing to find a job, Betty Dean is sent into service at Stowford House. The work is gruelling, and her dreams of making something of herself seem out of reach. When Betty is forced to leave after a scandalous incident, she feels that her life is over—until a new job throws her a lifeline. Meeting Connie and Jean brings the joy of friendship, even if Betty struggles with having to keep secrets from her new pals. When soldier Duncan Kennedy enters Betty's life, it seems that she may finally find the love she's always wanted. But opening herself up to someone new isn't easy.

Martha Owen has not had an easy start in life. Her abusive father dominates the family and she has lost her only friend after a painful falling-out. When her father's reliance on the bottle, and his increasingly violent temper, causes more turmoil for Martha, her mother and her three siblings, as well as World War One causing more strain on the home front, her prospects look bleak. With no money or qualifications to speak of, starting a job at the Potteries feels like a lifeline, but Martha finds herself wanting more than the production line job she works on.