Showing results by narrator "Sarah Bacaller" in All Categories

The Jumblies and Other Nonsense Verses by Edward Lear. Narrated by Denis Daly, Sarah Bacaller, and Lucy Bacaller. These 14 poems have been drawn from the Nonsense Books of Edward Lear.

Frances Hodgson Burnet's 1911 novel is about Mary Lennox, an unloved orphan who journeys from India to Yorkshire to live at Misselthwaite Manor, the home of her uncle Archibald Craven. Under the influence of the beautiful countryside and its kind inhabitants, Mary begins to blossom. She soon discovers there are secrets of many kinds both inside and outside her uncle's estate. In particular, she longs to discover the key to a hidden garden that has been shut away for 10 years. 

Greybeards at Play is a short collection of humorous poetry by celebrated British writer and social commentator, Gilbert Keith Chesterton (1874-1936). Published in 1900, it was Chesterton's first publication. These rhymes and sketches spin witty lyrics around themes such as aestheticism, the philosopher's love of nature, and ill-directed altruism, in true Chestertonian style. 

Ginger Mick has fallen amongst the ANZACS of Gallipoli - but not before entreating his mate Bill to take care of his sweetheart, Rose. Bill sets out with a local minister to 'rescue' Rose from a life of moral and material poverty, unbeknownst to his wife Doreen (or so he thinks!). The adventure unfolds with the humour, larrikinism, Aussie colloquialisms and pathos characteristic of C.J. Dennis.

A Comic Wake: Extrapolations from Acts' offers two essays exploring themes from the New Testament writings known as Acts. The first essay, "Comedy of Christian Faith" explores the nature of comedy, finding parallels in many dynamics of Christian faith and identity. The second essay, "In the Wake of Acts" explores an absence of mourning as a cultural phenomenon in the early Christian community in Acts, and asks what this might indicate regarding Christian faith and hope.  

New South Wales struggled as a new British penal colony, facing drought, famine, social incoherence, and the development of an intransigent military cartel which did not lose any opportunity to exploit the circumstances. Together with an entrepreneurial landowner society led by John Macarthur, they made the task of the Governor, William Bligh (of The Bounty) very difficult. 

The 36 poems, many of which are written in Aussie vernacular, highlight the extraordinary, the comic, and the tragic of daily life in Australia. Quirks of culture, geography, and language are simultaneously caricatured and celebrated, while the challenges and ironies of human experience are touched upon with humor and pathos. Many of these poems first appeared in Australian periodicals during the early 20th century. As a collection, Backblock Ballads and Later Verses was first published in 1918 and includes the notorious mock anthem, "The Austra-laise".

Digger Smith is an Australian soldier who has fought at Gallipoli. An old mate of Ginger Mick's (The Moods of Ginger Mick), he returns from the war to visit the family of a fellow solder, Jim Flood. Narrated by Bill (the protagonist of The Songs of a Sentimental Bloke and a neighbour of the Floods), the story is woven together with sobering reflections and emotive dynamics expressed within a community of neighbours - friends and families of Australia's soldiers.     

Alice Gerstenberg (1885-1972) was an American playwright, actress, and activist. She is best known for her many feminist plays, which often feature female lead characters and all-female casts (a rare occurrence at the time). This is a collection of ten one-act plays, which cover a wide range of topics -highlights include a lighthearted farce involving gossiping women, a satire about dinner parties, and a comedy about the pretensions of conventional theater, but some plays also touch on more serious themes such as death, war, and the effects of an unhappy marriage. 

Stirling addresses themes including ethical relationality, religious language, biblical hermeneutics, political engagement, and Restoration Movement heritage and ethos. This engagement is fuelled by his conviction that the good news of Christian faith can and must speak deeply into the most pressing issues and concerns of human life.      

This is is the second of the verse novels by C.J. Dennis and was published in 1916. It describes the adventures of Ginger Mick, a rough and ready associate of Bill, the major character of The Songs of a Sentimental Bloke. After starting life on the criminal fringes of the dubious neighbourhood of Spadger's Lane, Mick signs up for service in the ill-fated Gallipoli campaign, where he dies a hero's death.

Doreen is a verse-novel by renowned Australian poet, C.J. Dennis (1876-1938). As one of the sequels to the 1915 verse-novel, The Songs of a Sentimental Bloke, it continues to follow the family capers of Bill and Doreen along with their young son. Originally published in 1917, Doreen is a classic work of Australian poetry. 

Less Is More: Hegelian Fragments is a compilation of aphoristic fragments that explore philosophical aspects of human, and specifically Christian, identity. Engaging Hegel in particular, along with a selection of his precursors and recent interpreters, these fragments explore diverse aspects and tensions of human existence through heuristic interpretation of Hegelian themes. This exploration takes the form of compressed aphoristic writing whereby "less is more". 

In this short work, G.K. Chesterton writes with characteristic vivacity as he explores the compelling paradoxes of the book of Job, as found in the Hebrew Scriptures. Armed with keen precision and incisive wit, Chesterton revels in the reversions of expectation found in this story, particularly regarding the character of God. Indeed Chesterton names the God of Job a blasphemer, an atheist...and identifies the loneliness of God as the central idea of the Hebrew Scriptures. Listeners will delight in the twists and turns of Chesterton's thought.

Here Frances Hodgson Burnett describes her delightful encounter with an English robin, who became the inspiration for Mary's little friend in The Secret Garden. Burnett's relationship with the robin, who frequently visits her outdoor writing desk in a rose garden in Kent, unfolds with affection and intimacy. "He was more than a robin," she writes, "He was a soul". 

This grimly picturesque novel by Arthur Morrison was first published in 1897. The central character is Dicky Perrott, an urchin living in the Jago, an extremely squalid district of London's East End. The Jago is based on the Old Nichol slum, which lay at the back of Shoreditch High Street, and which has since been demolished. The novel describes Dicky's futile attempts to escape from the soul-destroying environment of the Jago, with the support of the Reverend Henry Sturt, who was based on the historical East End crusader, Arthur Osborne Jay, to whom the book is dedicated.

An anthology selected and edited by Edward J. O’Brien and John Cournos with an introduction by John Cournos and Edward O'Brien.   

Mavey is excited to sing at the end-of-the-year concert. But the Year Two song has whistling in it, and Mavey can’t whistle. To make matters worse, Mavey’s twin sister Beth has a mighty whistle. Terrified her classmates will laugh at her, Mavey and her family devise a plan to get Mavey whistling. Will Mavey learn how to whistle in time for the big concert? Or will Mavey’s toot stay mute?

Unlike the other verse novels of C. J. Dennis, this collection of 13 poems is focused on political satire. The action is set in the society of an arboreal race, known as Glugs, and described by the author "stupid race of docile folk". Among the targets of Dennis's mocking scrutiny are free trade, social conformity, and extravagant bureaucracy.   

Here, Eliot explores ethical problems inherent in certain strands and styles of Christian evangelical teaching—particularly as displayed in the writings of one Dr. Cumming. While Eliot’s critique is focused on the work of this particular preacher, her insights are enduringly pertinent for those interested in the politics and ethics of religious discourse today. As always, Eliot’s authorial voice is abounding in pathos and concern for contexts of human relationality.