Showing results by narrator "David Timson" in All Categories

This is a story from the The Innocence of Father Brown - Volume 2 collection.

This is a story from the The Innocence of Father Brown - Volume 2 collection..

This is a story from the The Innocence of Father Brown - Volume 2 collection.

This is a story from the The Innocence of Father Brown - Volume 2 collection.

This is a story from the The Innocence of Father Brown - Volume 2 collection.

This is a story from the The Innocence of Father Brown collection. Father Brown is an eccentric priest with his own particular ways of dealing with crime. David Timson, having completed the whole of Arthur Conan Doyle's Sherlock Holmes canon, a remarkable achievement, turns his hand to the genial but certainly not innocent priest!

This is a story from the Lord Arthur Savile's Crime and Other Stories collection.

This is a story from the The Innocence of Father Brown collection. Father Brown is an eccentric priest with his own particular ways of dealing with crime. David Timson, having completed the whole of Arthur Conan Doyle's Sherlock Holmes canon, a remarkable achievement, turns his hand to the genial but certainly not innocent priest!

This is a story from the Lord Arthur Savile's Crime and Other Stories collection.

La Traviata owes its enduring popularity to a superb story of young love and fatal sacrifice, set to music by Italy’s master melodist at the peak of his powers. Interest and poignancy are added by the fact that this is a true story - the baritone ‘heavy’ is Alexander Dumas who wrote The Count of Monte Cristo. But it is the central figure, the heroine Violetta, the archetypal ‘whore with the heart of gold’ who dominates the piece. It is her opera and we love her for it.

This is a story from The Adventures of Sherlock Holmes collection. In this collection are four more individual cases for Mr. Sherlock Holmes, narrated by his faithful friend and admirer Dr. Watson. They dive into the opium dens of London in "The Man with the Twisted Lip," recall the curious history of "The Musgrave Ritual," come face to face with the grisly evidence contained in "The Cardboard Box," and go on a wild-goose chase in "The Adventure of the Blue Carbuncle." The powers of Sherlock Holmes prevail.

Rigoletto is simply wonderful entertainment with superb music. It is also much more - a daring (for its time) attack on aristocratic privilege, a tender love story, and an impassioned appeal on behalf of the disadvantaged, all set to music of such wealth and beauty that, with its sister operas La traviata and Il trovatore, it has defined Italian opera for 150 years. Overcoming initial trouble with the censors, Verdi's Rigoletto was a smash hit at its premiere and has not been out of the repertoire since. It’s not hard to see why.

La sonnambula was written by Bellini as a vehicle for two of the supreme singers of his age and accordingly is a fine example of the school we call bel canto, where beauty of voice and the virtuosity of the singers is integral to conveying the emotions in the soul of the composer. The fact that Bellini was one of the great melodists, writing long, beautiful vocal lines, that he was a master orchestrator and that he could write stirringly for the chorus all conspire to make La sonnambula extremely enjoyable.

Dombey and Son is vintage Dickens and explores the classic themes of betrayal, cruelty and deceit. The novel follows the fortunes of Dombey, a businessman par excellence, who craves a son to inherit his enterprises. His family, and especially his daughter, the sweet and good-natured Florence, bear the brunt of his frustrations.

L’elisir d’amore, or The Elixir of Love, has remained popular for almost two centuries because of a touching tale and a galaxy of comic characters adapted from the traditional commedia dell’ arte. Above all Donizetti poured into the score all the warmth and tenderness of the Italian temperament.

The Barber of Seville is Rossini’s most popular opera. Its effervescent overture (written originally for another work!) presents a perfect platform for the amusing plot in which the barber, Figaro, stage-manages a romance between Count Almaviva and Rosina, and puts to flight the old suitor, Dr Bartolo. "Largo al Factotum" is one of the most popular arias in opera - nearly 200 years after its first performance it is still one of the great show-stoppers.

Ancient Egypt and the war with Ethiopia is the setting for Verdi’s grandest opera. It is the story of the love between Rhadames, the Egyptian general, and Aida, an Ethiopian slave, and the jealousy of Amneris, daughter of the King of Egypt. It was written in 1871 to a commission from the Khedive of Egypt to inaugurate the new opera house in Cairo. Aida generally is considered one of the most spectacular of Verdi’s operas.

Don Giovanni has long been regarded as Mozart’s supreme theatrical achievement. The subject seems unpromising - the last day in the life of the notorious womanizer Don Juan - but the skill of the librettist allied to the genius of Mozart at the very peak of his powers has created a work which is not only highly entertaining but reflects an incredible understanding of the human condition.

Il Trovatore has been ruthlessly parodied. It is a tale of murder and mayhem, burned babies, roasted hags, would-be nuns, strolling minstrels, and bad baritones. And indeed the libretto does call for a willing suspension of disbelief. The reward is in the music, a score as prodigally melodic as only the mature Verdi could write: the "Anvil" chorus, the "Miserere" scene, two great tenor arias, a beautiful baritone aria - a richness without embarrassment.

Here are the six final stories from The Innocence of Father Brown relating the crime-solving adventures of a rather unconventional detective. Having accumulated wisdom and empathy from years of listening to the dark confessions of his parishioners, in a flash Father Brown is able to solve mysteries that confound all others.