Showing results by narrator "Alan Weyman" in All Categories

In Thomas Mann's novella Death in Venice, a distinguished writer's holiday from the burdens of his work turns out very differently from what he expected. By means of the story, Mann explores the relationships between disciplined intellect and ungoverned passion, and between decaying age and youthful beauty, against a background that resonates today in a time of pandemics. It was first published in German (as Der Tod in Venedig) in 1912.

The so-called "Bad Quarto" of Shakespeare's Hamlet is the first known version of this world-famous tragedy. Published in 1603, this text is significantly shorter, has some divergent character names, and contains different renditions of some of the play's most famous lines. Some scholars believe that the Bad Quarto is a pirated edition, written down by one or more of the company actors, while others think that it is Shakespeare's first attempt that he later revised and expanded.

This play is the sequel to "Earth Spirit", in which the adventurous and manipulative Lulu marries and rids herself of three husbands, only to be arrested for the murder of the third. In "Pandora’s Box", Lulu escapes from prison only to be forced in the life of a courtesan. Reduced to desperate poverty, she meets her end at the hands of murderous customer in London. In Wedekind’s sordid morality tale, all Lulu’s main associates suffer premature and unnatural deaths, except for the degenerate Schigolch, who is one of the most unpleasant characters in the European drama.

 A Gallery of Children is A. A. Milne's first published book of prose. It was released after his poetry collection, When We Were Very Young, and prior to Winnie the Pooh. With his characteristic blend of nonsense, wit and warmth, Milne offers 12 short stories of childish endeavour and mishap. They will delight and amuse listeners both young and not-so-young. 

Ebenezer Mac Crotchet, Esq., who has a mixed Scottish and Jewish parentage, has inherited some sterling qualities but is determined to destroy, as much as possible, all vestiges of his extraction. His villa has become a resort for literary and scientific men, with the result that the author easily provides himself with enough characters to introduce his favourite remarks on a wide range of topics, including Ancient Greek, transcendentalism, contagion, education, political economy, and meteorology.   

Unlike most of Peacock's novels, The Misfortunes of Elphin has a distinct plot, built around the adventures of prominent figures of Arthurian legend, like Taliesin, the bard, the princes Elphin, and Seithenyn and King Arthur himself. The drama comes to a satisfactory resolution when Arthur's wife, Gwenyvar, who has been kidnapped by the ambitious King Melvas, is restored to her husband, after some skilful negotiation by Seithenyn and a cunning abbot.

Unlike Peacock's other novels, Maid Marian has a substantial plot, based on the romantic legend of Robin Hood. As is usual with Peacock, the violence is presented in a rather humorous fashion and the characters indulge lavishly in eating and drinking. Beneath the veneer of this well-known and innocuous narrative, Peacock finds ample opportunity to satirize the foibles of church and secular government. 

Hamlet and Macbeth are two of Shakespeare's best-known plays and contain some of the most famous speeches in world literature. These one-act versions of the plays, which were edited by J. P. Crabb (the details of whose life and other works have disappeared into obscurity) retain the significant monologues and dialogues while presenting a streamlined view of the action.

The Green Cockatoo is a short play set in a busy tavern on the night of the storming of the Bastille. Rich Parisian nobles come to watch some actors play at being rogues, thieves, and other criminals, but they quickly find reality and fantasy blending together in the most alarming of ways.

The melodramatic romance by Goethe The Sorrows of the Young Werther, the story of a troubled aesthete who kills himself for love, was first published in 1774 and has since become one of the staples of German literature. Such extravagant productions lend themselves readily to parody and naturally attracted the attention of skilled satirists like Thomas Love Peacock. 

Headlong Hall was the first of his seven novels, all of which display the same structure. There is a faint semblance of a plot, which is merely a device to bring together a bunch of voluble eccentrics, who converse on a wide range of topical issues. Headlong Hall is the rural seat of the ebullient Squire Headlong, who invites a number of philosophers, a clergyman, a musician, a novelist, and a phrenologist, to dine with him and share their views.

These three tales were written for the popular literary gift annual The Keepsake in 1828, 1829, and 1831. Their "sensational" themes include exotic locations, dire misfortune, long-lost kin, stolen identity, evil redeemed, plots resolved by strange coincidences, and in one case at least, an encounter with a supernatural being. Gothic fare.

In the 28 poems of which Maud: A Monodrama consists, a somewhat mentally fragile young man narrates step by step (almost in stream-of-consciousness) the progress and aftermath of his feelings for Maud, whose father, the owner of the neighboring estate and Hall, he blames for his own father's death and his family's ruin. Many of the themes of the work are related to Tennyson's own experiences and those of his close family.

A tender and elegiac tale, William and Mary was first published in The Century Magazine in December 1920 (vol. 101). 

The classic horror story of dual personalities gone too far, this full-cast narration explores the attempts of Utterson, a London lawyer, to investigate the strange occurrences surrounding his friend, Dr. Henry Jekyll, and the shocking discoveries he makes along the way. The impact of this story has been so strong that "Jekyll and Hyde" has become part of our vernacular, referring to those who are outwardly good but inwardly evil. 

Reality is relative. There is no such thing as universal truth. But lies are always lies. From auctions to assassinations, from cosmos to subconscious mind, the roots feeding into these short stories start fine, but thicken and tangle as they grow deeper. Follow these wayward souls through their darkest moments, each beginning with a bang and each trying desperately to avoid ending with the same.

This classic farce was first performed in 1892. Since the record-breaking initial run in London, it has been revived many times around the world in a variety of languages, and has also been adapted for a number of presentations on film. The play incorporates many of the features which have become standard in romantic comedies: a cross dressing central character, identity confusion, young lovers kept apart by parental influence and older lovers unexpectedly reunited.

Richard Dudgeon, who has become an outcast from his puritanical family due to his religious apostasy, returns home on the death of his father. Much to everyone’s surprise, it is revealed that the father changed his will shortly before his death and has left the bulk of the estate to Richard. Now that he is lord of the manor, Richard asserts himself and declares his opposition to the colonial British authorities. Later, he is arrested by the British and sentenced to death but is rescued in the nick of time by a local militia commanded by Anthony Anderson, who, ironically, is a pastor.

According to George Bernard Shaw, Joan of Arc was in fact one of the first Protestant martyrs. She was one of the first apostles of nationalism, and the first French practitioner of Napoleonic realism in warfare. She also refused to accept the specific woman's lot, and dressed and fought and lived as men did. Shaw's exploration of the story of this ingenuous and eponymous heroine is set in six scenes and an epilogue, which takes place in 1456, when the church cleared Joan of the charge of heresy and condemned her accusers of corruption.

A man was hanged in Reading Gaol during Wilde's imprisonment there. In "The Ballad", written after his release, he tells of the horror of the event and its effect on himself and his fellow prisoners. First published 1898, under the pseudonym C.3.3 - the number by which Wilde was known in the prison, consisting of the cell block, landing number and cell number of his cell.