Showing results by author "G.K. Chesterton" in All Categories

This is a new edition of the first collection of G. K. Chesterton's masterful mysteries, The Innocence of Father Brown. Contains 12 thrilling tales, including "The Blue Cross", "The Invisible Man", and "The Sins of Prince Saradine". The audiobook is expertly narrated by British actor Nigel Peever, who brings to life Father Brown and all of Chesterton's marvelous characters.

El conjunto de los relatos del padre Brown constituye quizá la obra más popular de Chesterton. El simpático cura-detective que los protagoniza resuelve en ellos, armado únicamente con su paraguas, su inocencia y su sabiduría, intrincados casos gracias a un conocimiento sencillo a la par que es profundo de la naturaleza humana. Chesterton crea este singular personaje para mostrar que sólo una mirada sincera y que reconozca el misterio que la realidad encierra es capaz de salvaguardar la razón. 

The Man Who Was Thursday: A Nightmare is a novel by G. K. Chesterton, first published in 1908. The book is sometimes referred to as a metaphysical thriller. 

First published in 1922 and filled with evocative portraits of pre-World War I society, these eight stories from the creator of the Father Brown mysteries recount the adventures of Horne Fisher, a socialite who uses his immense knowledge and powerful deductive gifts to investigate crimes committed on the sprawling country estates of the aristocracy - crimes that must, alas, go largely unpunished due to the greater harm that justice would unleash.

Gilbert Keith Chesterton (1874-1936) was an English writer best known for his fictional priest-detective, Father Brown. In 'The Mistake of the Machine', Father Brown pits himself against an early polygraph device to solve a highly puzzling crime.

Ecco come Gilbert Keith Chesterton descrive il fortunato personaggio letterario uscito dalla sua penna: ''La prima caratteristica di Padre Brown è di non avere caratteristiche; la sua importanza, di non apparire importante; e che la sua qualità cospicua quella di non essere cospicuo, e il suo ordinarissimo esterno vuole essere in contrasto con la sua attenzione e la sua intelligenza insospettate. Non è trasandato, ma piuttosto accurato; non è impacciato, ma molto delicato ed accorto".

Another collection of G.K. Chesterton's ingenious, thoughtful, and lyrically written mystery stories featuring the unassuming little priest who solves crimes by imagining himself inside the mind and soul of criminals, thus understanding their motives. The stories are full of paradox, spiritual insight, and "Chestertonian fantasy," or seeing the extraordinary in the ordinary. In the title story, a beautiful (and married) rich woman has taken up with a distinguished poet and Father Brown, rather than reacting as expected, appears to be providing assistance.

Father Brown, an unassuming and shabbily dressed priest, possesses an incredible ability to solve crimes and murders. Here he reveals the secret of his success. He discovers the culprit by imagining himself to be inside the mind of the criminal. This fourth collection of Father Brown stories contains the magnificent "The Chief Mourner of Marne"- a fascinating story with unexpected twists - about a duel and a case of mistaken identity.

In "The Incredulity of Father Brown," G.K. Chesterton treats us to another set of bizarre crimes that only his "stumpy" Roman Catholic prelate has the wisdom and mindset to solve. As usual, Chesterton loves playing with early twentieth-century class distinctions, "common-sense" assumptions, and the often anti-Catholic biases of his characters. He loves showing, through his characters, how those who hold themselves superior to the "fantasies" of Brown's Catholic faith themselves devolve into superstitious blithering when faced with the tiniest of mysteries.

Diminutive, bespectacled, and endearing, Father Brown only appears unworldly. But the cherubic parish priest is privy to the inner workings of the most surprising of sinners. And as an amateur sleuth, he intuits motives for Essex's unsolvable crimes. One of the most beloved characters in 20th-century detective fiction, the kindly cleric leverages his unrivaled insights into human nature to decipher 12 ingenious mysteries from the witty and clever mind of G. K. Chesterton.

London. A candidate for global capital. Centre of an empire. The swift-beating heart of culture. A sprawling metropolis of life’s rich tapestry. And a bewildering Escher cityscape of overlapping and colliding forces. People, streets, buildings interweaving and interchanging. And our eminent writers have the talent and focus to reveal the story that lies beneath the words. 

Gilbert Keith Chesterton was born in Campden Hill, Kensington, on May 29th, 1874. Originally, after attending St Paul's School, he went to Slade to learn the art of illustration. In 1896 he joined a small London publisher and began his journalistic career as a freelance art and literary critic before going on to writing weekly columns in the Daily News and the Illustrated London News. Chesterton's poems range from the virtues and vices of England and the English to his worldview and religious beliefs.

As a poetical movement, Georgian poetry is easy to classify. It began naturally enough in 1910, when George V ascended to the throne of England. Edward Marsh, a civil servant, polymath and arts patron, decided that the verse of that time needed to be seen in its own right and from 1912-1922 set out to publish anthologies. Marsh agreed a deal with the poet and bookseller Harold Munro, who had recently opened The Poetry Bookshop in London’s Devonshire Street to publish the books in return for a share of the profits. 

The indomiitable cleric's gentle expertise in ferreting out the guilty is presented in selected stories, including: "The Absence of Mr. Glass", "The Paradise of Thieves", "The Duel of Dr. Hirsch", "The Man in the Passage", "The Mistake in the Machine", "The Head of Caesar", "The Purple Wig", "The Perishing of the Pendragons", "The Salad of Colonel Cray", "The Strange Crime of John Bounoir" and "The Fairy Tale of Father Brown". 

Both by calling and conviction Father Brown knew better than most of us, that every man is dignified when he is dead. But even he felt a pang of incongruity when he was knocked up at daybreak and told that Sir Aaron Armstrong had been murdered. There was something absurd and unseemly about secret violence in connection with so entirely entertaining and popular a figure. For Sir Aaron Armstrong was entertaining to the point of being comic; and popular in such a manner as to be almost legendary. Why, or more to the point, who killed Sir Aaron?

A man has died. But there's really no mystery in that. His heart failed, that's all. But when Father Brown goes into a room to write down the man's final confession, he is distracted by the strange way in which someone is walking outside his door. From the gait of the queer feet, he deduces all.

From London to Cornwall, then to Italy and France, a short, shabby priest takes on bandits, traitors, and killers. Why is he so successful? The reason is that after years spent in the priesthood, Father Brown knows human nature and is not afraid of its dark side. Thus he understands criminal motivation and how to deal with it.

Valentin, the greatest detective in the world, travels to London on the trail of the most elusive of villains. But a strange trail of clues leads Valentin through London and out into the country. It isn't until the meandering journey's end that the short, moon-faced Father Brown sets Valentin back on his feet.

From London to Cornwall, then to Italy and France, a short, shabby priest takes on bandits, traitors, and killers. Why is he so successful? The reason is that after years spent in the priesthood, Father Brown knows human nature and is not afraid of its dark side. Thus he understands criminal motivation and how to deal with it. The award-winning Colonial Theatre on the Air has dramatized G. K. Chesterton's Father Brown stories from The Wisdom of Father Brown with a full cast, music score, and sound effects.

From London to Cornwall, then to Italy and France, a short, shabby priest takes on bandits, traitors, and killers. Why is he so successful? The reason is that after years spent in the priesthood, Father Brown knows human nature and is not afraid of its dark side. Thus he understands criminal motivation and how to deal with it.