Showing results by author "Dorothy L. Sayers" in All Categories

This anthology of rare stories of crime and suspense brings together 13 tales from the Golden Age of Detective Fiction for the first time in book form, including a newly discovered Gervase Fen novella by Edmund Crispin that has never previously been published. With the Golden Age of detective fiction shining ever more brightly thanks to the recent reappearance of many forgotten crime novels, Bodies from the Library offers a rare opportunity to read lost stories from the first half of the twentieth century by some of the genre’s most accomplished writers.

Wimsey’s mother, the Dowager Duchess of Denver, rings her son with news of ‘such a quaint thing’. She has heard through a friend that Mr Thipps, a respectable Battersea architect, found a dead man in his bath – wearing nothing but a gold prince-nez. Lord Wimsey makes his way straight over to Mr Thipps, and a good look at the body raises a number of interesting questions. Why would such an apparantly well-groomed man have filthy black toenails, flea bites and the scent of carbolic soap lingering on his corpse?

Lord Peter Wimsey has married at last, having finally succeeded in his ardent pursuit of the lovely mystery novelist Harriet Vane. The two depart for a tranquil honeymoon in a country farmhouse but find, instead of a well-prepared love nest, the place left in a shambles by the previous owner. His sudden appearance, dead from a broken skull in the cellar, only prompts more questions. Why would anyone have wanted to kill old Mr Noakes? What dark secrets had he to hide?

When Sandy Campbell's body is found at the foot of a cliff near the small town of Kircdubright, the local constabulary are convinced that the argumentative painter is a victim of a tragic accident. But when Lord Peter Wimsey turns up, the hunt begins for an ingenious killer. Faced with six men, all of whom have a motive for murder, the aristocratic amateur sleuth must deduce which are the five red herrings and which has blood on his hands.

When Harriet Vane attends her Oxford reunion, known as the 'Gaudy', the prim academic setting is haunted by a rash of bizarre pranks: scrawled obscenities, burnt effigies and poison-pen letters - including one that says, 'Ask your boyfriend with the title if he likes arsenic in his soup.' Some of the notes threaten murder, and one of them involves a long Latin quotation, which makes Harriet suspect that the perpetrator is probably a member of the Senior Common Room. But which of the apparently rational, respectable dons could be committing such crazed acts?

When copywriter Victor Dean falls to his death on the stairs of Pym's Advertising Agency, everyone assumes it was an unfortunate accident. His replacement doesn't think so and begins asking a lot of questions. The new man is something of a mystery to his colleagues, and he certainly dresses well considering his meagre writer's salary.

The Mind of the Maker will be relished by those already in love with Dorothy L. Sayers and those who have not yet met her. A mystery writer, a witty and perceptive theologian, culture critic, and playwright, Dorothy Sayers sheds new, unexpected light on a specific set of statements made in the Christian creeds. She examines anew such ideas as the image of God, the Trinity, free will, and evil, and in this text, a wholly revitalized understanding of them emerges.

En sjofel tegning, der flagrer hen over gården i et ellers agtværdigt kvindekollegium, danner optakten til en sag, der er både spændende og sindsoprivende. Hvem dænger kollegiet til med anonyme breve og smudsige kradserier? Hvem gemmer sit vanvid bag et stille ydre? Hvornår går kollegiets onde ånd til angreb, og hvem skal så myrdes? Harriet Vane besøger sit gamle kollegium for første gang efter at være blevet en kendt kriminalforfatterinde - og efter at være blevet reddet fra galgen af lord Peter Wimsey. Nu tager hun kollegiets sag op, selv om den skræmmer hende.

That I, whose experience of teaching is extremely limited, should presume to discuss education is a matter, surely, that calls for no apology. It is a kind of behavior to which the present climate of opinion is wholly favorable. If we are to produce a society of educated people, fitted to preserve their intellectual freedom amid the complex pressures of our modern society, we must turn back the wheel of progress some 400 or 500 years, to the point at which education began to lose sight of its true object, toward the end of the Middle Ages.  

Da krimiforfatter Harriet Vane kommer under anklage for at have forgiftet sin tidligere elsker, forventer alle, at hun skal møde bødlen. Sagen virker åbenlys, og bevisbyrden er inkriminerende, men lord Peter Wimsey er blandt de mange tilskuere til retssagen. Han forelsker sig i den selvstændige, moderne kvinde og sætter sig for at bevise hendes uskyld. Efterhånden som nye omstændigheder kommer for dagens lys, bliver det tydeligt, at mordet handler om andet og mere end ulykkelig kærlighed og følelser af svigt.

Allen im Gerichtssaal, auch dem vorsitzenden Richter, scheint es klar: Die Kriminalschriftstellerin Harriet Vane hat ihren Geliebten mit Arsen vergiftet. Nur einer - und das ist natürlich Lord Peter - findet die scheinbar so klare Beweisführung nicht stichhaltig. Er glaubt an die Unschuld Harriets und das nicht nur, weil er sich Hals über Kopf in sie verliebt hat.

Es bedeutet "Ärger im Bellona-Club", wenn der alte General Arthur Fentiman fast zeitgleich mit seiner Schwester stirbt und dabei ein Erbe von mehreren Hunderttausend Pfund im Spiel ist. Das kann kein Zufall sein, findet zumindest Lord Peter Wimsey, Aristokrat und Amateurdetektiv, und wirft einen Blick in die Abgründe der adeligen Familie Fentiman... Mit viel psychologischem Scharfsinn und schwarzem Humor zeichnet Dorothy L. Sayers ein Bild der englischen Aristokratie der 1920er Jahre.

Es ist so weit: Lord Peter Wimsey heiratet die Kriminalschriftstellerin Harriet Vane. Doch das Eheglück bleibt nicht lange unbeschwert, denn im Keller ihres Flitterwochen-Domizils liegt die Leiche des ehemaligen Besitzers. Darf sich ein Gentleman auf seiner Hochzeitsreise mit Mord befassen?

Eine peinliche Überraschung für den biederen Mr. Tipps: Da liegt doch tatsächlich eines Morgens ein nackter Unbekannter in seiner Badewanne. Und nicht nur das, der Fremde ist auch noch tot. Lord Peter Wimsey interessiert sich natürlich sofort für den skurrilen Fall, zumal fast gleichzeitig ein dem Toten entfernt ähnlich sehender Börsenmakler spurlos verschwunden ist. Fehlt da ein Toter? Christian Brückner liest den aristokratischen Lord Peter mit Charme und britischem Humor.

Lord Peter Wimsey ist "not amused": Im Urlaub erreicht ihn die unschöne Nachricht, dass sein Bruder Gerald des Mordes bezichtigt wird. Auf seine Nachforschungen hin entdeckt Peter zu seinem Entsetzen, dass die Zeugen des Mordes sich in Widersprüche verstricken und letztlich gar seine Schwester zum Kreis der Verdächtigen zu gehören scheint.

In "Aufruhr in Oxford" ermitteln Lord Peter Wimsey und die von ihm umworbene Kriminalautorin Harriet Vane am Elite-College in Oxford. Schülerinnen und Lehrkräfte erhalten Drohbriefe. Eine von einem Messer durchbohrte Strohpuppe hängt an einem Dachbalken. Und Harriet Vane, die wegen einer Jahresfeier an ihrer alten Ausbildungsstätte weilt, entgeht nur knapp einem Mordanschlag. Wer steckt hinter diesen Taten? Und was ist das Motiv?

Peter Wimsey arbeitet inkognito als Texter bei einer Werbeagentur - keine große Herausforderung für einen so charmanten und intelligenten Detektiv, dem es auch an werbewirksamem Wortwitz nicht mangelt. Es geht ihm vor allem darum herauszufinden, wer am Ableben seines Büro-Vorgängers Schuld trägt und ob die Firma womöglich mit einem Rauschgiftring in Verbindung steht.

General Fentiman is found dead on the afternoon of November 11 in his armchair at the Bellona Club—just hours after the passing of his wealthy estranged sister. At ninety years old, his physician certifies death by natural causes. The important question, then, is not how he died, but when, as the answer determines the fate of an inheritance worth half a million pounds. If he died after his sister, her fortune stands to go to his grandsons, who are sorely in need of the funds.

A short story from the British Library Crime Classic collection Final Acts. Detective novelist Dorothy L. Sayers presents a look at morality and motive as playwright John Scales grows angrier and more resentful towards the actor who reinvented his script, and must decide how far he will allow his hatred to take him.