Showing results by author "Alfred Lord Tennyson" in All Categories

A collection of the greatest poetry from the Romantic period, the battlefield and the Victorian era, read by some of the 20th century’s most renowned actors. Themes of war, love, nature, sexuality and much more are played out in these timeless readings of poetry from the 19th and 20th century. 

This poet of Victorian times was held in awe for his magnificent works, including "In Memoriam", "Morte D'Arthur", and "Charge of the Light Brigade". His language and command of vocabulary seem particularly in keeping with the grand sweep of Victorian ambition. Many selections are asembled here and read with great character by Dame Sybil Thorndike, Sir Edward Casson, and Robert Speaight.

A collection of the greatest poetry from the Victorian era, read by some of the 20th century’s most renowned actors. Science, religion and sexuality are played out in these timeless readings of poetry written during the Romantic period.

Lovers of legends know that this is the finest retelling of the story of King Arthur and his Knights of the Round Table; lovers of literature know that this is the greatest of all 19th-century narrative poems. In Tennyson’s gloriously written tale of swashbuckling feats on and off the jousting field, the honour of maidens, knights, queens and kings is won or lost. Above all, the Quest for the Holy Grail spurs the bravest of knights on to deeds of terrifying foolhardiness and courage.

Arguably the most famous poem from Arthurian legend. Lords, ladies, anticipation, and isolation are all interwoven in this tale of longing and resignation. How will the Lady of Shallot be remembered? Classic literature narrated by Glenn Hascall.

The seas and oceans have a mystical power over us: From a playful day at the beach to the hysterical waves of a storm, this ever-changing element evokes both beauty and fear; its great mass, its shimmering beauty, its raging howl and all in colours from blue to grey to green and crystal clear. In these collections of verse our poets - including Tennyson, Swinburne, Keats, Shelley, and many others - explore the relationship between ourselves and the great mystical waters.

Hero and Leander is a Greek myth concerning the tragic story of two lovers. One was a priestess of Aphrodite who lived in a tower in Sestos, and the other a young man from Abydos on the opposite side of the strait. Leander fell in love with Hero and would swim every night across the Hellespont to spend time with her, with Hero's lamp at the top of her tower as his guiding light, and they shared a warm summer of love. 

Timeless poetry for moments of reflection and contemplation. The masters of literature brought together in this unique program.

The lyrical ballad The Lady of Shalott is one of Tennyson's best-known and best-loved poems. It is based on the story of Elaine of Astolat, a figure from Arthurian legend, who dies from her unrequited love for Sir Lancelot. The subject matter provided inspiration for many of the Pre-Raphaelite painters. Tennyson published two versions of the poem, both of which are included in this recording. The first was written in 1832, and the second—the better-known of the two versions—in 1842.

This collection contains several of Tennyson’s best-known poems and shows his mastery of both lyricism and epic narrative.

 "Locksley Hall" is a dramatic monologue written in 1835 and published in 1842. Tennyson explained that the poem was not autobiographical but purely imaginary, "representing young life, its good side, its deficiences and its yearnings".

 This lyrical ballad is one of Tennyson's most famous poems. The subject, the tragic passing of a reclusive noblewoman, was suggested by a 13th-century Italian romance, the Donna di Scalotta. 

This evocative poem was first published in 1832 but republished in 1842 with extensive alterations.

In the 28 poems of which Maud: A Monodrama consists, a somewhat mentally fragile young man narrates step by step (almost in stream-of-consciousness) the progress and aftermath of his feelings for Maud, whose father, the owner of the neighboring estate and Hall, he blames for his own father's death and his family's ruin. Many of the themes of the work are related to Tennyson's own experiences and those of his close family.

Read by award-winning narrator Mike Vendetti. "Tis better to have loved and lost, than never to have loved at all." Comes from this poem. 

"Theirs not to make reply, Theirs not to reason why, Theirs but to do and die". A lament of airman, soldier, sailor, and marine throughout history from Lord Tennyson's 1854 poem based upon a charge of British light cavalry led by Lord Cardigan against Russian forces during the Battle of Balaclava on 25 October 1854 in the Crimean War. 

Award-winning narrator Mike Vendetti performs Tennyson’s oft quoted poem Ulysses, a work that has withstood the test of time.

The office of Poet Laureate goes back many centuries - informally to the time of Geoffrey Chaucer in 1389 and followed thereafter by a number of ‘volunteer laureates’. It was formally assigned to Ben Jonson in 1617 and, as a Royal office by letters patent in 1670, to John Dryden. It is a rich, rewarding history that bursts with the words, themes and visions of many great poets that has bound poetry and poets to a nation's soul.

Over the far horizon the blanket of night begins to slowly dissolve. The sun is once more on its daily journey across the heavens. The light begins to sharpen and increase in intensity, revealing the landscape. Morning has begun, and dazed heads and sleepy faces come to terms with the new day. Our poets capture the mood, the emotions and all manner of other details in their descriptions of this time. But then with the calibre of wordsmiths such as Tennyson, Wordsworth, Milton, Southey, Donne and many more besides, we are almost spoilt.

The office of Poet Laureate is a high honour amongst poets. The ancient Greeks had the first idea, and their heroes and poets wore wreaths of laurel in honour of the god Apollo. Many countries now have a laureate, as do many societies and organisations. But perhaps ranked first among them all is that of our own Poet Laureate. Unfortunately no single authentic definitive record exists of the office of Poet Laureate of England. In some form it can be traced back to 1189 and Richard Canonicus, who was employed by Richard I with the title 'versificator Regis'.