Showing results by author "Virginia Woolf" in All Categories

Med sine tanker om kvinnen som selvstendig individ med økonomisk og arbeidsmessig uavhengighet, fikk boken en banebrytende betydning for kvinnefrigjørelsen, og er fortsatt et sentralt verk i feminismen og den feministiske litteraturkritikken. Tankene hennes blir gjennom undersøkelser av natur og institusjoner, besøk og middager, lagt fram med humor, sinne, ironi og skarpsindighet, og den historiske gjennomgangen av kvinnelige forfattere blir blandet med fiktive forestillinger.

“Mrs Dalloway sa at hun ville kjøpe blomstene selv.” Med denne senere så berømte setningen innledes romanen, som utspiller seg en sommerdag i London i juni 1923 hvor Clarissa Dalloway forbereder et middagsselskap. I løpet av dagen skjer det flere ting som fører til en rekke overveielser og assosiasjoner knyttet til tidligere begivenheter. Mannen hennes har, til hennes utilfredshet, blitt invitert til lunsj uten henne hos Lady Bruton, hvis animerte lunsjer er berømte i de høyere sosiale lag.

Ante la enormidad de la vida, con sus largos años y su final que pareciera que nunca llegará, ¿qué nos motiva a vivirla? Cuando un viaje prometido de una madre a un hijo se ve aplazado en el tiempo, movida desde el futuro cercano a la perpetuidad, ¿Qué se siente saber que el viaje nunca llegará? La residencia Ramsay conocerá la muerte y la pérdida a medida que venga. Son aspectos inseparables de la vida, pero a la vez lo son el amor y la euforia de conocerse a sí mismo en el transcurso de los años.

Uno dei primi romanzi della scrittrice, in cui viene utilizzato definitivamente lo stile del "flusso di coscienza", monologhi interiori dei vari personaggi che si incontrano, casualmente o meno, percorrono le stesse strade, i parchi, i salotti, della Londra del 1925. Particolari apparentemente insignificanti come la forma delle nuvole assumono una importanza pari o superiore a quella delle vicende personali di donne e uomini; la vita scorre senza soluzione di continuità da una coscienza all'altra.

Within our minds, time flows eternal in parallel streams, carrying a host of memories and conflicting emotions and we are connected by webs of intermittent visibility to the lives of many whom we have never even met. This is what we come to realise as we join Clarissa Dalloway on a fine June day in 1923, as she prepares a party she is giving that night for London's social and political elite. Virginia Woolf's often teasing portrait of British characters at every level of society remains remarkably accurate to this day.

To the Lighthouse is one of Virginia Woolf's most autobiographical works, and since she was an active member of the Bloomsbury Set, it inevitably echoes the once revolutionary thoughts that were to shape our world. Set in the pivotal years spanning World War I, it describes a gathering of artists, intellectuals and children at the Ramsays' holiday home in the Scottish Isles. Guided through their parallel streams of consciousness, we are given a poignant sense of the isolation coexisting with togetherness, and of a permanence that can survive the seeming transience of life.

Jacob Flanders is a uniquely ambiguous protagonist: he is defined almost entirely by others’ impressions and is nearly unknowable as a result - but that does not at all detract from the vitality of Virginia Woolf’s story. In her experimental first novel, she tracks Jacob through the seemingly mundane early years of his life - from a boyhood trip to the Cornwall coast to his college years at Cambridge to his time as an adult in London and Greece - before arriving at his shocking, even tragic, entry into war.

The short stories written during and about World War I are often overshadowed by the excellent verse of the War Poets. Yet the short story is perhaps their equal in other ways. Within these succinct little time capsules of words are captured ideas, attitudes, feelings and life that are expressed in a few minutes just as movingly, imaginatively and tellingly as in any other form. Some of these stories will be familiar, but some may not. From Virginia Woolf to Katharine Mansfield and John Buchan to C. E. Montague, various writing styles try to make sense of this world at war.

At some point in our lives we believe that creak, that low moan, that whisper is something unnatural, beyond our comprehension. And in these stories our instincts are right. We are afraid. And we should be. Perhaps even terrified. In this volume our classic authors take different approaches, but the result is inevitably the same. We are hooked by these unknowable forces, our emotions heightened and rattled by the expectation - or shock - of the next few words.

We are captivated by colour. It seeps into our emotions, our vistas. It’s part of everyday life. Sometimes its part of something much darker. Our eminent authors in this volume bring you colours of every shade. From the terror of HP Lovecraft and the shadowed world of Edith Nesbit to the wordplay of Virginia Woolf - as well as many others. Color in all its light and shades, hues and tints is brought to the fore by these exceptional writers.

NBC University Theater initially started in Chicago with a remit to bring adaptations of classic novels, usually Anglo-American, to a radio audience. In its later years, it also included short stories and plays and went on to win the distinguished Peabody award. University Theater relied on excellent distillations of the novels and first-class acting alongside high production values.

Jacob’s Room was written in 1922 and is Virginia Woolf’s third novel; the first in which she made a radical shift from the established style of prose narrative writing and began experimenting with the modernist "stream of consciousness style" now so firmly associated with her work and that so shook the literary establishment. Jacob’s Room is overwhelmingly centered around feelings of absence and emptiness and is a collection of memories and sensations that chart the life of Jacob Flanders, largely observed through the eyes of others.

Here are short stories by the incomparable Virginia Woolf, including the story that was the original basis for the novel Mrs. Dalloway.

A party of English people is aboard the Euphrosyne, bound for South America. Among them is Rachel Vinrace, a young girl, innocent and wholly ignorant of the world of politics and society, books, sex, love and marriage. She is a free spirit half-caught, momentarily and passionately, by Terence Hewet, an aspiring writer who she meets in Santa Marina. But their engagement is to end abruptly, and tragically. Virginia Woolf's first novel, published in 1915, is a haunting exploration of a young woman's mind.

Baseado em palestras proferidas por Virginia Woolf nas faculdades de Newham e Girton em 1928, o ensaio Um teto todo seu é uma reflexão acerca das condições sociais da mulher e a sua influência na produção literária feminina. A escritora pontua em que medida a posição que a mulher ocupa na sociedade acarreta dificuldades para a expressão livre de seu pensamento, para que essa expressão seja transformada em uma escrita sem sujeição e, finalmente, para que essa escrita seja recebida com consideração, em vez da indiferença comumente reservada à escrita feminina na época.

Una casa encantada se centra en la historia de dos parejas que comparten la misma casa, con la peculiaridad de que una de ellas es un matrimonio de espectros. El relato es muy breve, pero es suficiente para que Virginia Woolf comience a experimentar en sus teorías narrativas.

Mrs Dalloway said she would buy the gloves herself. Big Ben was striking as she stepped out into the street. It was eleven o'clock and the unused hour was fresh as if issued to children on a beach. But there was something solemn in the deliberate swing of the repeated strokes; something stirring in the murmur of wheels and the shuffle of footsteps. No doubt they were not all bound on errands of happiness. There is much more to be said about us than that we walk the streets of Westminster. Big Ben too is nothing but steel rods consumed by rust were it not for the care of H.M.'s Office of Works.

Elegantly covering topics such as the nature of reality, the power of memory and the priceless value of literature, in this sophisticated collection of essays, Woolf more than ever focuses her attention on the fleeting moments of life that meaningfully shape the human experience. In the title essay, The Moment, she pursues the powerful, albeit brief, moments that enable a potent feeling of being utterly understood, and consequently, wholeheartedly alive.

Orlando is the extraordinary biography of a young nobleman in the court of Elizabeth I who transforms into a woman and lives for over three centuries. In his youth, Orlando is a passionate lover and poet. He dotes on the Queen, serves King James faithfully, falls deeply in love with a Russian princess, and becomes an ambassador to Constantinople, but at his heart all Orlando ever wants to be is a great writer (and living at the same time as Marlowe, Donne, and Shakespeare, this is no easy thing). But while living in Constantinople, one evening Orlando is transformed into woman.

Adeline Virginia Woolf (January 1882-1941) was an English writer and one of the preeminent modernists of the 20th century. Her stories often seem to take the form of a stream of consciousness. 'A Haunted House' tells the story of a ghostly couple flitting from one room to the next in search of their hidden treasure...but what is it?