Showing results by narrator "Amanda Friday" in All Categories

According to George Bernard Shaw, Joan of Arc was in fact one of the first Protestant martyrs. She was one of the first apostles of nationalism, and the first French practitioner of Napoleonic realism in warfare. She also refused to accept the specific woman's lot, and dressed and fought and lived as men did. Shaw's exploration of the story of this ingenuous and eponymous heroine is set in six scenes and an epilogue, which takes place in 1456, when the church cleared Joan of the charge of heresy and condemned her accusers of corruption.

Fresh off his victory at The Battle of Lodi, Napoleon is planning to enjoy his lunch when a lieutenant arrives with the bad news that the dispatches he had been carrying were stolen. Infuriated, Napoleon threatens him with being court-martialed unless he can recover them. A woman appears who claims to know about the theft. Unconvinced of her story, Napoleon and the woman enter into a battle of wits in true Shaw style. Will the conqueror of worlds end up conquered by a woman?

The action of this play, which occurs during a conflict on the Balkans, is initiated by the discovery by Raina, the daughter of an military officer, of a man who has taken refuge in her bedroom. Unfortunately, the man belongs to the opposing army. How will she deal with a notional enemy who behaves with such quixotic courtesy?

Anatol, one of Arthur Schnitzler's earliest works, concerns the life of a shallow and immature playboy, who has multiple dalliances with various women but suffers from a crippling fear of commitment underneath his womanising facade. The play offers sharp social commentary on the themes of toxic masculinity and fidelity, and has been adapted in English to two different musicals: The Game of Love and The Gay Life.

Hedda and George Tesman have just returned from their six-month honeymoon tour of the Tyrol. George, a studious and somewhat dull academic has spent most of the time continuing his research. Hedda, the daughter of the celebrated, aristocratic General Gabler, recently deceased, has been accustomed to the finer things in life. She is already bored in her marriage and diverts herself with her father's pistols and the attentions of family friend, Judge Brack.

Carlo Collodi's whimsical recasting of the myth of Pygmalion and Galatea was first published in 1883 and has since become an established classic of children's literature. Geppetto, a poor wood carver, receives a piece of wood from which he carves a marionette. Much to his surprise, the puppet springs to life and embarks on a wild series of adventures.

Ten years after a tragic incident on the lake, an AA meeting in a small, religious town in the deep south of the USA descends into bitterness and chaos when a flood hits. Trapped within the local church, tempers escalate and well-buried secrets begin to emerge. Personalities clash, reputations are dissected and questioned, and everybody's demons are laid bare.

Cutting Room is set in the "Town Welfare Department" of a town in the Midlands, Burtonwood, during public sector cuts. Four characters (David, Lucy, Ian, and an intern, Anne) have to take calls from members of the public complaining about the loss of public services, with the boss Harry coming in occasionally to offer cheerful but often useless encouragement. As the cuts continue, tensions run high, with Ian in particular taking his anger and frustration out on the secretary, Tilly. At the play's conclusion there is a surprising twist.

Scorned by her 17th century New England Puritan village, Hester Prynne struggles to raise her precocious daughter, Pearl, who is the result of an affair and whose father is unknown. Despite being forced to wear a scarlet letter A as a brand for her adultery, Hester tries to live a life of repentance and dignity. Pearl's father comes forward as he is struggling under the weight of his own shame and sin.

When a young child, a traumatic event happens to Duncan which blocks out all memories of the supernatural his family is a part of. When he and his wife Molly are witness to a strange sighting on the Bremerton ferry in the waters of The Puget Sound, he's thrust into the paranormal, whether he likes it or not. In reporting the drowning, Duncan and Molly become uncomfortable with the state trooper sent to question them. That combined with the outrageous nature of what they saw, causes them to not report all they’d witnessed.

Hands Around, also known as La Ronde or Reigen, is possibly Schnitzler's most provocative and controversial work. In a series of 10 conversations occurring before or after a sexual encounter, between 10 pairs of characters from all walks of life, Hands Around offers a playful scrutiny of the sexual morals and class ideology of the era.

A Doll's House, published in 1879, was the earliest of Ibsen's "social dramas", and the first of his works to attract attention outside of Scandinavia. The central theme of the play is a woman's right to individual self-development, and represents, as humourist Stephen Leacock observed of many Ibsen plays, "a profound problem stated but not solved".

Margaret Campbell lost her family to war between the humans and the magical folks. Only, the humans had magical help from those seeking power. Margaret does not know of her heritage, but seeks out her family's history as an adult. In returning to the village for the first time since the massacre, strange feelings and memories begin to resurface. In her quest to find herself and people like her, Margaret steps into the very war which had claimed her parents. More, the others seem to think she needs to lead them.

Valerie is an adrenaline junkie with a weakness for surfer boys and long swims at night. As her beach resort honeymoon draws to a close, she sets her sights on three locals for a night of scandal and indulgence.

This play forms part of a tetralogy which focuses on one of Wedekind's obsessive themes: the destructive interplay between primal sexual urges and social convention. Each play revolves around a powerful young female character, who has the power to control and captivate men, but who in turn is destroyed by the exercise of that power. In Castle Wetterstein, that role is represented by Effie, the young daughter of a bourgeois widow, who is being courted by the man who killed her late husband in a duel.

Two British members of Parliament - one an elder conservative, the other a younger man with a liberal bent (and an eye on the older man's daughter) face a difficult choice. Some stranger has left each of them a considerable fortune on condition they give up their well-respected family names and adopt that of Wurzel-Flummery.

Edith Nesbit's trilogy about a group of children who encounter a sand fairy and, through his intercession, embark on a wild round of adventures has been a staple of juvenile literature since the first volume was published in 1902. The three books are Five Children and It (1902), The Phoenix and the Carpet (1904), and The Story of the Amulet (1906).

This book contains two plays by Henrik Ibsen. Norma is a satirical opera designed as a dramatic parody of Vincenzo Bellini's opera Norma, in which the characters are portrayed as central figures in the political life of contemporary Norway. St. John's Night is a fairy-tale comedy that takes place during a midsummer feast on a farm in Telemark. It is inspired by many sources, most notably A Midsummer Night's Dream by William Shakespeare, and features many of the same themes.

Lovers' Vows is Elizabeth Inchbald's controversial adaptation of the German play Das Kind der Liebe (The Love Child) by August von Kotzebue. Though it met with great success both on stage and in print, some were concerned discussion of premarital sex and the leveling of social rank. Today, it is best known as the play that the Mansfield Theatricals rehearse in Jane Austen's Mansfield Park.

This play forms part of a tetralogy which focuses on one of Wedekind's obsessive themes: the destructive interplay between primal sexual urges and social convention. Each play revolves around a powerful young female character, who has the power to control and captivate men, but who in turn is destroyed by the exercise of that power. In this play, the dominant female is Fräulein Elfriede von Malchus, an idealistic crusader who visits a brothel operated by the cynical impresario Casti-Piani in order to rescue a young woman who has fallen into his clutches.