Showing results by author "E.F.Benson" in All Categories

E. F. Benson's (1867-1940) ghost and supernatural stories are marvellous jewels, that combine elegant writing with moments of blood-curdling horror. This collection comprises thirteen of his finest stories: The Man Who Went Too Far; The Horror Horn; The Other Bed; Gavon's Eve; The Room in the Tower; Ali Abdul's Grave; How Fear departed from the Long Gallery; The Shootings of Achnaleish; The Dust-Cloud; The Confession of Charles Linkworth; Caterpillars; At the Farmhouse; The Bus-Conductor.

The Man Who Went Too Far: A Ghost Story by E. F. Benson opens one summer’s day in a beautiful, sequestered garden on the edge of the New Forest. A forty-something artist visits a friend to recuperate from a debilitating illness but is staggered to discover him looking remarkably young and oddly vibrant. He listens as this ‘boy’ explains his new found philosophy, expands on the delight he takes in the natural world all around him and describes the strangely haunting music he has begun to hear in the woods and among the reeds.

Darkness falls. The undead rise to feast on the succulent blood of the living. For years vampires have fascinated great writers of the occult such as De Maupassant, Count Stenbock, E. Nesbit, and E.F. Benson. This is The Story Circle's collection of some of their spine-chilling tales told by award-winning actors.

E. F. Benson's ghost story In The Tube is posited as an exposition of a vast metaphysical question that we as human beings cannot understand. Our suppositions of time and space are taken to task. This is fiction with historical significance.

Darkness falls. The undead rise to feast on the succulent blood of the living. For years vampires have fascinated great writers of the occult such as De Maupassant, Count Stenbock, E Nesbit and EF Benson. This is The Story Circle's collection of some of their spine-chilling tales told by award-winning actors.

A recurrent dream you have goes on for years and years. Well, actually, it’s not a dream, it is, most assuredly a nightmare. Every night in sleep, you encounter the same people, you hold the same conversations, you witness the same disturbing sights and invariably you wake up in a muck sweat, screaming, believing yourself to be in the room in the tower. But it’s just a nightmare, nothing to it, nothing remotely tangible, until… This is the premise of E. F. Benson’s celebrated ghost story, ‘

Here are some truly spooky stories, given a spine-tingling read by Richard Pasco. The stories include "The Mark of the Beast" by Rudyard Kipling, "Aurelia" by E.T.A. Hoffmann, "Ligeia" by Edgar Allan Poe, "Mrs. Amworth" by E.F. Benson, and "Dracula's Guest" by Bram Stoker.

In the beautiful Villa Cascana on the Italian Riviera, all is not as it seems. Why does the hostess leave a perfectly charming bedroom unoccupied? Why does Arthur Inglis present our hero with a caterpillar in a cardboard pill-box one lunchtime? And rather more bizarrely, why do luminous, bloated and gigantic versions of this creature haunt his dreams? Or could it possibly be that he is wide awake?

While staying at a friend’s house in an apparently humdrum London suburb, the sceptical Hugh Grainger sees and then converses with an unsettling stranger from his bedroom window in the very dead of night. But what could be the meaning of this curious visitation? ‘Hold very tight, please!’ E. F. Benson is well known for his Mapp and Lucia novels but his ghost and supernatural stories are marvellous jewels, combining elegant writing and moments of blood-curdling horror. Here Greg Wagland narrates one of the best of them, for Magpie Audio.

Taking a winter holiday in a splendid resort in the Swiss Alps our hero finds himself billeted in a surprisingly large room, furnished with two beds. He checks with the man at the bureau, but there’s no mistake: it’s all his, a veritable snip at 12 francs a night! What a stroke of luck! And what could possibly connect this alpine idyll with Boston, Massachusetts? E. F. Benson is well known for his Mapp and Lucia novels but his ghost and supernatural stories are marvellous jewels, combining elegant writing and moments of blood-curdling horror.

The Horror Horn is set in the Swiss Alps and opens in the cosy lounge of a resort hotel, where a string ensemble strikes up with the sugary strains of Puccini. Our hero is further entertained to an unlikely yarn of savage sub-humans living near the Ungeheuerhorn, or Horror Horn, a forbidding mountain peak nearby. Next day, a skiing trip to St. Luigi in the next valley to lunch with a friend marks the start of an unexpectedly terrifying adventure. The Horror Horn is not a ghost story as such: the creatures in it are most definitely flesh and blood and they are hungry!

With tongue firmly implanted in cheek, Benson introduces us to a world full of snobs, hypochondriacs, faddists, and social climbers. Some of the titles include "The Compleat Snob", "Aunt Georgie", "The Poison of Asps", "The Eternally Uncompromised", "The Grizzly Kittens", and "The Praisers of Past Time".

1932 im Örtchen Maxley im ländlichen Sussex: der Pensionär Emmet Foster und der Professor im Ruhestand Francis Urbridge, Experte für alles Okkulte, sind Nachbarn in dem kleinen verschlafenen Städtchen, durch dessen Mitte die Landstraße führt, die London mit dem Küstenort Brighton verbindet. Mit dem Zuzug der mysteriösen Mrs. Amworth, die lange in Indien gelebt hat, beginnen merkwürdige Dinge in Maxley zu geschehen...

Sussex, 1912: Beängstigende Alpträume plagen Clive Fellows über Jahre hinweg und prophezeien ihm einen schaurigen Aufenthalt in einem Turmzimmer. Als er von einem neuen Freund in dessen Anwesen eingeladen wird, um dort die Nacht zu verbringen, scheint sich der Traum zu bewahrheiten. Ausgerechnet im Turm soll er untergebracht werden, und dieser kommt ihm merkwürdig bekannt vor, vor allem das dort hängende Portrait.

Die Gruselkabinett Hörspiel Box 26 beinhaltet die Geschichten: "Verlorene Herzen", "Mrs. Amworth", "Das ägyptische Parfüm", "Allerseelen".

Bobby is an accomplished and charming pianist who has befriended a number of rich elderly widows and spinsters, each of which he refers to as 'aunt'. He already has his own Bechstein grand piano, plus another concert grand which was (touchingly but highly inconveniently) left to him by a late 'aunt'. Now various of his other 'aunts' are also keen to offload their grand pianos on him....

Fifty terrifying short stories from the great classic horror writers: 1. 'Pigeons from Hell' by Robert E. Howard 2. 'Pickman’s Model' by H. P. Lovecraft 3. 'The Horror Horn' by E. F. Benson 4. 'The Fearsome Touch of Death' by Robert E. Howard 5. 'The Terrible Old Man' by H. P. Lovecraft 6. 'The Step' by E. F. Benson 7. 'Dagon' by H. P. Lovecraft 8. 'The Dream Snake' by Robert E. Howard 9. 'Caterpillars' by E. F. Benson 10. 'The Clock' by W. F. Harvey 11. 'In the Forest of Villefore' by Robert E. Howard

A creepy collection of the very best Gothic tales from the masters of suspense, horror, supernatural and occult fiction. 1.The Room in the Tower by E. F. Benson 2. Afterward by Edith Wharton 3.The Green Light by Barry Pain 4. Fingers of a Hand by H. D. Everett 5. The Squaw by Bram Stoker 6. The Dancing Partner by Jerome K. Jerome 7. Lost in a Pyramid by Louisa M. Alcott 8. The Girl who was Tired of Love by Leonard Merrick 9. The Parasite by Sir Arthur Conan Doyle 10. The House with the Brick Kiln by E. F.

Discover the enchanting world of E.F. Bensons second collection of short stories, Visible and Invisible. Within these pages, youll find tales infused with the authors signature flair for melodrama and the macabre, often straddling the line between the extraordinary and the eerie. These stories explore the depths of the human spirit, presenting a delightful mix of quirky charm and haunting power. Some narratives may feel quaint, while others have earned the admiration of the genres most esteemed authors. Join us on this captivating journey through the visible and the unseen. - Summary by Andy ...

London 1912: Ist der verurteilte Mörder Charles Linkworth in Wahrheit unschuldig? Nach dessen Hinrichtung wird der zuständige Gefängnisarzt von Erscheinungen gepeinigt, die er sich nicht erklären kann. Schnell wird klar, dass der Verbrecher gar nicht so tot ist, wie es den Anschein hatte - und dass er noch eine Rechnung im Diesseits zu begleichen wünscht.