Showing results by narrator "Peter Coates" in All Categories

In this short story, the familiar king, Midas, is provided a rich backdrop and setting, inviting listeners into a world ripe with possibilities and unknown outcomes. With superb narration delivered by Peter Coates, Midas: The Dream is brought to life in the most unimaginable and delightful manner.

The discovery of the body of a German war hero in a desolate wooded section of Rock Creek Park in Washington DC and the ghoulish portrait of a face on the internet are the catalysts which trigger this thrilling tale. Journalist Mike McCabe is drawn into the investigation which uncovers incidents of the Second World War, long kept secret by the US authorities and their modern security agencies determined to suppress any embarrassing disclosures.

In a quiet farmhouse, the ordinary folds into the unseen. A Jury of Her Peers turns a simple domestic scene into a mirror of justice, conscience, and the unspoken weight of women's lives. With spare, careful strokes, Susan Glaspell reveals how silence can testify and how understanding sometimes takes root where authority fails.

In this brief, haunting tale, Stephen Crane casts a quiet, unflinching gaze at innocence, cruelty, and the strange bargains we make in the name of love. Told in spare, evocative prose, A Dark Brown Dog is more than it appears — a fable with no moral, a friendship with no promise, a home with no safety.

In The Three Strangers, Thomas Hardy offers a quietly ironic tale shaped by weather, custom, and the unpredictable drift of human fate. Set against the backdrop of rural Wessex, the story unfolds on the border between the ordinary and the uncanny — a place where identity flickers and appearances mislead. With his signature restraint, Hardy lets the narrative circle slowly inward, revealing not only the secret at its heart, but something of the way justice, chance, and character meet in the dark folds of the countryside.

This is complete collection of American author of horror, fantasy, and science fiction. His works were deeply pessimistic and cynical, challenging the values of the Enlightenment, Romanticism, and Christian humanism. Stephen King has called Lovecraft "the twentieth Century's greatest practitioner of the classic horror tale.

The Cthulhu Mythos of Henry Kuttner features a series of interconnected stories that explore the dark corners of the universe, where ancient gods and unspeakable horrors lurk just beyond the veil of reality. Kuttner's masterful storytelling heightens the atmospheric tension of each narrative.

Carson moves into an old house in Salem, formerly owned by the executed witch Abigail Prinn. He discovers a hidden "Witch Room" in the basement, designed to revive Prinn's spirit. An occultist, Michael Leigh, intervenes, and together they thwart Prinn's plan, sending her and the entity back to their realm, though a chilling memento remains.

Elak of Atlantis must confront a plot by the followers of Dagon to sink the island. These followers, known as the "children of Dagon", are using black magic and earthquakes to destabilize Atlantis and ultimately submerge it. Elak, with the help of a mage named Zend, must stop them and protect Atlantis from being destroyed.

"The Eater of Souls" by Henry Kuttner tells the story of Sindara, the ruler of Bel Yarnak, who confronts a monstrous entity known as the Eater of Souls. This entity's call has been drawing his people to their deaths in the Gray Gulf of Yarnak. Sindara, rejecting the advice of his necromancers and hydromancers, turns to his god, Vorvadoss, for help. After a harrowing battle, Sindara undergoes a horrific transformation, merging with the Eater of Souls to break the cycle of despair. The story ends with his tragic descent into darkness, forever separated from the beauty of his homeland.

Henry Kuttner's "Hydra" falls primarily into the genres of horror and fantasy, with elements of occultism and science fiction. The story deals with a dangerous experiment in occultism that opens a door to another dimension, resulting in horrific consequences. It's also considered part of the Cthulhu Mythos, a subgenre of cosmic horror created by H.P. Lovecraft and his associates.

The Wife is one of the famous works of A.P. Chekhov. The plot focuses on a conflict between spouses, where the ambitions and pride of one destroy family life and relationships with others. The work captivates with laconic content, deep meaning and brilliant Chekhov's syllable.

John W. Campbell Jr.’s Who Goes There? is a chilling and masterfully crafted science fiction classic that delves into themes of paranoia, survival, and the unknown. Set in the frozen isolation of Antarctica, the story follows a group of scientists who uncover a mysterious alien organism buried in the ice. What begins as a groundbreaking discovery quickly spirals into terror when the creature reveals its horrifying ability to mimic any living being perfectly.

The Shield of Heracles is an archaic Greek epic poem that was attributed to Hesiod during antiquity. The subject of the poem is the expedition of Heracles and Iolaus against Cycnus, the son of Ares, who challenged Heracles to combat as Heracles was passing through Thessaly. It has been suggested that this epic may reflect anti-Thessalian feeling after the First Sacred War (595–585 BCE): in the epic, a Thessalian hero interfering with the Phocian sanctuary is killed by a Boeotian hero (Heracles), whose mortal father Amphitryon had for allies Locrians and Phocians.

A man sits at his hearth as thunder shakes the mountains. Then—a knock. A stranger steps in, soaked and shivering, armed not with warmth or need, but with polished copper and an urgent offer. He doesn't sell comfort. He sells protection—against the very sky. The Lightning-Rod Man is Herman Melville at his most compact and cunning. This sharply drawn tale uses one room, one storm, and two voices to stage a quiet war between reason and fear, independence and submission, belief and the glittering promise of safety. It's a sales pitch wrapped in a sermon, disguised as a fable.

In Hellhounds of the Cosmos, Clifford D. Simak takes listeners on a thrilling journey through space and time. The story follows a group of explorers who encounter terrifying, mysterious creatures on a distant planet. As they navigate strange landscapes and face deadly threats, they uncover shocking secrets about the universe and their place within it. With Simak's signature blend of science fiction and philosophical musings, this gripping tale explores themes of humanity, survival, and the unknown.

A snowbound coach. Ten strangers. One woman who doesn't fit in—and never tries to. In Boule de Suif, Guy de Maupassant doesn't just tell a story—he dissects society with a scalpel dipped in irony. The setting is wartime France, the passengers are a cross-section of "respectable" society, and the tension isn't just political, it's personal. Class, hypocrisy, and the polite savagery of moral convenience bubble just beneath the surface. She's not like them. And that's the problem. Or maybe the solution. She feeds them when they're hungry.

Benjamin Franklin is the only one of America's founding fathers to have signed all three of their foundational documents: The Declaration of Independence, the U.S. Constitution, and the 1783 Treaty of Paris. These documents underpinned the establishment of the United States of America as a sovereign country. In addition to being a prominent politician, Benjamin Franklin was a prolific writer, fervent naturalist, and determined inventor. This collection of writing reflects Franklin's varied activities and manifold talents.

Love, for Emerson, is neither simple nor sweet. It is a force—wild, untamable, and yet profoundly human. In Love, he explores the deep currents that pull us together and push us apart, not with the softness of romance, but with the clarity of a philosopher who sees love as a transformative, even unsettling, experience. It is not just an emotion, but a vital, unpredictable energy that shapes and redefines us. Emerson doesn't idealize love; he insists on its complexity.

Time does not hold history—people do. Emerson's History is not a chronicle of names and dates, not a reverence for the past, but a revelation: every life is a vessel of all that came before. The individual is not separate from history but its continuation, its living pulse. Emerson does not ask his readers to study history; he asks them to recognize themselves within it. Every triumph, every downfall, every flash of genius from ages past is not distant—it is ours, woven into the mind that thinks, the hand that writes, the heart that dares.