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This collection brings together stories and reflections in which Leo Tolstoy turns inward. Stripped of grandeur, these works offer something more intimate: the inner noise of conscience, the weight of faith, the silence before death. A servant's silence, a horse's memory, a dying man's doubt—these are not performances. They are questions, waiting quietly for whoever dares to ask the same. Tolstoy isn't offering answers. He's writing toward something deeper. And the questions haven't aged a day.

This Collection of Religious Works by C. S. Lewis brings together some of his most profound and thought-provoking writings on faith, theology, and personal spiritual reflection. Featuring classics such as The Pilgrim's Regress, The Problem of Pain, A Grief Observed, A Preface to Paradise Lost, and more, this volume showcases Lewis's unparalleled ability to address complex theological questions with clarity, intellectual rigor, and compassion.

Spring arrives with a rush of words, and Ralph Waldo Emerson stands at the threshold, pen in hand. May-Day and Other Pieces is not just a collection of poems—it is an invitation to witness the shifting tides of nature, thought, and destiny through the eyes of one of America's sharpest philosophical minds. From the awakening landscapes of May-Day to the untamed wilderness of The Adirondacs, Emerson moves effortlessly between the grandeur of the world and the depths of the soul.

A Preface to Paradise Lost is one of C. S. Lewis's most famous scholarly works. The book had its genesis in Lewis's Ballard Matthews Lectures, which he delivered at the University College of North Wales in 1941. It discusses the epic poem Paradise Lost, by John Milton.

How a Muzhik Fed Two Officials is not just a fable—it is a mirror, polished to a biting shine, reflecting the grotesque logic of power and servitude. In this brief yet mercilessly precise tale, Mikhail Saltykov-Shchedrin strips hierarchy down to its raw absurdity: those who consume and those who are consumed. Two officials, stranded in a land without luxury, discover an ingenious solution to their predicament—one that requires neither effort nor skill on their part. Their savior? A humble muzhik, a man shaped by centuries of unquestioning toil.

Contents: The Prince by Niccolo Machiavelli, The City of the Sun by Tommaso Campanella, The New Atlantis by Francis Bacon, Utopia by Thomas More, Utilitarianism byJohn Stuart Mill, On Liberty by John Stuart Mill, An Answer to the Question What is Enlightenment by Immanuel Kant, The Prophet by Kahlil Gibran, A Confession by Leo Tolstoy, Orthodoxy by G.K. Chesterton, The Madman, His Parables and Poems by Kahlil Gibran, On the Duty of Civil Disobedience by Henry David Thoreau.

The Pilgrim's Regress is a book of allegorical fiction by C. S. Lewis. This 1933 novel was Lewis's first published work of prose fiction, and his third piece of work to be published and first after he converted to Christianity. It charts the progress of a fictional character named John through a philosophical landscape in search of the Island of his desire.

Ralph Waldo Emerson was a master of distilling vast ideas into sharp, unforgettable truths. Elements and Mottos is a collection of his intellectual essence—bold, electrifying, and timeless. Here, Emerson does not merely write; he declares, urging readers to abandon conformity, embrace their own genius, and live with unshakable purpose. Each passage is a spark, igniting thought and action. He speaks of nature, the soul, self-reliance, and the boundless strength of individual will. His words resonate across centuries, inspiring rebels, dreamers, and seekers of wisdom.

The storm arrives, unbidden yet unstoppable, sculpting the world in reckless white. The north wind, a faceless mason, works without plan or patience—bastions rise, wreaths drape, roads vanish. No symmetry, no restraint, only the wild hand of winter shaping chaos into fleeting grandeur. By dawn, the architect is gone. What remains is a frozen wonder, a masterpiece of whim and force, too perfect to last, too wild to be remade.

In 1837, Ralph Waldo Emerson took the stage at Harvard and delivered what would become one of the most influential speeches in American intellectual history. The American Scholar was not just a lecture—it was a manifesto, a call to arms for a young nation searching for its own cultural identity. Emerson challenged his audience to break free from European intellectual traditions, urging them to think for themselves, to create, and to embrace the vast potential of the American mind.

Finger! Finger! is a creepy story by Margaret Ronan about a teenage girl who starts work as a maid in the house of a strange old woman. Carola has been hired to work as a servant for Miss Amanda, a bed-bound heavy woman. She's quite nervous and the cook coaches her on how to care for Miss Amanda. When Carola first meets Miss Amanda, she's a bit shocked by her appearance.

In the heart of Paris, where art and ambition intertwine, the boundaries between genius and madness blur. A tale of creation, obsession, and the quest for perfection, this story dances on the edge of brilliance. The artist, driven by an insatiable desire to capture the unattainable, confronts the fragility of his own vision. As the canvas comes to life, so too does a world where nothing is as it seems, and the cost of true artistry might just be too high. Balzac's story whispers of the fine line between genius and obsession, where the artist's soul is as fragile as the masterpiece he seeks.

Johann Peter Hebel's The Artful Hussar is a short story that showcases the wit and resourcefulness of a clever soldier. The tale follows a cunning hussar who, through his quick thinking and charm, manages to outsmart those around him. Set against the backdrop of military life, the story highlights themes of intelligence, deception, and survival. With Hebel's signature blend of humor and moral insight, The Artful Hussar offers a delightful and thought-provoking glimpse into human nature and ingenuity.

Jack Spaulding expected to close a deal—not become an alien breeding experiment. Now he’s back on Earth with a very personal problem: something is growing inside him and feeding on his orgasms. His career’s in jeopardy, his marriage is unraveling, and his body’s become a ticking alien time bomb.

In the hush between history and myth, some voices refuse to fade. One of them rises beneath the pines of Virginia—speaking not to a crowd, but to the wind. Shackled in body, unbroken in spirit. A man, not yet a symbol. A voice, not yet remembered. But already unforgettable. The Heroic Slave is Frederick Douglass at his most daring—blending fact and fiction into something fiercer than either. In Madison Washington, he shapes more than a character: he channels the rhythm of revolt, the breath of those who ran, and the silence of those who couldn't. This is not a tale polished for comfort.

The Heroic Slave, a Heartwarming Narrative of the Adventures of Madison Washington, in Pursuit of Liberty is a short piece of fiction, or novella, written by abolitionist Frederick Douglass, at the time a fugitive slave based in Boston. When the Rochester Ladies' Anti Slavery Society asked Douglass for a short story to go in their collection, Autographs for Freedom, Douglass responded with The Heroic Slave. The novella, published in 1852 by John P. Jewett and Company, was Douglass's first and only published work of fiction (though he did publish several autobiographical narratives).

A glittering evening. The rustle of silk. The gleam of chandeliers and whispered admiration following her every graceful turn. In that moment, she is everything she was born to be—adored, envied, radiant. But the night ends. And reality waits in the shadows. In a world where appearances speak louder than truths, how much is one willing to sacrifice to fit into a vision of elegance? And when the cost of illusion becomes a lifelong sentence, what remains of the dream?

What happens when a woman dares to imagine power in a world that denies her even autonomy? In this sharp, sly, and subversive tale, one of America's most original feminist voices turns the tables on society with cool precision and a dash of irony. Written at a time when women were expected to remain silent and self-sacrificing, this short work pulses with quiet rebellion and razor-edged wit.

The Thing in the Cellar (1932) is a horror short story by American author, David H. Keller. Dr. Keller, who sometimes used the pseudonym Henry Cecil, began writing science fiction, fantasy, weird and horror stories in the 1920s. His best known story is The thing in the cellar, one of many tales that developed from his experience in psychiatry.

In The Middle Toe of the Right Foot, Ambrose Bierce weaves a chilling and unsettling tale where the ordinary becomes terrifyingly abnormal. The story explores the curious intersection of fate and superstition, as a simple injury leads to an unnerving series of events. With his signature blend of dark humor and gothic sensibility, Bierce crafts a narrative that challenges the reader's understanding of reality, turning the most mundane of circumstances into a source of dread.