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The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

Francis Scott Key Fitzgerald was born on 24th September 1896 in Saint Paul, Minnesota, into an upper-middle class family. Whilst his mother was pregnant with him, his two young sisters tragically died. Fitzgerald once said this was when his destiny as a writer was ordained. Amongst F. Scott Fitzgerald's many short story gems is ‘The Four Fists’. It follows a life, from boyhood to maturity, and how an occasional brush with physical force influences and changes that life.

William Sydney Porter was born on 11th September 1862 in Greensboro, North Carolina. At age 3 his mother died from tuberculosis. From an early age it was clear Porter had a large appetite for reading as he absorbed the world around him. In December 1899, in McClure’s Magazine, he published a short story as O. Henry.

Sherwood Anderson was born on 13th September 1876 in Camden, Ohio. In 1916 his first book, ‘Windy McPherson’s Son’, was released and in 1919, his most famous book, ‘Winesburg, Ohio’, a collection of short stories about life in an Ohio town was released. Anderson continued to write short stories, novels and non-fiction but his only true bestseller came with ‘Dark Laughter’. His influence on writers that followed, from Faulkner to Hemingway, was immense.

Ambrose Gwinnett Bierce was born on 24th June 1842 at Horse Cave Creek in Meigs County, Ohio. His parents were poor but they introduced him to literature at an early age, instilling in him a deep appreciation of books, the written word and the elegance of language. In 1891 Bierce wrote and published the collection of 26 short stories which included ‘An Occurrence at Owl Creek Bridge’. Success and further works including poetry followed.

Ambrose Gwinnett Bierce was born on 24th June 1842 at Horse Cave Creek in Meigs County, Ohio. His parents were poor but they introduced him to literature at an early age, instilling in him a deep appreciation of books, the written word and the elegance of language. In 1891 Bierce wrote and published the collection of 26 short stories which included ‘An Occurrence at Owl Creek Bridge’. Success and further works including poetry followed.

Alan Seeger was born on 22nd June 1888 in New York. After attending several elite preparatory schools, he enrolled at Harvard in 1906, where he also edited and wrote for the Harvard Monthly. War’s looming dark shadow was to have a transformative effect on the young poet and on 24th August 24th, 1914, he joined the French Foreign Legion so he could fight for the Allies. On American Independence day, 4th July 1917, whilst urging on his fellow soldiers in a successful charge at Belloy-en-Santerrem he was hit several times by machine gun fire and died.

Stephen Crane was born 1st November, 1871 in Newark, New Jersey and was the eighth surviving child out of fourteen. Incredibly he began writing at the age of four and was published several times by the age of sixteen.

Willa Sibert Cather was born on 7th December, 1873 on her grandmother's farm in the Back Creek Valley near Winchester, Virginia. After several years and moves the family eventually settled in Red Cloud, Nebraska and for the first time Cather could now attend school. In Red Cloud, Cather had her earliest writings published in the local Red Cloud Chief newspaper. Her time in the mid-West created a vivid tranche of experiences for the young woman.

Our ‘fight of flight’ response is something hardwired into the primitive part of our brain. Our need to survive, to outlive whatever danger poses, that immediate threat to our lives is little short of a marvel. Everything else is abandoned in order to survive. Whilst in modern times that ability has been somewhat modified and ‘reasoned’ away to an extent, in past years it’s what usually kept you alive. In this volume people struggle valiantly to survive and to exist no matter the extent of the threat they face.

Edward Page Mitchell was born in Bath, Maine on 24th March 1852 into a wealthy family. When he was eight the family moved to a house on New York’s famed Fifth Avenue. The Tachypomp is a glorious mixture of a youth looking to impress his prospective father-in-law with a seemingly outlandish solution to a scientific problem.

As the Century draws to a close it shows no sign of its literary talents diminishing. Authors stride into stories with a confidence and knowledge that now speak of a gilded age. We are challenged on many levels but always, always the story delivers a literary triumph.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

Stephen Crane was born 1st November, 1871 in Newark, New Jersey and was the eighth surviving child out of fourteen. Incredibly he began writing at the age of four and was published several times by the age of sixteen. His poems, predominantly short and abstract, display another facet of his talent which questions, advises and presents his audience with much to contemplate. Some are difficult to engage with but with the effort comes the reward.

In this volume our authors, including Ambrose Bierce, Nathaniel Hawthorne, Winifred Holtby, Bernard Capes and many others bring forth creations and contraptions that are both amazing and abstract as well as diabolical and delightful.

A History of the Civil War brings to life the realities of the war and the people who lived through it. It explains how the politics around slavery led to an unbridgeable divide between the North and South, and examines the strategies that led to the Union's eventual victory in 1865.

Loss in any form seems to burden us with more weight than anything that can possibly be gained or learnt from. The loss of a person, a loved one, is often overwhelming. Lives so interwoven that the severing or loss of one life leaves the other weakened, unable to function for some time. Recovery comes in a myriad of forms but is usually debilitating, slow and, in the end, we are not as whole as we once were.It is a subject that authors return to again and again.