Showing results by author "Willa Cather" in All Categories

Presented here is Volume IV of our Feminist Literary Classics series, featuring three of the most important feminist works ever written: A Room of One's Own by Virginia Woolf, Jane Eyre by Charlotte Brontë and The Song of the Lark by Willa Cather.

In this volume our authors explore the terrors of the mind rather than the horrors of reality, although with their pens the difference makes little difference. We twist this way and that as their talents shape our path towards endings of the nerve-shredding kind.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

Seen through the eyes of a French Catholic missionary, Death Comes for the Archbishop is a tale about the development of the 19th-century American Southwest as the Indians and Spanish deal with each other and the arriving Americans.

In this series we listen to short stories that are NOT by perhaps the most well-known author of this type. But the many other rich talents in the volume may have treated the subject matter a little differently, or were perhaps just overlooked in the stampede to applaud the winner, but these authors are of equal merit.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. In this Century of profound change for women our Atlantic neighbours produced authors of extraordinary ability that dazzled us all with a range of ideas, characters and stories of such magnificence that literature would never be the same again. Genius is written in their names.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. A new century dawns, one in which America would become pre-eminent as its industrial might and military power rose above all others. In literature too its authors tackled new forms and new ideas, they shied away from little, immersing themselves and their readers in the promise of a new Century.

Willa Cather weaves a poignant and evocative tale of pioneer life on the Nebraska plains. In My Antonia we follow Jim Burden, a young boy who moves to Nebraska to live with his grandparents, and his close bond with Ántonia Shimerda, the spirited and resilient daughter of Bohemian immigrants. As they grow up, Jim and Ántonia experience the challenges and triumphs of life on the frontier, marked by hardship, love, loss, and the indomitable strength of the human spirit.

The most romantic literary lovers in history: Jane Eyre and Mr. Rochester. Oliver Mellors and Constance Chatterley. Marie Shabata and Emil Bergson. Now, all three of their classic stories are collected in one volume.

In the American Civil War that began in 1861 the War was seemingly fought to end Slavery. A War for Good. The result a win for the good guys but a society that still bears fractures from this seminal period. The stories in this volume show the true scars that are endured as a riven Nations authors try to explain and reconcile.

Being an English author in a new and different culture seems to work its magic when these two are placed together in the same spot with a rich vocabulary; ideas seem more fully formed and characters have another edge to their existence. For the outsider looking in, more can be revealed and shared with ourselves.

Presented here is Volume III of our Feminist Literary Classics series, featuring three of the most important feminist novels ever written: Orlando: A Biography by Virginia Woolf, O Pioneers! by Willa Cather and So Big by Edna Ferber. The first book in this collection is Orlando: A Biography, a groundbreaking English novel by Virginia Woolf that explores English history, gender roles and sexual politics in a way few books have before or since.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Published in 1915 and set in the 1890s, The Song of the Lark tells the story of Thea Kronberg, a gifted young singer who blazes her way into the world’s greatest opera houses. Thea’s arduous journey begins in Moonstone, Colorado, a burgeoning Western town, where she is one of seven children. Following an artistic awakening at an Arizona canyon, she eventually finds fame as an acclaimed opera singer, performing in Germany and at the Metropolitan Opera House in New York.

Mujeres que reclaman su derecho a trabajar en un mundo de hombres, valientes guerreras indias, forajidas del Oeste americano, inmigrantes sin pelos en la lengua, heroínas atrapadas en tenebrosos bosques… Estas son algunas de las protagonistas de La nueva mujer: relatos de escritoras...

In the late 1800's, Bishop Jean Marie Latour and Vicar Joseph Vaillant are assigned to travel to the newly founded territory of New Mexico in order to establish a religious diocese there. Their year-long journey exposes them to many hardships and dangers. It also brings them in contact with a variety of individuals–priests (both good and bad), poor people who live on the edge of starvation and one Kit Carson.