Showing results by narrator "Matthew Schmitz" in All Categories

The tales you are about to listen to are older than cities. Older than memory. They come from a land where the sun was a god, the river a lifeblood, and every stone held a secret. In Ancient Egyptian Legends, M. A. Murray gathered the fragments of a long-vanished world and gave them voice again — stories once carved in temple walls, whispered by priests, or preserved in faded papyrus scrolls.

There are books that awaken the intellect, books that stir the heart—and then, rarest of all, there are books that shift the fabric of reality, that open quiet doors in the mind through which something older, stranger, and more beautiful begins to seep in. A Dreamer’s Tales is such a book. In this book, Lord Dunsany does not merely tell stories. He conjures realms beneath reason, cities where time is a superstition, and gods born from silence.

Few works in human history have shaped the course of warfare, strategy, and leadership as profoundly as The Art of War by Sun Tzu. Written over 2,500 years ago during China’s Warring States period, this timeless treatise transcends its origins as a military manual, offering wisdom that applies not only to warfare but to politics, business, diplomacy, and personal growth. At its core, The Art of War is a philosophy of strategy—one that emphasizes intelligence, adaptability, and the mastery of conflict through knowledge rather than brute force.

There are books that speak plainly, and then there are those that conceal their truths behind veils of symbol and secrecy. An Open Entrance to the Closed Palace of the King belongs to the latter—a text written not for the casual listener, but for the seeker, the alchemist, the one who dares to unlock nature’s deepest mysteries. Attributed to the enigmatic adept Eirenaeus Philalethes, this work stands as a beacon in the vast sea of alchemical wisdom.

Deep in the sweltering jungles of South America, two explorers — Falmer and Thone — stumble upon a forgotten ruin, hidden beneath centuries of tangled growth and silence. Within its shadowed chambers lies an ancient tomb, undisturbed, its secrets sealed in stone and time. But something lingers in the sepulchre. Something old. Something alive. Something that does not sleep. As one of the men becomes obsessed with a strange, unidentifiable seed found within the tomb, the boundary between plant and predator, dream and nightmare, begins to rot and dissolve.

The Crawling Chaos is a haunting, surreal tale born from the collaboration between H.P. Lovecraft and writer Winifred V. Jackson. First published in 1921, this story combines Lovecraft’s eerie prose with a dream that Jackson herself experienced, which served as the story’s foundation. In an interesting twist, the two writers published under pseudonyms, with Jackson as “Elizabeth Berkeley” and Lovecraft as “Lewis Theobald, Jun.”

H.P. Lovecraft often warned us that there are things not meant to be understood—truths too ancient, too vast, or too alien for the human mind to hold. In The Unnamable, he takes that warning a step further: some things cannot even be described. This story, first published in 1925, is part philosophical debate, part ghost story, and part quiet apocalypse.

Northcote Thomas provides an lengthy study of the history and practice of crystal gazing. He covers techniques for scrying utilizing a crystal sphere as an aid in clairvoyance and obtaining visions. A chapter on the incantation or "call" is included. In additional to practical techniques, the work covers the crystal ball's history. Thomas spends two chapters in an in depth discussion of Egyptian scrying. An early work on the subject, originally published in 1905.

For long I have been spending much of my time in a world of great beauty of thought and purity of feeling, created by the devotion and intelligence of one of the many theosophical fraternities of the ancient world. They called themselves disciples of Thrice-greatest Hermes, and sometimes spoke of their faith as the Religion of the Mind. They were prior to and contemporary with the origins and earliest centuries of Christianity, and they lived in Egypt.

Mazes and Labyrinths is a look into the origin and mystery of mazes. From ancient stone carvings, Minoan palaces to today's hedge-maze, Matthews chronicles the history of the maze. With devoted scholarship to "the lure of the labyrinth," W. H. Matthews has composed an exhaustive history of mazes and labyrinths from antiquity to the present.

In the same way, to reach one's khudi or rooh, one needs to go through multiple stages which Iqbal himself went through, a spiritual path which he encourages others to travel. He notes that not all seeds reach the level of fragrance. Many die along the way, incomplete. In the same way, few people could climb this Mount Everest of spirituality—most get consumed along the way by materialism.

Privately printed at Edinburgh in 1886, this is a translation of a Latin text written by M.J.H. Heucher in the late seventeenth century. This is a short pamphlet recounting the use of numerous botanical applications with regard to ancient medicine and magic and religion. Appended to the title-work is a text entitled "Confessions of Witches under Torture".

“The Garden of Fear” explores reincarnation, anthropology, theology, and evolution, through the quest of James Allison as Hunwulf, living a life that was once his own. It’s a riveting tale of primordial love and cosmic memory, set in a landscape both surreal and dangerous. The story begins with James Allison, who possesses a unique ability to recall his past lives. As he lies on his deathbed, he vividly remembers being Hunwulf, a member of the Æsir tribe.

"The Crawling Chaos" is a short story by American writers H. P. Lovecraft and Winifred V. Jackson, first published April 1921 in the United Cooperative. As in their other collaboration, "The Green Meadow", the tale was credited to "Elizabeth Berkeley" (Jackson) and "Lewis Theobald, Jun" (Lovecraft). Lovecraft wrote the entire text, but Jackson is also credited since the story was based on a dream she experienced.

This early work by Robert E. Howard was originally published in 1934. 'The Valley of the Worm' is a story in the James Allison series and tells the tale of a Texan who recalls his past lives as ancient heroes. Robert Ervin Howard was born in Peaster, Texas in 1906. During his youth, his family moved between a variety of Texan boomtowns, and Howard - a bookish and somewhat introverted child - was steeped in the violent myths and legends of the Old South.

"The golden tractate" (Aureus) by Hermes Trismegistus is a classic text of Hermetic and ancient Philosophy about natural and divine magic; it will strongly influence the later Alchemic literature. The Golden Tractate of Hermes, first created in the Renaissance and rendered into English in 1850, is one of a number of texts from its era attempting to explain alchemy, along with the works of Pontanus and Artephius.

The Sword of Welleran and Other Stories is the third book by Anglo-Irish fantasy writer Lord Dunsany, considered a major influence on the work of J. R. R. Tolkien, H. P. Lovecraft, Ursula K. Le Guin, and others. It was first published in hardcover by George Allen & Sons in October 1908, and has been reprinted a number of times since. Issued by the Modern Library in a combined edition with A Dreamer's Tales as A Dreamer's Tales and Other Stories in 1917.

TIME AND THE GODS is the second book by Irish fantasy writer Lord Dunsany, considered a major influence on the work of J. R. R. Tolkien, H. P. Lovecraft, Ursula K. Le Guin, and others. It is a collection of short stories linked by Dunsany's invented pantheon of deities who dwell in Pegāna. It was preceded by his earlier collection The Gods of Pegāna and followed by some stories in The Sword of Welleran and Other Stories. Dunsany included a brief preface in the original edition and added a new introduction to the 1922 edition.

Clark Ashton Smith (January 13, 1893-August 14, 1961) was an American writer and artist. He achieved early local recognition, largely through the enthusiasm of George Sterling, for traditional verse in the vein of Swinburne. As a poet, Smith is grouped with the West Coast Romantics alongside Joaquin Miller, Sterling, and Nora May French and remembered as "The Last of the Great Romantics" and "The Bard of Auburn".

Clark Ashton Smith (January 13, 1893-August 14, 1961) was an American writer and artist. He achieved early local recognition, largely through the enthusiasm of George Sterling, for traditional verse in the vein of Swinburne.