Showing results by narrator "Joe Brack" in All Categories

When her longtime friend claims to have evidence of Big Foot's existence, archaeologist Annja Creed can't resist checking it out for herself - she's been debating the subject for years. Annja's curiosity leads her deep into the woods of the Pacific Northwest, to meet Jenny where the supposed trail has been left by the one and only Sasquatch.

Enlisted by the Japan Buddhist Federation to catalog a number of ancient shrines dotted across Nepal, archaeologist Annja Creed is honored to help. Political violence has prompted the Federation to protect holy sites from desecration and vandalism, and Annja is their last hope to properly conserve these sites. Where there's vandalism, there's plundering, and local police soon become suspicious of Annja's presence. But she is more concerned about the antiques smugglers and Maoist guerrillas trying to kill her.

On assignment in the Philippines, archaeologist Annja Creed meets with a contact to verify some information. Easy enough. But when the man doesn't turn out to be whom he said he was, Annja finds herself handcuffed, blindfolded and kidnapped. And to make matters worse, she's a prisoner of the dreaded Abu Sayyaf, a notorious terrorist group. Desperate to escape, Annja is able to flee after slaying one of her captors. But she soon gets lost in the hostile jungle, which is rumored to be haunted by the spirits of Moro warriors who fought off conquistadors with their blades.

After shooting an episode of Chasing History's Monsters at a dig in Australia, Annja Creed is left feeling mildly unimpressed. The artifacts being uncovered are considered fringe by experts who doubt their authenticity. Annja is disappointed by the general lack of mystery involved. But her boredom is quickly replaced with fear when all that's left of her cameraman is a drop of blood on his hotel-room carpet.

When archaeologist Annja Creed reluctantly agrees to help an old colleague on a dig in Antarctica, she wonders what he's gotten her into. It turns out that her former associate has found a necklace made of an unknown metal depicting three snakes. He claims it's over 40,000 years old — and that it may not have earthly origins. As the pair conduct their research, Annja soon realizes she has more to worry about than being caught in snow slides.

When Doc is taken captive by a band of marauders in what was once Nebraska, Ryan and the companions rally to get him back. But they aren't just fighting the local muties. They're also up against the area's terrifying terrain, which shifts and morphs at a moment's notice. With their options dwindling in this mazelike region that doesn't obey the laws of physics, the team joins forces with a beautiful and deadly woman who evens the odds on the battlefield. But while this warrior seems to be on their side, she has a secret agenda that could spell the end for them all....

Built upon a predark military installation in former California, a ville called Progress could be the utopia Ryan Cawdor and his companions have been seeking. A place where humanity and technology thrive, it's the nucleus of a new hope for Deathlands. The successful replacement of Ryan's missing eye with a cybernetic prosthetic nearly convinces the group that their days of surviving hell are behind them. Then they discover that the high tech in Progress isn't designed to enhance human life, but to destroy it.

When a mat-trans malfunction strands Ryan Cawdor and his friends in a gutted redoubt in the West Indies, the crystal waters offer them a tantalizing glimpse of untouched splendor. But the oasis is abruptly shattered by violent and ruthless pirates, and Ryan has to barter with a young guide, a teenage boy on a blood quest against a sadistic local warlord, to navigate a land teeming with predators-mutie, human and animal. The race is on to find a second redoubt, buried deep in the inhospitable heart of Monster Island.

In the nuke-altered region of the Great Lakes, Ryan and his group face the spectrum — from the idyllic to the horrific — of a world reborn. Close to enclaves of peace and sanctuary, Deathlands' most distorted spawn of humanity, cannibals, spread terror. Against the battered shoreline of Lake Michigan, an encounter with an old friend leads to a battle to save Milwaukee from a force of deadly mutant interlopers — and to liberate one of their own.

Of all the resources Ryan Cawdor and his group struggle to recoup, hope for escaping the grim daily life-and-death struggle has suffered most. But now reports of a ville holding the mythical waters of rejuvenation, a fountain of youth, appear to be true, luring Doc and the others on a journey inspired by promise, tainted by mistrust. Hiring on as sec men with a convoy headed to the healing waters of Babyville, the survivors discover the deadly price of immortality.

Survival is a dangerous enterprise in the aftermath of a nuked America. Humanity perseveres, but the Deathlands code is far simpler: Kill or be killed, live or die trying. Driven by the fires of hope, a resilient band of warriors traverse the new frontier of the future, survivors by skill and legends by reputation. The legend of the trader returns in the simmering dust bowl of the Badlands, the past calling out to armorer J. B. Dix. Her name is Eula. Young, silent, and lethal, she's part of a new trading convoy quick to invite Ryan Cawdor and his band on a journey.

Nurse Mercy Lynch is elbows deep in bloody laundry at a war hospital in Richmond, Virginia, when Clara Barton comes bearing bad news: Mercy’s husband has died in a POW camp. On top of that, a telegram from the West Coast declares that her estranged father is gravely injured, and he wishes to see her. Mercy sets out toward the Mississippi River. Once there, she’ll catch a train over the Rockies. When Mercy finally arrives in St. Louis, the only Tacoma-bound train is pulled by a terrifying Union-operated steam engine called the Dreadnought.

Seven thousand years ago, major climatic change was ushering in a 3,500 year drought. For a small band of pioneers in what is now Wyoming and the Montana Mountains, it was a time of fire. As they struggled valiantly to keep their ancestors’ dreams alive in an unforgiving, drought-stricken land, a heroic young dreamer and a fearless woman warrior united to lead their people to a magnificent destiny.

Jane Candia Coleman is a natural storyteller whose characters come from the lands between the southwestern valleys of Arizona and the Gila Mountains of New Mexico. The night Billy the Kid died is hauntingly depicted in "Corrido for Billy". "Lady Flo" is a memoir, based on historical fact, of the black wife of an Irish nobleman. "Moving On" depicts a young girl abandoned by her family who finds her way with an itinerant Jewish peddler. And "Are You Coming Back, Phin Montana?" is the winner of the 1995 Spur Award for Best Western Short Fiction.

Shaw's forte was her ability to create interesting casts of characters through whom and between whom she was able to develop a suspenseful and unpredictable interplay. This story is a good example of her character driven Western fiction.

Two young men in the gold fields of California spend a last evening together as one of them, very sick, confronts his own imminent death. The tenderness between them may seem idealized, but you understand by listening to this story how premature death from accident and disease haunted the lives of far more westerners than death by violence.

Bill Ash, an escaped convict returns to find his father murdered.

A quick-draw tale from the wild west. T. T. Flynn has long been popular with listeners as a master of the Western story.

Haseloff's characters embody the fundamental values - honor, duty, courage, and family - that prevailed on the American frontier and were instilled in the young Haseloff by her own "heroes", her mother and her grandmother. Her stories, in a sense, dramatize how these values endure when challenged by the adversities and cruelties of frontier existence.

When Harry French left home he was just another kid looking to make his way. But when he comes back four years later, things are different. He's different. Or at least the town thinks so. Now nobody looks him in the eye. He isn't just Harry anymore, he's the Shifter, a gunfighter who brings trouble with him wherever he goes. And as hard as Harry tries, he finds that a reputation is a lot harder to put down than a gun.