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Bob Hope's monologue for The Pepsodent Show was the result of his hiring from his own pocket - he had an extravagant salary from the sponsor - of a team of eight writers to write top-notch jokes and skits. His comic timing turned him into a sensation. The show was so popular that it had its pick of the best of show business stars. Everyone wanted in. Now it's time to cut the talk and get ready for laughs. It’s time for Bob Hope and his guests.

Bob Hope's monologue for The Pepsodent Show was the result of his hiring from his own pocket - he had an extravagant salary from the sponsor - of a team of eight writers to write top-notch jokes and skits. His comic timing turned him into a sensation. The show was so popular that it had its pick of the best of show business stars. Everyone wanted in. Now it's time to cut the talk and get ready for laughs. It’s time for Bob Hope and his guests.

Bob Hope's monologue for The Pepsodent Show was the result of his hiring from his own pocket - he had an extravagant salary from the sponsor - of a team of eight writers to write top-notch jokes and skits. His comic timing turned him into a sensation. The show was so popular that it had its pick of the best of show business stars. Everyone wanted in. Now it's time to cut the talk and get ready for laughs. It’s time for Bob Hope and his guests.

Bob Hope's monologue for The Pepsodent Show was the result of his hiring from his own pocket - he had an extravagant salary from the sponsor - of a team of eight writers to write top-notch jokes and skits. His comic timing turned him into a sensation. The show was so popular that it had its pick of the best of show business stars. Everyone wanted in. Now it's time to cut the talk and get ready for laughs. It’s time for Bob Hope and his guests.

Father Peyton of the Holy Cross Fathers wanted to inspire his country with a radio program. Footing the expense of the show himself, he arranged for some of the biggest names in radio and film to donate their services, and for a network to provide the broadcast time. The series that resulted featured heartwarming stories for audiences nationwide. The commercial breaks were filled only with an earnest, non-sectarian appeal for family prayer, reminding listeners that "The family that prays together stays together."

During the late 1940s and early 1950s, several different radio programs brought in Hollywood stars to reprise their performances from popular films. Among them, Screen Directors' Playhouse offered something that no other show had: the directors. Imagine, if you will, listening to a radio play of A Foreign Affair and then hearing Marlene Dietrich and director Billy Wilder share their thoughts on the making of this classic film. In addition to Wilder, you'll hear directors like Tay Garnett, Robert Siodmak, and George Marshall in this set of 16 digitally remastered and restored episodes.