Showing results by narrator "Anne Hancock" in All Categories

When her suspicions about her great-aunt's death prove to be true, she resolves to uncover the villain herself. Breck tries to convince her that the community needs her just as much as he does, but when she uncovers a decades-old crime, she puts her own life is in danger.

A terrified woman erases her past to escape her abusive husband. Taking her children, she disappears from Texas only to reinvent herself as a teacher in a remote Alaskan village. She fights to survive the harsh environment, while ever mindful of the danger stalking her. A complication emerges in the form of her new boss who is unaware of her entanglement and pursues her with a passion. Hungry for a father figure, her young children immediately take to him, but she is haunted by the cruel man who battered her.

Imagine a visiting-nurse service with hot young guys as caregivers. What golden girl wouldn't dig that? Valerie Palka is a savvy businesswoman who is obsessed with keeping her elderly mom, Helen, safe from all the lethal disasters that can befall widows living alone. Helen thinks the workaholic Valerie should focus on having as much luck in the bedroom as she does in the boardroom.

When Rachel and her mother move to Mrs. Moore's house - the one with right next to the Line - Rachel starts questioning things. There are so many rumors of the horrible things that lie beyond the Line - in a place called Away - but no one dares to talk about it. And it's no use asking questions, especially of Mrs. Moore, who has always lived by the Line, or of her mother. But then, Rachel comes across a recorded message - one that could only have come from Away. And the voice on the recorder is asking for help...

When Rachel crosses "The Line", she leaves behind everything she has ever known and enters a strange new world: Away. Life there is hard, and survival is never guaranteed. The rules are different away, and Rachel has a lot to learn. The people of Away - the same people she's always been told are dangerous and untrustworthy - have gifts she's never thought possible.

Old Mother Duck's six little ducklings are her pride and joy. But it's very hard work teaching ducklings how to behave and keeping them safe. Sometimes their curiosity makes them forget her warnings not to talk to strangers, not to stray too far from her, and to come in from the rain. Children will identify with these gentle stories where nothing bad happens but the lessons and consequences are clear. A hundred years after Katharine Pyle's delightful tale was written, the same principle holds true: mother knows best.

From the author of the best-selling If You Don't Feed the Teachers, They Eat the Students, comes an innovative resource for all who work with pre-K through 12th grade students. Neila Connors presents a wealth of strategies and techniques to help teachers develop, maintain, and sustain positive student relationships. If You Don't Feed the Students offers practical, commonsense methods for improving classroom performance, served up in an engaging and entertaining manner.

Victoria Gracen's life in middle age has settled into a round of club meetings and faithful attendance at her Presbyterian church. But all that changes when she invites her newly orphaned 16-year-old nephew (whom she's never met) to come live with her.

Mrs. Blencarrow is a lovely middle-aged widow with five adoring children and a comfortable income with which to raise them. She holds a position of admiration and respect in her strictly Victorian village society. But the good lady who seems beyond reproach has a secret, and not all her neighbors wish her well. When one of them stumbles upon incriminating information, Mrs. Blencarrow stands to lose everything she holds dear ... Originally published in 1890 by Margaret Oliphant, a keen and prolific chronicler of the strict laws and customs of her time.

Sue Ives and Stephen Bellamy are charged with the murder of Stephen’s wife Mimi, found stabbed in an uninhabited cottage on a Long Island estate. The eight-day trial introduces a trove of witnesses (some reliable, some not); an avuncular defense attorney who may be incompetent; a wily and relentless prosecutor; and the voracious members of the press and public captivated by a crime that lays bare the intrigues and jealousies of the country club set. Two of the reporters, a veteran, and a rookie attending her first murder trial, act as a Greek chorus commenting on unfolding events.

When Agnes Blakiston and her maid Maggie take possession of a rental house for the summer, their idea of a tranquil stay is almost immediately upended. First, there is the telephone. It rings late at night, just one ring, but there is never anyone on the line. They begin to notice things have moved during the night. A candle has burned low, and a shawl has disappeared. And then Maggie, spooked and suspicious, discovers a note. It's a confession to a murder. But who has written it and, equally confounding, who has been killed?

Hitty is a doll, so a listener would be forgiven for assuming that this is a story written only for little girls. But Hitty's tale which spans a century, told from her perch in a New York antique shop, includes a hazardous journey on a whaling vessel, a stint as assistant to an Indian snake charmer, and, like Moses, abandonment in a basket on a muddy river. This is a story of adventure.

A stormy night. A seemingly deserted farmhouse in the north of England. A young farmer returns to find a well-dressed woman seated at his desk, dead from a gunshot wound. John Leslie is completely mystified. Who is she? The police identify her as Mrs. Draycott, a visitor to the area. And since John cannot provide a plausible alibi, he is charged with her murder.