Showing results by narrator "Rob Goll" in All Categories

Count Lara returns home after a long absence abroad. He is accompanied by a single page, the faithful Kaled. In his youth, prior to his travels, Lara had led a dissolute life. On his return he is much changed - haughty, reserved, and world-weary. Nothing is known of his life in the interim. During an evening function given by the Count Otho, a local magnate, the host's cousin, Sir Ezzelin, angrily confronts Lara with accusations of unnamed crimes abroad. Otho intervenes and an appointment is made for the following day for the local nobles to hear and judge the accusations.

Conrad, the Corsair, is the chieftain of a pirate band, and plans to attack the Pacha, Seyd, and seize his possessions. Conrad's wife, Medora, prevails upon her husband to abandon his plan and remain at home. Confident in his plan and assured of his safe return, Conrad and his pirate crew set sail for the Pacha's island.

In this narrative poem, the Pacha, Giaffir, has decreed that his beautiful daughter, Zuleika, is to be married to the rich and elderly Bey of Carasman. She confesses her grief to Selim, her beloved half-brother. Selim entreats Zuleika to meet him in a grotto later that night, where he appears in pirate garb. He declares that they are not brother and sister, but cousins and reveals that Giaffir murdered his father, Abdallah.

The story is of a female slave, Leila, who loves the Giaour, an infidel, and is in consequence bound, thrown in a sack, and drowned in the sea by her Turkish lord, Hassan. In revenge the Giaour kills Hassan, then in grief and remorse banishes himself to a monastery.

Written by 18-year-old Mary Shelley, the novel follows scientist Victor Frankenstein as he recounts his story to Captain Walton, who found a gravely ill Victor adrift at sea. Victor tells of his creation of a being so horrible that he abandoned the Creature, much to his own shame. Not to be forgotten, the Creature's quest for revenge and understanding from its master leaves a trail of devastation in its wake.

Originally published in 1906, Pride and Prejudice: A Play, based on Jane Austen's novel written in 1813, brings a new way to experience a much-loved story and characters. Follow the Bennet family through their daily lives as new people move into the neighborhood, romance blossoms, hearts are broken, scandals are had, and, of course, love prevails. This classic story is brought to life while keeping true to the spirit and wit of Ms. Austen herself!

Nicholas Nickleby's father dies unexpectedly after losing all of his money in a poor investment. Nicholas, his mother, and his younger sister, Kate, are forced to give up their comfortable lifestyle in Devonshire and travel to London to seek the aid of their only relative, Nicholas's uncle, Ralph Nickleby. Ralph, a cold-hearted businessman, is reluctant to help his relations and has an immediate dislike of Nicholas, perhaps because he reminds him of his dead brother.

Isabella, or the Pot of Basil is a Romantic narrative poem of 63 stanzas. Written in 1818 and first published in 1820, it is adapted from a story in Giovanni Boccaccio's Decameron. It tells the tragic tale of Isabella and her love for Lorenzo, an employee of her two brothers. John Keats (1795-1821) was one of the foremost English Romantic poets. Despite his early death from tuberculosis at the age of 25 he had a considerable poetic output.

In this moody Russian drama, Ivanov is a melancholic impoverished landowner whose wife is dying of tuberculosis. However, he finds himself irresistibly drawn to the beautiful Sasha, the daughter of his wealthy neighbors. Augmented by a diverse array of colorful supporting characters and intrigues, this play provides a glimpse of master dramatist Anton Chekhov's early work.

This extended moralistic fable, Oscar Wilde's longest work of fiction, was first published in 1890. It may be described as a tragedy of manners, in which a wealthy young man, endowed with great powers of physical and personal attractiveness, embarks on a hectic course of life which brings destruction to many around him, and ultimately to himself.

Hard Times is set in and around Coketown, a fictitious, Victorian mill town in the North of England. A town of red brick, machinery, and tall chimneys. A town blackened by soot, shrouded in mist, and choked by smoke. The working men and women of Coketown, referred to generally as "Hands" as if they were merely extensions of the machinery they operate, and not individuals with loves and likes, memories and inclinations, souls to weary and souls to hope.

The Wind in the Willows, first published in 1908, is one of the most beloved of all children's classics and has been adapted on multiple occasions for presentation on stage, in film, and as an opera. The action centers on the efforts of Mole, Rat, and Badger to discipline and reform their wealthy and self-destructive friend Toad, who lives in a splendid mansion known as Toad Hall.

As the invading army of a mad king ravages the land, Vyder seeks help from the one force that can stop them: The fierce Highland warriors of his home province. But Vyder finds he has enemies in the Highlands now - can he stay alive long enough to raise an army, and even if he succeeds will it be too late?

Fresh off his victory at The Battle of Lodi, Napoleon is planning to enjoy his lunch when a lieutenant arrives with the bad news that the dispatches he had been carrying were stolen. Infuriated, Napoleon threatens him with being court-martialed unless he can recover them. A woman appears who claims to know about the theft. Unconvinced of her story, Napoleon and the woman enter into a battle of wits in true Shaw style. Will the conqueror of worlds end up conquered by a woman?

The action of this play, which occurs during a conflict on the Balkans, is initiated by the discovery by Raina, the daughter of an military officer, of a man who has taken refuge in her bedroom. Unfortunately, the man belongs to the opposing army. How will she deal with a notional enemy who behaves with such quixotic courtesy?

Hedda and George Tesman have just returned from their six-month honeymoon tour of the Tyrol. George, a studious and somewhat dull academic has spent most of the time continuing his research. Hedda, the daughter of the celebrated, aristocratic General Gabler, recently deceased, has been accustomed to the finer things in life. She is already bored in her marriage and diverts herself with her father's pistols and the attentions of family friend, Judge Brack.

Hands Around, also known as La Ronde or Reigen, is possibly Schnitzler's most provocative and controversial work. In a series of 10 conversations occurring before or after a sexual encounter, between 10 pairs of characters from all walks of life, Hands Around offers a playful scrutiny of the sexual morals and class ideology of the era.

The story is told from the point of view of Pip, an orphan of humble origins who dreams of being a gentleman. From a chilling encounter with a convict when he was seven, through his coming of age and early adulthood, he tells of his "memorable days" and the "great changes" they wrought in him. Pip is apprenticed to kind-hearted Joe Gargery, the blacksmith, husband to his ill-tempered sister. On meeting the eccentric and reclusive Miss Havisham and her proud and haughty ward, the beautiful Estella, Pip becomes ashamed of his origins and hopes to one day better himself.

End-game. The point in chess where the last piece falls. Except, for Auri and those she loves, she is determined that it will be Obsidian and his armies who fall. To this end, she has brought all of the power she wields to bear. All of the combined power of dragons, men, dwarves, animals, and elves, all join together in a clash that will determine the destiny of Terradin...and the destiny of the souls who dwell there. Then the tide of battle suddenly turns, and she is on the run from not only Obsidian and his armies, but also those she loves most dearly.

A Doll's House, published in 1879, was the earliest of Ibsen's "social dramas", and the first of his works to attract attention outside of Scandinavia. The central theme of the play is a woman's right to individual self-development, and represents, as humourist Stephen Leacock observed of many Ibsen plays, "a profound problem stated but not solved".