Showing results by narrator "Matthew Schmitz" in All Categories

Songs of Kabir is a book from 1915 consisting of 100 poems of Kabir, the 15th century Indian poet and mystic, translated to English by Nobel laureate Rabindranath Tagore.

This was a key work of 17th-century alchemy. It was written in Latin by Jean d'Espagnet as Enchiridion Physicae Restitutae, and the first edition was issued at Paris in 1623.

The Burden of Isis, being the laments of Isis and Nephthys, translated from the Egyptian by James Teackle Dennis, was first published in 1910. This edition is from a reprint in 1918. Includes "The Laments of Isis and Nephthys", "The Chants", and "Hymn to Osiris-Sokar".

The Kybalion is a book originally published in 1908 by "Three Initiates" that purports to convey the teachings of Hermes Trismegistus. A modern Hermetic tract, it has been widely influential in New Age circles since the 20th century. A central concept in the book is that there are "seven Hermetic principles, upon which the entire Hermetic philosophy is based".

Translated as Thus Spake Zarathustra, this book is a work of philosophical fiction written by German philosopher Friedrich Nietzsche. It was published in four volumes between 1883 and 1885. The protagonist is nominally the historical Zoroaster.

The Six Keys of Eudoxus is a short but important manuscript within alchemy. Ascribed to an ancient philosopher, it dates to the Renaissance and describes a simplistic set of methods by which alkahest and the philosopher's stone can be made.

The Hymns of Hermes examines Hermetic ecstatic hymns, which are songs of a poetic nature used to describe the Gnosis of Hermetic attainment and the ecstatic personal experience of the divine.

The Gods of Pegana is the first book by Anglo-Irish fantasy writer Lord Dunsany, published on a commission basis in 1905. The book is a series of short stories linked by Dunsany's invented pantheon of deities who dwell in Pegana, and was a huge influence on authors such as Lovecraft and Tolkien. This is one of my favorite works of weird fantasy fiction by Lord Dunsany, and is a masterful cosmological piece of indulgent prose that actually contains some sublime wisdom between the lines.

Dreams are part of common experience, yet a mystery that is little understood. Psychologists and others who are ignorant of the human being's true constitution, ranging across several subtle levels, are only groping to learn their significance.

In the hush between monsoon thunder and moonlit stillness, the hills of Assam have always whispered secrets. From the dense forests of Dima Hasao to the stilted villages along the Brahmaputra, ancient names still crawl across the memory of the land—Khoba-Khubi, Baak, Puwali Bhoot, Dainee, Jokhini. These are not merely ghosts, but living testaments to the cosmology of fear, justice, transgression, and survival among the people who have long dwelled in this region. Assamese demonology is not a closed system, but a breathing map of emotion, ethics, and ecology.

This book having worth enough in itself needs not my commendation, this author in his lifetime being an eminent physician and most able philosopher as the discourse itself can best testify. The author builds on good principles, so that his theory is as true as it is plausible; and I presume he aimed at nothing more, leaving all particulars and their application to the industry of his listeners. He is sometimes pleased to descend to examples, but to such only as are natural, and they indeed are good to teach but hard to imitate. We see not all that nature does.

Deep in the sweltering jungles of South America, two explorers — Falmer and Thone — stumble upon a forgotten ruin, hidden beneath centuries of tangled growth and silence. Within its shadowed chambers lies an ancient tomb, undisturbed, its secrets sealed in stone and time. But something lingers in the sepulchre. Something old. Something alive. Something that does not sleep. As one of the men becomes obsessed with a strange, unidentifiable seed found within the tomb, the boundary between plant and predator, dream and nightmare, begins to rot and dissolve.

The Crawling Chaos is a haunting, surreal tale born from the collaboration between H.P. Lovecraft and writer Winifred V. Jackson. First published in 1921, this story combines Lovecraft’s eerie prose with a dream that Jackson herself experienced, which served as the story’s foundation. In an interesting twist, the two writers published under pseudonyms, with Jackson as “Elizabeth Berkeley” and Lovecraft as “Lewis Theobald, Jun.”

H.P. Lovecraft often warned us that there are things not meant to be understood—truths too ancient, too vast, or too alien for the human mind to hold. In The Unnamable, he takes that warning a step further: some things cannot even be described. This story, first published in 1925, is part philosophical debate, part ghost story, and part quiet apocalypse.

"The White Ship" is a horror short story by American writer H. P. Lovecraft. It was first published in The United Amateur (Volume 19) #2, November 1919, and later appeared in the March 1927 issue of Weird Tales. Basil Elton, a lighthouse keeper, engages in a peculiar fantasy in which a bearded man in robes is piloting a mystical white ship which appears when the moon is full. Elton walks across the water on a bridge of moonbeams, joins the bearded man on the ship, and together they explore a mystical chain of islands unlike anything that can be found on Earth.

"The Last Incantation" by Clark Ashton Smith tells the story of Malygris, an aging necromancer who has mastered all forms of magic but is plagued by ennui. In a bid to escape his despair, he attempts to summon his long-lost love, Nylissa, from the dead, only to discover that the reality of her presence does not fulfill his nostalgic desires, leading to a poignant lesson about the passage of time and the nature of memory.

There are Lovecraft stories that roar with cosmic terror — ancient gods, unknowable entities, the madness of knowledge. And then there is What the Moon Brings. This short, haunting piece is not a tale in the traditional sense, but a dream — or rather, a descent. It belongs to that strange and shadowy corner of Lovecraft’s imagination where logic erodes, and we are left adrift in a realm shaped by mood, moonlight, and the whisper of things not quite seen. First published in 1923, What the Moon Brings reads like a surreal reverie drenched in symbolism.

The tales you are about to listen to are older than cities. Older than memory. They come from a land where the sun was a god, the river a lifeblood, and every stone held a secret. In Ancient Egyptian Legends, M. A. Murray gathered the fragments of a long-vanished world and gave them voice again — stories once carved in temple walls, whispered by priests, or preserved in faded papyrus scrolls.

There are books that awaken the intellect, books that stir the heart—and then, rarest of all, there are books that shift the fabric of reality, that open quiet doors in the mind through which something older, stranger, and more beautiful begins to seep in. A Dreamer’s Tales is such a book. In this book, Lord Dunsany does not merely tell stories. He conjures realms beneath reason, cities where time is a superstition, and gods born from silence.

There are books that speak plainly, and then there are those that conceal their truths behind veils of symbol and secrecy. An Open Entrance to the Closed Palace of the King belongs to the latter—a text written not for the casual listener, but for the seeker, the alchemist, the one who dares to unlock nature’s deepest mysteries. Attributed to the enigmatic adept Eirenaeus Philalethes, this work stands as a beacon in the vast sea of alchemical wisdom.