Showing results by author "George Eliot" in All Categories

In George Eliot's Middlemarch, the idea of marriage and vocation are explored through a small town's community of ordinary people. One of the main characters, Dorothea Brooke, is a kind and good-hearted woman who gives to the poor and helps to rebuild cottages of poor farmers. However, she is also stubborn and very strong-willed.

The Lifted Veil is a captivating novella by George Eliot, first published in 1859. Departing from the realistic fiction she is celebrated for, Eliot delves into the realms of extrasensory perception, the nature of physical existence, the possibility of life after death, and the intricate workings of fate. This thought-provoking work stands as a remarkable entry in the Victorian tradition of horror fiction, inviting readers to explore the unknown. (Summary from Wikipedia)

The Mill on the Floss is a novel by George Eliot (Mary Ann Evans), which was first published in 1860. The book chronicles the lives of Tom and Maggie Tulliver, who are siblings growing up at Dorlcote Mill situated at the junction of the River Floss and the River Ripple. Maggie is the main character, and the story begins when she is nine years old, 13 years into her parents' marriage. The most important threads concern her relationship with her brother and her romantic relationships with Philip Wakem and Stephen Guest.

Silas Marner is a selfless member of a tight Calvinist sect who's been framed for stealing the congregation's funds. Expelled from his community, he retreats to the rustic hamlet of Raveloe to spend the remainder of his life as a misanthropic hermit, devoted only to the fortune he amasses as a linen weaver. But when his gold is taken, Silas also feels robbed of what's left of his humanity. Then, one snowy New Year's Eve, an orphan girl comes in out of the storm and changes him forever.

An absorbing, semi-philosphical tale of love and people driven to extremes. Our hero, a carpenter, loves Hetty Sorel, but she loves Arthur Donnington, a local squire. The story soon progresses onto powerful themes, such as: who has the right to determine who lives and who dies?

Middlemarch is considered one of the masterpieces of English fiction. Published in 1874, it is the seventh and penultimate novel by George Eliot. It pursues a number of underlying themes, including the status of women, the nature of marriage, idealism and self-interest, religion and hypocrisy, political reform, and education.

What did it mean to be a woman in the Georgian and Victorian periods? These beloved novels offer three dramatically different, but universally recognisable, experiences. . Whether it is the drama of sisterhood, the trials and tribulations of romantic encounters, or the struggles of being a writer in a male world, each story holds just as much resonance for the female experience as they did on first publication.

Middlemarch: A Study of Provincial Life is a novel by George Eliot, the pen name of Mary Anne Evans, later Marian Evans. It is her seventh novel, begun in 1869 and then put aside during the final illness of Thornton Lewes, the son of her companion George Henry Lewes. During the following year Eliot resumed work, fusing together several stories into a coherent whole, and during 1871–72 the novel appeared in serial form. The first one-volume edition was published in 1874, and attracted large sales. Subtitled "A Study of Provincial Life," the novel is set in the fictitious Midlands town of ...

The tale of a man who is incapacitated by visions of the future and the cacophony of overheard thoughts, and yet who can't help trying to subvert his vividly glimpsed destiny, it is easy to understand The Lifted Veil as being autobiographically revealing of Eliot's sensitivity to public opinion and her awareness that her days concealed behind a pseudonym were doomed to a tragic unveiling (as indeed came to pass soon after this novella's publication).

A commentary on guilt, material wealth, community, religion, and more, this novel is a thought provoking yet heartwarming tale. Banished from his church after being falsely accused of theft, Silas Marner becomes a bitter hermit consumed only by the wealth and goods he has been able to attain in exile. After losing everything he loved from his past, he clings now to the materials he has gained since. However, he must suffer through losing those too and instead gain the love of an innocent orphan to find the redemption he didn’t know he needed.

Mary Anne Evans was born on 22nd November 1819, at Nuneaton in Warwickshire, England. Her first major literary work was completing an English translation of Strauss's ‘The Life of Jesus’ in 1846. Under the pseudonym of George Eliot that we know so well, ‘Adam Bede’ was published in 1859, followed by her other great novels: ‘Mill on the Floss’, ‘Silas Marner’ and ‘Middlemarch’. ‘The Lifted Veil’ is a both a beautiful story and typical of Eliot’s formidable powers of writing.

Here, Eliot explores ethical problems inherent in certain strands and styles of Christian evangelical teaching—particularly as displayed in the writings of one Dr. Cumming. While Eliot’s critique is focused on the work of this particular preacher, her insights are enduringly pertinent for those interested in the politics and ethics of religious discourse today. As always, Eliot’s authorial voice is abounding in pathos and concern for contexts of human relationality.

This powerful and moving 1860 novel is believed to be George Eliot’s most autobiographical novel. She was certainly referencing personal experience when she wrote the character of Maggie Tulliver.

In this essay, originally published anonymously in The Westminster Review (1856), George Eliot examines the state of women’s fiction in her time. She lamentingly argues that absurd and banal novels, written by well-to-do women of her time, do great disservice for the overall appreciation of women’s intellectual capacities within society.

George Eliot was the pen name of Mary Ann Evans – an ironic ‘deception’ given that "Adam Bede", her first novel, is written unashamedly from a feminist standpoint. The story centres on a pastoral love triangle. Two young men, carpenter Adam Bede and squire Captain Arthur Donnithorne, are both in love with the mercurial Hetty Sorrel. There’s a further love interest between Adam and beautiful lay preacher Dinah Morris. The setting is a country village in the north of England in the last years of the eighteenth century.

George Eliot’s 1859 novella, "The Lifted Veil", departs radically from the grounded realism of her longer and better known works, such as "Middlemarch" and "Daniel Deronda". Its tone calls to mind the works of middlebrow Sensationists, like Wilkie Collins ("The Moonstone"), and of some of the better known authors of Victorian era horror writings, such as Bram Stoker ("Dracula") and Mary Shelley ("Frankenstein"). Eliot here explores mystical themes, considering the world of phenomena which are felt but not seen.

Reputed as Eliot’s favourite novel "Silas Marner" is set in the early years of the 19th century. Marner, a weaver, is a member of a small congregation in Lantern Yard. Falsely accused of a crime he didn’t commit, he leaves his home and lives a solitary life near the village of Raveloe. Dedicating his life to weaving and hoarding gold for the next fifteen years, circumstances beyond his control shape his destiny and help to restore his faith in humanity.

"Impressions of Theophrastus Such" is a work of fiction by George Eliot, first published in 1879. It was Eliot's last published writing and her most experimental, taking the form of a series of literary essays by an imaginary minor scholar whose eccentric character is revealed through his work.

"The Mill on the Floss" is George Eliot’s second novel, and was published in 1860, only a year after her first, "Adam Bede". It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear.

Among the many fatalities attending the bloom of young desire, that of blindly taking to the confectionery line has not, perhaps, been sufficiently considered. How is the son of a British yeoman, who has been fed principally on salt pork and yeast dumplings, to know that there is satiety for the human stomach even in a paradise of glass jars full of sugared almonds and pink lozenges, and that the tedium of life can reach a pitch where plum-buns at discretion cease to offer the slightest excitement.