Showing results by author "E M Forster" in All Categories

A sparkling BBC Radio dramatisation of E M Forster's classic comedy of manners, set in Edwardian England and Italy Young, naive Lucy Honeychurch is visiting Italy for the first time, accompanied by her older cousin and chaperone, Charlotte Bartlett. On arrival at the Pension Bertolini, a mix-up...

Lucy Honeychurch and her cousin are on a vacation in Florence. The girls are given a room looking into the courtyard, but they would rather have one with a view over the river. George Emerson and his father offer the two girls to change rooms and this is how George and Lucy meet for the first time. George grows fond of Lucy but she is not sure of her feelings towards him. She returns home to England where she accepts to marry Cecil Vyse, a man who had already proposed to her three times.

The major part of the human population lives under the surface of Earth. Humankind has created a Machine which meets all possible needs. Travelling is permitted but people do not feel the need for it. Everybody lives in a separate room and communication is made via messages and videos only. However, not everyone is content with this life. There are rebels like Kuno who want to explore and get out of the limitations set by the Machine. Kuno will try to escape but without success.

The story from which this collection takes its title describes the adventures of an imaginative boy who discovers an omnibus that enables him to travel to the past in the company of famous historical personages. When at his invitation, an incredulous adult accompanies him on a journey, the astonishing new vistas unfolding alarm the security-conscious older man, who wishes himself back in his comfortable suburban home.

Lucy Honeychurch is a young English girl abroad in Italy for the first time and is ready to experience all the beauty, art, and romance it has to offer. She is hampered by the oppressive attentions of her chaperone, her prim cousin Charlotte, as well as the presence of a substantial British expatriate and tourist community in Florence.

In a London suburb is a dead-end alley where twice a day a horse-drawn omnibus leaves for the Promised Land. Just make sure you get a return ticket before you leave, or you won't be coming back.

This brilliant novel depicts cultural clashes between a middle-class English family and a penniless Italian. His marriage to a young widow from Sawston leads to a tumultuous situation within the family.

E.M. Forster's Howards End is a vivid portrait of London's golden age, before World War I forever changed its values and culture. Forster brings the great city's upper classes to life, detailing their grandiose spending habits, popular fads, Monet and Debussy, the rise of feminism, and the beginnings of urbanization. More than a mere idealization of pre-war London, Howards End provides insightful commentary on the rapid societal changes that occurred at the onset of the 20th century. Masterfully blending the stories of three vastly different groups of people - the independently wealthy, educated Schlegels; the nouveau riche Wilcoxes; and the ambitious but struggling Leonard Bast - Forster weaves a wonderfully rich, unforgettably poignant novel.

A Room with a View portrays the love of a British woman for an expatriate living in Italy, a country which to Forster represents the forces of true passion. Caught up in a world of social snobbery, Forster's heroine, Lucy Honeychurch, finds herself constrained by the claustrophobic influence of her British guardians, who encourage her to take up with a well-connected boor.

Die Menschen leben in winzigen sechseckigen Waben tief unter der Erde, genießen jedoch allen Komfort. Ihr Alltag ist durch die "Maschine" perfekt geregelt. Ohne das Bedürfnis nach persönlichen Begegnungen kommunizieren sie über elektronische Hilfsmittel, die maximal miteinander vernetzt sind. Das Handbuch der Maschine ist zu ihrer Bibel geworden, wer nicht maschinenkonform denkt und handelt, wird verstoßen. Als der rebellische Kuno entdeckt, dass die Maschine langsam versagt, wagt er einen folgenschweren Ausbruch.

A dystopian classic, The Eternal Moment is the titular title in Forster's classic collection of short stories, The Eternal Moment and Other Stories. It follows Ms Raby, Colonel Leyland, and Eustace on their journey through the Alps as spirits, animals, and sprites guide the reader on a journey through ideas of nature, freedom, and transformation.

Lucy has her rigid middle-class life mapped out for her, until she visits Florence with her uptight cousin Charlotte, and finds her neatly ordered existence thrown off balance. Her eyes are opened by the unconventional characters she meets at the Pension Bertolini: flamboyant romantic novelist Eleanor Lavish, the Cockney Signora, curious Mr Emerson and, most of all, his passionate son George. Lucy finds herself torn between the intensity of life in Italy and the repressed morals of Edwardian England, personified in her terminally dull fiancé Cecil Vyse.

The Celestial Omnibus and Other Stories is a collection of short-stories which Forster wrote during the prewar years, most of which were symbolic fantasies or fables.

First published in 1927, Aspects of the Novel by E. M. Forster remains one of the most influential works of literary criticism in the English language. Based on a series of lectures delivered at Cambridge University, Forster explores the essential elements that define the novel—story, people, plot, fantasy, prophecy, pattern, and rhythm.

The Machine Stops is a captivating science fiction short story penned by E. M. Forster. Initially published in The Oxford and Cambridge Review in November 1909, this thought-provoking tale was later included in Forsters collection, The Eternal Moment and Other Stories, in 1928. Celebrated as one of the finest novellas up to 1965, it found its place in the popular anthology Modern Short Stories that same year. The narrative unfolds in a dystopian world where humanity has abandoned life on the Earths surface, with individuals confined to isolated underground cells. Here, they rely entirely on a ...

E.M. Forster's classic 1910 novel follows the lives and loves of the Schlegel sisters, Margaret and Helen, as they attempt to make connections with members of two very different families: the conservative, wealthy Wilcoxes, and the working-class Basts.

Lucy Honeychurch is a zesty young English woman living in the confines of Edwardian Britain. Whilst travelling in Italy, she meets the quirky George Emerson, who opens her eyes and arouses conflicting feelings. E.M. Forster’s 1908 “A Room with a View” explores themes of class, societal expectations, and the transformative power of true love, culminating in Lucy’s choice to embrace her heart over tradition.

"Howard's End" by E.M. Forster is a timeless novel of class conflict, personal connections, and the search for meaning in a rapidly changing world. This podcast examines the lives of the Schlegel sisters and their complex relationships with the wealthy Wilcox family. Explore themes of love, idealism, and the struggle for personal integrity in a society divided by wealth and status.

Long hailed as one of the most brilliant and beloved authors of the Edwardian era, E.M. Forster's works have become among the most critically acclaimed and cherished novels of the past hundred years and have been adapted numerous times for the stage and screen. "A Room With a View" and "Howards End" are presented here in their original and unabridged formats, narrated by renowned audiobook performer Sara Nichols, best known for her readings of Charlotte Bronte's "Jane Eyre" and Willa Cather's Prairie Trilogy.

The story revolves around three disparate families: the idealistic Schlegels (consisting of Margaret, Helen and brother Tibby), the wealthy Wilcox family (parents Henry and Ruth and their children) and the impoverished Basts (Leonard and his wife Jacky). When the Wilcox family moves to London and discover they are living close to their new acquaintances the Schlegels, a friendship is kindled between the infirm Ruth Wilcox and Margaret Schlegel. Ruth - who has a strong attachment to her country house called Howards End - pens a note leaving the house to Margaret.