Showing results by author "Anna Jacobs" in All Categories

Dora Preston has guts, but it will take more than that for her to break free from Hedderby and make a life for herself on the stage. Then she meets Gideon - and pursuing her ambitions becomes even harder. Gideon has returned from the fighting in India only to discover that an impostor has stolen his inheritance. He has vowed he will claim his birthright, but his enemies are ruthless and desperate. Arson attacks, crime and drunkenness have beset the Lancashire mill town, but the forces of goodness are rallying and are determined to prevail, whatever it takes.

Emmy Carter's mother is a prostitute - and her life has made Emmy determined to avoid the same fate. But Emmy is beautiful, so attracts unwanted attention; her mother's protector has his eye on her, as does evil Marcus Armistead, her employer's nephew. Marcus is excited by Emmy's virginity and has her kidnapped, but Emmy hits him over the head and escapes. Marcus, further enraged, kills her mother and becomes even more determined to rape Emmy, but the combined efforts of the local parson and Emmy's young suitor manage to keep her safe from harm.

Ellen Dawson is glad when the Great War ends but sad that Lady Bingram's aides are to be disbanded. She can't bear to go back into service again after working as a driver and mechanic in London. But she is forced by her mother's illness to accept her old position as housemaid in order to stay in the small Lancashire town, and her stepfather will stop at nothing to get her under his control again. Meanwhile, Seth Talbot is also facing difficulties when he takes over as local policeman in a town where the law has been flouted for years....

Lancashire, 1936. With her son Gabriel finally married, and her youngest following his dreams of becoming a doctor, Gwynneth Harte finds herself with an empty nest—until a fire forces her to move in with Gabriel and his wife, Maisie, at their home on Daisy Street. Arthur Chapman has been at a low ebb ever since the death of his wife. Turning to drink in his grief, he lost both his job and contact with his grandchild, Beatie—but now the inheritance of a house from a distant relative is the fresh start he needs.

Olivia Hanbury is widowed in the middle of WWI and reluctantly goes back to live with her parents. In the village the Vicar's wife is trying to set up a women's institute. Olivia helps her, and for the first time since her husband's death she feels useful. However, her family decide the Vicar's wife is giving her foolish ideas, so they forbid her to help any more. Instead Olivia runs away to become one of the paid organisers who is helping set up local women's institutes in Wiltshire.

In 1820, Salem Street is sparkling and new: eight small terraced houses built by a Lancashire mill owner for his best workers. Annie Gibson's family is one of the first to move in - a step up in the world for them. But when her mother dies, Annie's happy childhood ends and she is left to bring up her brother and sister. Red-haired, intelligent and startlingly pretty, Annie soon finds herself banished from home by a jealous stepmother. She finds work in the local doctor's household, where she learns about the fascinating world outside Salem Street.

An unexpected inheritance is most people's dream, but not so for Paula. She's happy and secure in Western Australia with her own business, a complete contrast to her rootless childhood, and has little interest in the minor stately home in Wiltshire of which she is apparently now the owner. Persuaded to at least visit the property, she travels to the UK but from the journey to what awaits her at the other end, complications personal, romantic and financial abound, which will test the adage that home is where the heart is.

In 1845 Annie Gibson can finally leave Salem Street. Her dreams of being able to open an elegant dressmaking salon in the High Street of Bilsden, a Lancashire mill town, have come true. And she is going to take her father and his second family with her, away from poverty, away from the Rows. But Annie has not left trouble behind. Someone is trying to undermine her business. Her family have their own ideas about what they want to do with their lives.

In Western Australia, Sarah chuckles as she describes her final will and testament—which will throw the metaphorical cat among the family pigeons—whilst sharing a bottle of wine with her neighbour Thomas as they sit on the terrace of her luxurious waterside home. Six months later, at the age of 95, she peacefully passes on. Married and widowed three times, Sarah has had a great life as a successful businesswoman. Now she's left her Australian house to her two great-nieces—on the condition that they live in it together for a year.

Abigail Beadle has given two decades of her life to caring for her late father and looking after the centuries-old family home. She has never married because Lucas Chadwick, the man she loved when she was young, left the village with his family. When her loathed stepmother dies, Abigail is glad to be released from the woman's nagging and bullying, but the will she left casts doubt on Abigail's inheritance. It is not until Lucas returns to the village and helps to get to the bottom of the complicated situation that Abigail begins to believe her life might be able to start at last.

When Mara Gregory receives a letter from the father whom she believed to have died when she was a child, her world is turned upside down. Aaron Buchanan only discovered that he had a daughter a couple of years ago and now he's desperate to play a part in her life. In the face of her mother's opposition, Mara arranges to meet her father and his family. In a breath-taking corner of the world, amid a waterfront community on Australia's west coast, will Mara find him the disappointment that her mother promises?

Armistice Day, London, 1918. Fiercely independent Georgie is tired of being told what's best for her by men. When she defies her father's wishes by going out into the peace festivities, she tries to help a woman being attacked and encounters Patrick, a gallant wounded ex-soldier looking for a new calling now that the fighting is done. But the war isn't over for everybody. Enemy forces have infiltrated the bureau and sent her father into hiding. And they are coming for her, too. Georgie knows there's only one place where she'll be safe: Honeyfield.

When the teenage girl who's been hanging around near the house knocks on the door and tells her she's her granddaughter, Cassie is shocked rigid. There's only one way this can be true: if Evie is the daughter of the baby Cassie gave away for adoption when she was herself a troubled teenager. Is this a trick? Or is Evie's tale true? When she finds out why the girl has come to find her, it brings a tangle of other problems that she can't ignore. This was the last thing she expected to be dealing with as she moves into her new home in a leisure village in Wiltshire.

Norah's husband was killed in the Great War, and she's struggling to provide a home for her daughter. Andrew's wife is dead, and he wants to make a new life for his two sons. The Australian government is giving ex-servicemen a farm. But to join the group settlement scheme, Andrew must find a wife. Will a marriage of convenience give Andrew and Norah the chance they seek? Can two strangers be happy together? In Australia they have to clear the forest to make their own farms. But they're both strong and willing to give it everything they've got.

As the only female cabinet maker in the valley in 1935, Frankie Redfern is unusual. She faces prejudice even from her own mother. But she's content working for her father and is unwilling to give up her independence or the work she loves for marriage. When her husband falls gravely ill, Frankie's mother takes over, causing serious trouble for her daughter. And her cousin, an unscrupulous local builder, starts to help her for his own reasons.

Recently widowed, Hannah Firth is still young - young enough to dream of a new life. When her spiteful daughter-in-law uses her as an unpaid servant, Hannah tries to leave, but she is unaware of the depths that Patty's spite will lead her to. Nathaniel King's life is ruined when his landlord's son lays waste to his market garden for a prank - and the resulting feud puts Nathaniel's livelihood at stake.

Eleanor and Beatrice dream of lovematches but the Dowager insists romantic love is for housemaids, not for the Graceover women. Beatrice, despatched to London to look over the current crop of bachelors, is unimpressed by the frivolities of the Season. Disturbed by the languid charm of Lord Serle and appalled by the mercenary attitudes to marriage displayed by Society, Beatrice’s country innocence and unconventional behaviour lead her into some alarming situations.

When a new feature on Pete Newbury’s popular TV programme shows his adult image digitally transformed to that of a young child, Beth is shocked to realise that he’s her baby brother, who disappeared without a trace thirty-eight years ago. He vanished at the age of three and her family has grieved for him ever since, believing him to be dead. But the path to reunion and happiness is fraught with complications, not least Beth’s feelings towards a close friend of her long-lost brother and then the reappearance of her runaway daughter, complete with child.

Nell has come to feel very at home in her beautiful corner of Wiltshire with her partner, Angus. What she could do with, however, is a challenge, and the prospect of bringing life back to an abandoned row of houses, Saffron Lane, is just what she’s looking for. Stacy, lost and alone after a divorce she didn’t see coming, is trying her best to start over. And Elise, battling her nieces who would force her into residential care, longs for a home where she can get back to her painting. When their paths cross, the future starts to look brighter - although not all goes according to plan.

Molly Peel feels trapped by her family: her ex-husband Craig cannot seem to abandon his controlling ways despite abandoning her for a younger woman, her lazy son Brian has long been taking advantage of her generosity, and her selfish daughter Rachel is embarrassed by her. When she is blamed for ruining Rachel’s wedding in circumstances beyond her control, Molly decides enough is enough and makes a clean break to Wiltshire to begin a new life. However, the persistent interference of her ex presents difficulties. Can Molly find the courage to stand up for herself and finally move on?