Showing results by narrator "Matthew Schmitz" in All Categories

There are Lovecraft stories that roar with cosmic terror — ancient gods, unknowable entities, the madness of knowledge. And then there is What the Moon Brings. This short, haunting piece is not a tale in the traditional sense, but a dream — or rather, a descent. It belongs to that strange and shadowy corner of Lovecraft’s imagination where logic erodes, and we are left adrift in a realm shaped by mood, moonlight, and the whisper of things not quite seen. First published in 1923, What the Moon Brings reads like a surreal reverie drenched in symbolism.

The tales you are about to listen to are older than cities. Older than memory. They come from a land where the sun was a god, the river a lifeblood, and every stone held a secret. In Ancient Egyptian Legends, M. A. Murray gathered the fragments of a long-vanished world and gave them voice again — stories once carved in temple walls, whispered by priests, or preserved in faded papyrus scrolls.

There are books that awaken the intellect, books that stir the heart—and then, rarest of all, there are books that shift the fabric of reality, that open quiet doors in the mind through which something older, stranger, and more beautiful begins to seep in. A Dreamer’s Tales is such a book. In this book, Lord Dunsany does not merely tell stories. He conjures realms beneath reason, cities where time is a superstition, and gods born from silence.

The subject of my discourses I have called "The Laws of the Higher Life", because so many people in dealing with religion that has to do with the Higher Life seem inclined to remove it from the realm of law, bringing it into some strange region of arbitrary whim and results without endeavor, of failure without weakness.

Clark Ashton Smith was a poet, sculptor, painter, and author of fantasy, horror, and science fiction short stories. It is for these stories and his literary friendship with H. P. Lovecraft, from 1922 until Lovecraft's death in 1937, that he is mainly remembered today.

Dated to the late 18th century, the book is divided into 12 sections representing the 12 zodiacal signs. The veiled content is said to refer to an allegorical initiation, detailing many Kabbalistic, alchemical, and masonic mysteries.

Five fantastical tales from the mind of H. P. Lovecraft that center around a theme of illicit substances: some used to transcend the veil of reality, some used to keep one's sanity in check. All of the stories are quite psychedelic and unreal, quite mystical, and quite frightening.

One of the best-known Arthurian stories—adapted many times into verse, prose, games, and film. It recounts an adventure undertaken by King Arthur’s famous nephew, Sir Gawain, who is brave and the model of knightly grace. When a mysterious knight in green armor issues a challenge to the Round Table, the gallant Gawain volunteers to do battle for his king, beginning an adventure that explores chivalric tradition, loyalty, and the virtue of forgiveness, as well as alchemical symbolism and the psychological process of individuation.

The lectures here presented in book form were first written in 20 lectures and delivered during the month of November 1908 in Columbus, Ohio, by Max Heindel. He also mimeographed them and distributed copies to all who attended his lectures.

The Sibylline Oracles are a collection of oracular utterances written in Greek hexameters ascribed to the Sibyls, prophetesses who uttered divine revelations in a frenzied state.

Ascribe the work to Georgius Aurach de Argentina (sometimes Anrach) and date it to 1475. There are versions in Latin, German, French, and Italian, and one in English in the British Library.

This is a compendium of theories of the shape of the Earth, along with a great deal of Earth mystery lore. The Book of Earths includes many unusual theories, including Columbus' idea that the Earth is literally pear-shaped, modern theories that the Earth was originally tetrahedral, and so on.

The Mirror of Alchemy is a short alchemical manual, known in Latin as Speculum Alchemiae. Translated in 1597, it was only the second alchemical text printed in the English language. Long ascribed to Roger Bacon, the work is more likely the product of an anonymous author who wrote between the 13th and the 15th centuries.

Songs of Kabir is a book from 1915 consisting of 100 poems of Kabir, the 15th century Indian poet and mystic, translated to English by Nobel laureate Rabindranath Tagore.

This was a key work of 17th-century alchemy. It was written in Latin by Jean d'Espagnet as Enchiridion Physicae Restitutae, and the first edition was issued at Paris in 1623.

The Burden of Isis, being the laments of Isis and Nephthys, translated from the Egyptian by James Teackle Dennis, was first published in 1910. This edition is from a reprint in 1918. Includes "The Laments of Isis and Nephthys", "The Chants", and "Hymn to Osiris-Sokar".

The Kybalion is a book originally published in 1908 by "Three Initiates" that purports to convey the teachings of Hermes Trismegistus. A modern Hermetic tract, it has been widely influential in New Age circles since the 20th century. A central concept in the book is that there are "seven Hermetic principles, upon which the entire Hermetic philosophy is based".

The Book of Lambspring is one of the few real-life cases of a centuries-old book on alchemy. Nicolas Barnaud was a French Protestant writer, physician and alchemist, from Crest, in Dauphiné, from which he took the name Delphinas. He was a member of the Monarchomaques. He is associated with a number of mysteries.

This is a collection of five alchemical tracts written by one of the most famous alchemists who was said to have discovered the Philosopher's Stone. In these writings, Paracelsus attempts to educate the listener about the nature of the Philosopher's Stone and the scientific principles from which we can be assured of its existence and understand how it works. Like all alchemical tracts, the language is very cryptic and allegorical, so as to be unintelligible to the unworthy.

The Six Keys of Eudoxus is a short but important manuscript within alchemy. Ascribed to an ancient philosopher, it dates to the Renaissance and describes a simplistic set of methods by which alkahest and the philosopher's stone can be made.