Showing results by narrator "Joanna Stephens" in All Categories

Toby Stephens stars in this BBC Radio 4 full-cast dramatisation of Raymond Chandler’s second Philip Marlowe mystery.Fast-talking, trouble-seeking private eye Philip Marlowe is a different kind of detective: a moral man in an amoral world. California in the ’40s and ’50s is as beautiful as a ripe fruit and rotten to the core, and Marlowe must struggle to retain his integrity amidst the corruption he encounters daily.In ‘Farewell My Lovely’, Marlowe has a chance encounter with a not-so-gentle giant outside Florian’s nightclub.

Mr Bertram Atherton has one foot in the Ancient World, emerging from his library only to eat and sleep. But when the chaplain of his uncle, the Earl of Rennington, is brutally murdered, it is revealed that he was never ordained and so the earl’s marriage was invalid, and his children rendered illegitimate. Bertram’s father is now the heir to the earldom, and Bertram after him. It’s a horrifying change of circumstances for a man only interested in intellectual pursuits.

Miss Fanny Winterton has only one wish in her romantic heart: to surrender to overwhelming love. She will accept nothing less than to be struck by the thunderbolt of everlasting passion. Real life isn’t quite so obliging, however. So, while she waits for the fires of love to ignite, she is content to ply her needle as a lowly seamstress for her noble patroness. The honorable Ferdinand Makenham has no wish at all to marry, until one glimpse of Fanny’s sweet expression convinces him that he has found the love of his life.

Will Fletcher is the eldest son and heir to the family fortune, and although his father is reluctant to relinquish his roots in trade, Will is more than happy to become a gentleman.

Angie Fletcher is the lively, mischievous daughter of the family. All she wants in her life is music and dancing, plenty of pretty new bonnets, and perhaps just the occasional trick played on her tolerant family. She’s been unusually well-behaved during the season in London, in dread of the least transgression curtailing all those glorious balls.

Lord Augustus Marford has only one interest in life - horses. It’s an expensive hobby. When his brother, the Marquess of Carrbridge, finds himself in financial trouble after his agent disappears with much of his fortune, Gus is happy to help the family finances by finding work with horse auctioneers Tattersalls. His first job takes him to the wild Northumberland coast to assess some stud horses for the eccentric Duke of Dunmorton.

Lord Reginald Marford needs a wealthy heiress to support his indulgent lifestyle. Spirited Miss Robinia Chamberlain looks perfect, but when he sets out to court her, he finds that his title and family connections aren’t nearly enough to entice the lady, and he has to become a little bit creative to attract her attention. Robinia’s recently inherited large fortune brings her many suitors. But she’s not interested in any of them, and especially not Reggie, no matter how persistent he is. He may be a perfect gentleman but he isn’t nearly dashing enough for her.

Lord Humphrey Marford has a way with cards, dice, and gambling of all forms. He’d love to start his own gaming house, but that takes a lot of money, far more than he or his brothers can come up with. His only solution is to marry an heiress, and he can’t be too choosy. Miss Hortensia Blythe seems perfect - pretty, charming and very, very rich, she’s just home from India where her father made a fortune and left her every penny of it. But even as he courts the ladylike but rather dull Miss Blythe, Humphrey is drawn to her companion.

Margaret is the quiet one of the Winterton family, happy only in her own home with her sisters protectively gathered around her. But her father’s death and mountain of debts tear the sisters apart and uproot them from Woodside. As a poor relation, Margaret must become a lowly paid companion to two elderly aunts she has never met. There is no welcome for Margaret at their gloomy house, Pendarreth, but the surrounding woods bring her solace - and unexpected danger.

A trilogy of contemporary plays inspired by tales from The Arabian Nights: Arabian Afternoons includes The Casper Logue Affair by Sebastian Baczkiewicz, The Porter and the Three Ladies by Rachel Joyce and A Dish of Pomegranates by Peter Jukes.

Feya Broon, a Scottish half Gypsy, knows what it is to go hungry. Trapped in the Edinburgh tenements with a father lost to his past and only the faded memory of her mother's faith, Feya is desperate to provide for her siblings. When an ill-conceived plan leads to thievery, she finds herself in the last place she'd ever want to be - captured by a palace guard. But there's something about this man that tears at every preconceived notion she's ever had about the haughty English.