Showing results by narrator "James Marsters" in All Categories

1870. A time known as The Great Killing. The vampire clans arose and slaughtered humanity with unprecedented carnage in the northern parts of the world. Millions perished; millions were turned into herd animals. The great industrialized civilizations of the world were left in ruin. A remnant fled south to the safety of the ever present heat which was intolerable to vampires. There, blending with the local peoples, they rebuilt their societies founded on human ingenuity, steam and iron.

This final play from the pen of Oscar Wilde is a stylish send-up of Victorian courtship and manners, complete with assumed names, mistaken lovers, and a lost handbag. Jack and Algernon are best friends, both wooing ladies who think their names are Ernest, "that name which inspires absolute confidence." Wilde’s effervescent wit, scathing social satire, and high farce make this one of the most cherished plays in the English language.

The epic Vampire Empire trilogy rushes to a heart-wrenching conclusion of honor and love, hatred and vengeance, sacrifice and loss. A war to the death. Empress Adele has launched a grand crusade against the vampire clans of the north. Prince Gareth, the vampire lord of Scotland, serves the Equatorian cause, fighting in the bloody trenches of France in his guise as the dashing Greyfriar. But the human armies are pinned down, battered by harsh weather and merciless attacks from vampire packs.

The redoubtable Sherlock Holmes and his sidekick Dr. Watson face danger in an old mansion and on the moors in this rollicking stage adaptation of Doyle’s classic adventure. An L.A. Theatre Works full-cast performance featuring: Geoffrey Arend, Wilson Bethel, Seamus Dever, Sarah Drew, Henri Lubatti, James Marsters, Christopher Neame, Moira Quirk, and Darren Richardson.

A dark tale of hubris, lust, and self-destruction… as told by a man who famously fell prey to those same impulses in his own life. Oscar Wilde wrote his original interpretation of the Biblical story of Salomé in French, and the play was so controversial that no theatre in England would produce it for nearly four decades. Includes a conversation with director Michael Hackett and Wilde scholar David Rodes. An L.A. Theatre Works full-cast production.

Starring James Marsters, this classic comedy of manners from 1773 is still widely performed and studied. Love, lies, and dysfunctional families. Sound like your last family gathering? Try this one on for laughs. Two randy young gents, Charles and George, set out to woo the alluring and upper-crust Kate and Constance. But inexperienced Charles is shy and clumsy around upper-class ladies, so it’s the barmaid who catches his eye. But is she really who she seems?