Showing results by narrator "Adenrele Ojo" in All Categories

Brooklyn, 1998. Biggie Smalls was right: Things done changed. But that doesn’t mean Quadir and Jarrell are cool letting their best friend Steph’s music lie forgotten under his bed after he’s murdered - not when his rhymes could turn any Bed-Stuy corner into a party. With the help of Steph’s younger sister, Jasmine, they come up with a plan to promote Steph’s music under a new rap name: the Architect. Soon, everyone wants a piece of him. When his demo catches the attention of a hotheaded music label rep, the trio must prove Steph’s talent from beyond the grave.

Belle Palmer is finally free! Separated from her father on the harrowing escape, Belle is lost and alone until she finds shelter with the Bests, the first free family she's ever known. For the first time in her 16 years, Belle can speak her mind - except for her feelings for a certain dark-eyed young man - The Beau. Educated and handsome, at 18, Daniel Best is engaged to the prettiest girl around. So when the bedraggled girl his parents take under their wing suddenly turns into a vibrant, lovely young woman, his attraction to her is a complete - and complicated - surprise.

Petty criminal Zara Cole has a painful past that's made her stronger than most, which is why she chose life in New Detroit instead of moving with her family to Mars. In her eyes, living inside a dome isn't much better than a prison cell. Still, when Zara commits a crime that has her running scared, jail might be exactly where she's headed. Instead Zara is recruited into the Honors, an elite team of humans selected by the Leviathan - a race of sentient alien ships - to explore the outer reaches of the universe as their passengers.

Neil McClain is the screw-up, the one everyone hopes will win but expects to lose. He wants to live a better life, one that his late mother would be proud of, but his belief in himself is weak. Sage Moniba is in need of a major miracle, or she'll be forced to give up the only life she's known. Neil is searching for freedom from the demons of his past. Sage is in desperate need of help. Could it be that what each one needs resides in the other?

Trying to put past hurts behind you is hard when your ex is a fool, but buoyed by child support and alimony, Jo Walker is moving forward with her life, pursuing a career, raising her little girl, and trying to live in peace. She believes she has all the bases covered in her world. But what about her heart? Rap legend Everett "Big South" McClain is divorced, too, knows all about failed relationships, and has relegated his love life to casual connections rather than pursuing something real. That is, until he lays eyes on Jo.

There are two sides to every story. The surface reality that’s presented to the world. And then, there’s the other side. The real one. The one that matters. Seventeen-year-old self-proclaimed asshole Toby Page is alone. No friends. No family. He trades maintenance work in exchange for room and board. Every day, he fights demons no one else can see. Every day, he wants to give up. But he can’t. Not yet. When Alice Eliot moves in downstairs, she offers Toby some light in his dark world.

The pale-skinned, black-eyed baby is a bad omen. That’s one thing the people on the old plantation are sure of. The other is that Miss Rue - midwife, healer, crafter of curses - will know what to do. But for once Rue doesn’t know. Times have changed since her mother, Miss May Belle, held the power to influence the life and death of her fellow slaves. Freedom has come. The master’s Big House lies in ruins. But this new world brings new dangers, and Rue’s old magic may be no match for them.

Movies matter—that is the message of Reel to Real, bell hooks' classic collection of essays on film. They matter on a personal level, providing us with unforgettable moments, even life-changing experiences, and they can confront us, too, with the most profound social issues of race, sex and class. Here bell hooks—one of America's most celebrated and thrilling cultural critics—talks back to films that have moved and provoked her, from Quentin Tarantino's Pulp Fiction to the work of Spike Lee.

bell hooks reflects on the ways in which the emotional health of black women has been and continues to be impacted by sexism and racism. Desiring to create a context where black females could both work on their individual efforts for self-actualization while remaining connected to a larger world of collective struggle, hooks articulates the link between self-recovery and political resistance. Both an expression of the joy of self-healing and the need to be ever vigilant in the struggle for equality, Sisters of the Yam continues to speak to the experience of black womanhood.

It's 1924 in Branchville, South Carolina, and three women have come to a crossroads. Gertrude, a mother of four, must make an unconscionable decision to save her daughters. Retta, a first-generation freed slave, comes to Gertrude's aid by watching her children, despite the gossip it causes in her community. Annie, the matriarch of the influential Coles family, offers Gertrude employment at her sewing circle, while facing problems of her own at home.

In the critical essays collected in Black Looks, bell hooks interrogates old narratives and argues for alternative ways to look at blackness, black subjectivity, and whiteness. Her focus is on spectatorship—in particular, the way blackness and black people are experienced in literature, music, television, and especially film—and her aim is to create a radical intervention into the way we talk about race and representation. As she describes: "the essays in Black Looks are meant to challenge and unsettle, to disrupt and subvert."

Brooklyn Dembélé is still piecing her life together after her divorce and the loss of a lifestyle she’d dreamed of since childhood. The single mother’s time is filled with work at the prestigious Historically Black University Romey U. But despite her focus on rebuilding her life, she can’t seem to forget the mistakes of her past.

When 26-year-old Reese accepts a position as a grad assistant, she has no idea an unpleasant encounter with a student will lead to the discovery of what she calls "the trifecta": fine, intellectual, and a little bit rude - three qualities she finds irresistible in a man. She has no intention of doing anything with that discovery. But everybody knows what happens to best laid plans. Jason is a grown man. He's at Blakewood State University to finish his degree and move on. The last thing he's interested in is the female population on campus...Reese might be a notable exception.

Now entering its second century, the prestigious annual story anthology has a new title, a new look, and a new guest editor. Chimamanda Ngozi Adichie has brought her own refreshing perspective to the prize, selecting stories by an engaging mix of celebrated names and young emerging voices. The winning stories are accompanied by an introduction by Adichie, observations from the winning writers on what inspired them, and an extensive resource list of magazines that publish short fiction.

Pediatrician Parker Reese likes to play the field and usually has women at his beck and call. Until caring for a newborn in crisis sets him on a collision course with beautiful but standoffish nurse Clare Connelly. He's willing to wager he can seduce her despite herself. But as they bond over healing the baby, the question becomes: Who's seducing whom? Soon all bets are off, but can Clare trust her heart to this player, or is it just a game?

Supreme Court clerk Avery Keene is back, trying to get her feet on solid ground after unravelling an international conspiracy. But as the sparks of Congressional hearings and political skirmishes swirl around her, Avery is approached at a legal conference by Preston Davies, an unassuming young man and fellow law clerk to a federal judge in Idaho. Davies believes his boss, Judge Francesca Whitner, was being blackmailed in the days before she died. Desperate to understand what happened, he gives Avery a file, a burner phone, and a fearful warning that there are highly dangerous people involved.

Nolan McClain is the smart one, the driven one, the one who goes for what he wants, meticulously plans his steps, and thinks he has his life all mapped out...until he lays eyes on Bridgette Turner. Bridgette Turner is just as driven and focused as Nolan, but when her past comes back to haunt her, she finds herself knocked off balance and all her hard work in jeopardy. What Nolan feels for her is real, but Bridgette is skeptical. Will she let him show her his heart?

Years ago, Old Earth sent forth sisters and brothers into the vast dark of the prodigal colonies armed only with crucifixes and iron faith. Now, the sisters of the Order of Saint Rita are on an interstellar mission of mercy aboard Our Lady of Impossible Constellations, a living, breathing ship which seems determined to develop a will of its own. When the order receives a distress call from a newly-formed colony, the sisters discover that the bodies and souls in their care - and that of the galactic diaspora - are in danger.

In childhood, Bell Hooks was taught that "talking back" meant speaking as an equal to an authority figure and daring to disagree and/or have an opinion. In this collection of personal and theoretical essays, Hooks reflects on her signature issues of racism and feminism, politics and pedagogy. Among her discoveries is that moving from silence into speech is for the oppressed, the colonized, the exploited, and those who stand and struggle side by side, a gesture of defiance that heals, making new life and new growth possible.

For bell hooks, the best cultural criticism sees no need to separate politics from the pleasure of reading. Yearning collects together some of hooks's classic and early pieces of cultural criticism from the '80s. Addressing topics like pedagogy, postmodernism, and politics, hooks examines a variety of cultural artifacts, from Spike Lee's film Do the Right Thing and Wim Wenders's film Wings of Desire to the writings of Zora Neale Hurston and Toni Morrison.