Showing results by author "Charlotte Gilman" in All Categories

Charlotte Perkins Gilman (July 3, 1860-August 17, 1935) has been inducted into the National Women's Hall of Fame. Included in this collection of her works are "The Yellow Wallpaper", "If I Were a Man", "The Giant Wistaria", "Turned", and "When I Was a Witch". These texts were published in 1892, 1914, 1891, 1911, and 1909.

Turned is a short story written by Charlotte Perkins Gilman in 1911. What would you do if you found out that your husband had cheated on you with the household help?

When I Was a Witch is a short story written by Charlotte Perkins Gilman in 1909. What would you do if you could right all the wrongs that annoy you in this world?

The Giant Wistaria, which was originally published in 1891, is a short story by American writer Charlotte Perkins Gilman. Let's join this well-to-do young couple and their friends as they look forward to a lovely summer in the haunted house they rent.

The Yellow Wallpaper is a short story by American writer Charlotte Perkins Gilman. This semi-autobiographical story was first published in January 1892 in The New England Magazine. In this story, which was written after a severe bout of postpartum depression, Charlotte gives us a disturbing and surreal view of the deterioration of a woman's mental health and her descent into psychosis from her depression.

If I Were a Man is a short story by American writer Charlotte Perkins Gilman. This story, published in 1914, is a "fly on the wall" view of a man's inner landscape as witnessed by his wife, whose wish to inhabit a male consciousness comes true.

The three friends Van, Terry and Jeff are about to embark on a mission which will change their lives forever. They have heard of a place where only women live but they are more skeptics than believers. However they really do find such a place. And all their assumptions and stereotypes are shattered. The society that women have created is working more than perfectly. There are no wars, no domination nor conflicts. The three self-invited guests are however not welcome and are held captive for a few months.

A woman is suffering from severe postpartum psychosis and her husband takes her to a colonial mansion where they can spend the summer. The woman is however closed and isolated in a single room where her nervous depression gets worse with the time. The only thing she sees all day long is a yellow wallpaper which she studies in so many details that she finally finds a creeping woman behind the pattern. The summer is over and the family is about to go home. The husband opens the door to his wife’s room.

Charlotte Perkins Gilman is known for her themes of female entrapment and patriarchal control, and she gives this a Gothic twist in "The Giant Wistaria". A wealthy young couple and their friends rent a manor house, excited by the prospect that it’s haunted, and they are not disappointed when they all experience the same vivid dream.

Representing the dark underbelly of Romanticism and beyond, these stories reach the shadowy corners of the human soul as seen through the writings of some of the most prominent authors of the 19th and early 20th centuries.

Herland is a utopian novel from 1915, written by feminist Charlotte Perkins Gilman. The book describes an isolated society composed entirely of women, who reproduce via parthenogenesis (asexual reproduction). The result is an ideal social order: free of war, conflict, and domination. It was first published in monthly installments as a serial in 1915 in The Forerunner, a magazine edited and written by Gilman between 1909 and 1916, with its sequel, With Her in Ourland beginning immediately thereafter in the January 1916 issue.

This whirlwind murder-mystery of intrigue, betrayal, and stolen treasure is a whodunit of epic proportions.

The Crux tells the story of a group of New England women who move west to start a boardinghouse for men in Colorado. It is an important early feminist work that brings forward complicated issues of gender, citizenship, eugenics, and frontier nationalism.

In her best-known work, The Yellow Wallpaper, Gilman writes about different kinds of oppression that women were exposed to at the time. Herland is a utopian novel from 1915, in which an isolated society composed entirely of women exists. The result is an ideal social order: free of war, conflict, and domination. The Crux tells the story of a group of New England women who move west to start a boardinghouse for men in Colorado. It is an important early feminist work that brings forward complicated issues of gender, citizenship, eugenics, and frontier nationalism.

Unique to this title is a study of the themes present in Herland. Herland is a utopian novel from 1915, written by feminist Charlotte Perkins Gilman, in which exists an isolated society composed entirely of women, who reproduce via parthenogenesis (asexual reproduction). The result is an ideal social order: free of war, conflict, and domination. Enjoy this timeless classic!

Charlotte Perkins Gilman (1860-1935) was a prominent sociologist, novelist, and writer of short stories, poetry, and nonfiction. In the short story "If I Were a Man", a married woman named Mollie Mathewson yearns with all her heart to be a man and is suddenly transported into the body and mind of her husband, Gerald. Through the character of Mollie, Gilman illustrates the roles and attitudes of women in early 19th-century society. The utopian novel Herland describes an isolated society composed entirely of women, with an ideal social order free of war, conflict, and domination.

Cloîtrée dans une maison de campagne isolée et tenue à l'écart de toute activité par son mari médecin, une jeune mère dépressive après la naissance de leur enfant brave en secret l'interdiction qu'il lui pose d'écrire. Désœuvrée, elle sombre dans la fascination pour l'affreux papier peint de la chambre à coucher. Elle finit par y voir, en miroir, une femme séquestrée derrière les arabesques.

"The Yellow Wallpaper" is a short story by American writer Charlotte Perkins Gilman. In her best-known work, "The Yellow Wallpaper", Gilman writes about different kinds of oppression that women were exposed to at the time. Women were patronized and treated as mentally weak and fragile. They were believed to be prone to many "nervous conditions" and particularly hysteria. Enjoy this timeless classic!

Eine junge Frau braucht nach der Geburt ihres Kindes Erholung, meint ihr Ehemann und mietet ein Sommerhaus, damit sie zur nötigen Ruhe kommt. Die junge Mutter fühlt sich wohl in dem schönen Haus, einzig der Raum mit der gelben Tapete bereitet ihr Unbehagen. Die in sich verschlungenen Muster scheinen von Tag zu Tag bedrohlicher und flößen ihr Angst ein. Was nur verbirgt sich hinter der Tapete? Unheimlich und beklemmend liest sich diese Geschichte in der Tradition von Edgar Allan Poe. Ein Schlüsseltext der amerikanischen Literatur in der Neuübersetzung von Christian Detoux.

This powerful recording of "The Yellow Wallpaper", read by award-winning narrator Alison Larkin, is followed by an essay entitled "Why I Wrote the Yellow Wallpaper", by Charlotte Perkins Gilman. The narrator of this chilling tale speaks of a beautiful house in the country her husband has taken for the summer. But its beauty is marred by her oppressive bedroom, its ugly yellow wallpaper, and the rest cure that her doctor and husband have forced on her.