Showing results by author "Bart D. Ehrman" in All Categories

The growth of Christianity in the early centuries of the Common Era is one of the most extraordinary stories in world history. What began with a preaching day laborer and his dozen or so disciples soon grew to be the largest religion in the world, eventually taking over the entire Roman Empire. How did that happen? How was such a movement possible?

"Arguably the most distinctive feature of the early Christian literature," writes Bart Ehrman, "is the degree to which it was forged." The Homilies and Recognitions of Clement; Paul's letters to and from Seneca; Gospels by Peter, Thomas, and Philip; Jesus' correspondence with Abgar, letters by Peter and Paul in the New Testament - all forgeries. To cite just a few examples.

Throughout much of human history, our most important stories were passed down orally - including the stories about Jesus before they became written down in the Gospels. In this fascinating and deeply researched work, leading Bible scholar Bart D. Erhman investigates the role oral history has played in the New Testament - how the telling of these stories not only spread Jesus' message but helped shape it.

Step back to Christianity's first three centuries to see how it transitioned from the religion of Jesus to a religion about Jesus. How did a single group from among many win the struggle for dominance to establish the beliefs central to the faith, rewrite the history of Christianity's internal conflicts, and produce a canon of sacred texts – the New Testament – that supported its own views?

How did early Christians come to believe that Jesus of Nazareth was the divine Son of God? This is the central question in this book. When Did Jesus Become God? is a transcribed conversation between Bart Ehrman and Michael Bird, with a helpful historiographic introduction by Robert Stewart that helps listeners understand the conclusions reached by Ehrman and Bird.

The 92nd Street Y has gathered scholars and authorities to discuss the questions and issues raised in Dan Brown's The Da Vinci Code. What are the implications for religion and private faith when talk about God moves into pop culture, and popular entertainment becomes a mode of education?