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The Book of Habakkuk is the eighth book of the 12 minor prophets of the Bible. It is attributed to the prophet Habakkuk, and was probably composed in the late 7th century BC. Of the three chapters in the book, the first two are a dialogue between Yahweh and the prophet. The message that "the just shall live by his faith" plays an important role in Christian thought. It is used in the Epistle to the Romans, Epistle to the Galatians, and the Epistle to the Hebrews as the starting point of the concept of faith.

Hebrews is one of the books of the New Testament. The text does not mention the name of its author, but was traditionally attributed to Paul the Apostle. Most of the Ancient Greek manuscripts, the Old Syriac Peshitto and some of the Old Latin manuscripts have the epistle to the Hebrews among Paul's letters.

The Galatians is the ninth book of the New Testament. It is a letter from Paul the Apostle to a number of Early Christian communities in Galatia. Scholars have suggested that this is either the Roman province of Galatia in southern Anatolia, or a large region defined by an ethnic group of Celtic people in central Anatolia. The language the letter was originally written in was Koine Greek and later translated into other languages.

Ephesians is the tenth book of the New Testament. Its authorship has traditionally been attributed to Paul the Apostle but starting in 1792...

Ezekiel in the Septuagint written in Koine Greek is the central protagonist of the Book of Ezekiel in the Hebrew Bible. In Judaism, Christianity, and Islam...

The Book of Esther, also known in Hebrew as "the Scroll" ("the Megillah"), is a book in the third section of the Jewish Tanakh (the Hebrew Bible). It is one of the five Scrolls (Megillot) in the Hebrew Bible and later became part of the Christian Old Testament. The book relates the story of a Hebrew woman in Persia, born as Hadassah but known as Esther, who becomes queen of Persia and thwarts a genocide of her people. The story forms the core of the Jewish festival of Purim, during which it is read aloud twice: once in the evening and again the following morning.

Ecclesiastes is one of the Ketuvim ("Writings") of the Hebrew Bible and one of the "Wisdom" books of the Christian Old Testament. The title commonly used in English is a Latin transliteration of the Greek translation of the Hebrew word קֹהֶלֶת (Kohelet, Koheleth, Qoheleth or Qohelet). An unnamed author introduces "The words of Kohelet, son of David, king in Jerusalem" (1:1) and does not use his own voice again until the final verses (12:9-14), where he gives his own thoughts and summarises the statements of Kohelet; the main body of the text is ascribed to Kohelet himself.

The Book of Daniel is a 2nd-century BC biblical apocalypse with a 6th century BC setting. Ostensibly "an account of the activities and visions of Daniel, a noble Jew exiled at Babylon", it combines a prophecy of history with an eschatology (a portrayal of end times) both cosmic in scope and political in focus, and its message is that just as the God of Israel saves Daniel from his enemies, so he would save all Israel in their present oppression.

Amos was one of the Twelve Minor Prophets. An older contemporary of Hosea and Isaiah, Amos was active c. 760-755 BCE during the rule of kings Jeroboam II of Israel and Uzziah of Judah. He was from the southern Kingdom of Judah but preached in the northern Kingdom of Israel. Amos wrote at a time of relative peace and prosperity but also of neglect of God's laws. He spoke against an increased disparity between the very wealthy and the very poor. His major themes of justice, God's omnipotence, and divine judgment became staples of prophecy. The Book of Amos is attributed to him.

The Acts of John refers to a collection of stories about John the Apostle that began circulating in written form as early as the 2nd-century AD. Translations of the Acts of John in modern languages have been reconstructed by scholars from a number of manuscripts of later date. The Acts of John are generally classified as New Testament apocrypha.

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The ninth month of the Gregorian calendar strides onto stage with the autumn equinox and the first glimpses of a new season. Nature may adorn the coming days with a blaze of Indian summer, or the early showers and storms of autumn may begin their symphony. Regardless of Nature’s elemental whims the landscape is a riot of colours, hues and swathes, the harvest of crops continues, the orchards heave with bounty.

During the Victorian era the publishing of magazines and periodicals accelerated at a phenomenal rate. This really was mass market publishing to a hungry audience eager for literary sustenance. Many of our greatest authors contributed and expanded their reach whilst many fledging authors also found a ready source for their nascent works and careers. Amongst the very many was ‘The Yellow Book’.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. The Russian Literary Tradition has justly earned a magnificent reputation. The Russian Empire of the Czars was a huge and disparate patchwork of peoples ruled by an overbearing elite that employed a middle-class bureaucracy to keep the working class firmly underfoot. Within its vaulted ranks are a role call of many of the greatest literary talents of the ages.

Poetry has over the centuries grouped poets or poems into many different themes and movements. Amongst its most unusual movements are the English wordsmiths, The Silver Poets. This select band lived during the sixteenth century reign of Queen Elizabeth 1st. Amongst their storied ranks were Sir Thomas Wyatt, Sir Philip Sidney, Henry Howard, the Earl of Surrey, Sir Walter Raleigh, John Davies, Michael Drayton and Mary Sidney (Herbert), the Countess of Pembroke.

The ballad is one of the oldest poetic forms in English and are simply poems or songs that tell a story. Maybe it’s because of childhood associations or that we all enjoy a cracking good story told in rhyme but as this volume demonstrates, the ballad has endless appeal. We include favourites such as Coleridge’s The Rime of the Ancient Mariner, Edna St. Vincent Millay’s The Ballad of the Harp Weaver, Edgar Allan Poe’s Annabel Lee as well as classics such as Sir Patrick Spens, the Ballad of Reading Gaol by Wilde and La Belle Dame Sans Merci by Keats.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

Once more the year begins. The first month of the Gregorian calendar. Cold winds howl, the landscape shivers, frost, snow, ice are the many blankets for the land. Daylight is thin; it arrives late and leaves early, ceding the hours to shadow and the ink of night. From the pens of our remarkable poets, including Shelley, Dickenson, Shakespeare, Whitman, Gilbran and a wealth of others, come sumptuous verse that describe our moods, feelings, travels and desires of the dawning year.

The year reaches its end with the Twelfth month. The landscape may be bleak, a sculpture of lines, monochrome dominates. The air carries the sounds of winter: wind, storms, silence. Our classic poets flex their lexicons with verse that describes all manner of events, sights and sounds. Among their ranks are Hardy, Shakespeare, Rossetti, Nesbit, Burns and a wealth of others, who, with their thoughts and desires express the world in lines of inky marvel.

Whilst Europe endured the Dark Ages in the 6th & 7th Centuries, devotees of Shiva and Vishnu in Southern India were creating the Bhakti Movement. Some of these exponents, as in our volume, were bestowed with the title of saint but some had the additional title of sant, swami or goswami. Broadly speaking, Bhakti poetry, as in Hinduism itself, is divided into ‘Nirguna’, the idea that the divine is formless as exampled by Kabir and ‘Saguna’, which interprets the divine as having physical form as captured by Mirabai.