Showing results by narrator "Orson Welles" in All Categories

Orson Welles both starred in and directed The Campbell Playhouse, a radio drama (1938-40) produced by Welles and John Houseman. The episodes include adaptions of classic novels and plays as well as radio versions of the era's popular films.

One of the most memorable programs in broadcast history, the Halloween Eve 1938 broadcast of The War of the Worlds set off a nationwide panic that's almost unimaginable today. Presented by the Mercury Theatre on the Air and its creatve genius, Orson Welles, the drama based on H.G. Wells' classic novel tells the story of a Martian invasion of Earth.

The Mercury Theatre on the Air, a radio series created by Orson Welles, presented adaptations of classic literary works. These were performed by actors from Welles' celebrated Mercury Theatre repertory company, with music composed or arranged by Bernard Herrmann.

Orson Welles both starred in and directed The Campbell Playhouse, a radio drama (1938-40) produced by Welles and John Houseman. The episodes include adaptions of classic novels and plays as well as radio versions of the era's popular films.

Orson Welles both starred in and directed The Campbell Playhouse, a radio drama (1938-40) produced by Welles and John Houseman. The episodes include adaptions of classic novels and plays as well as radio versions of the era's popular films.

Fully restored and remastered, Heritage Media presents the greatest of vintage artists in classic dramas from the literature of Russia. Here is the legendary Orson Welles starring in ‘The Queen of Spades’, adapted from the original tale by Alexander Pushkin and Michael Redgrave starring in 'The Overcoat' adapted from the original tale by Nikolai Gogol.Theatre Royal is a unique series of classic radio dramas produced in the 1950s by the late Harry Alan Towers.

Crime, mystery, and just a touch of the supernatural - they're all on display in Radio's Outstanding Theatre of Thrills! Join your host, The Man in Black, for 20 gripping installments of Suspense (including the first ever broadcast of "Sorry, Wrong Number"). Legends like Cary Grant, Agnes Moorehead, Peter Lorre, Vincent Price, Orson Welles, and Gene Kelly star in stories by thriller greats like Agatha Christie, Lucille Fletcher, John Dickson Carr, and Cornell Woolrich. Enjoy these tales well calculated to keep you in…Suspense!

Here are legendary director, producer, screenwriter, author, and actor Orson Welles' historic interpretations of excerpts from classic literature. Includes selections from Oscar Wilde's "The Happy Prince', H.G. Wells' "The Red Room", Saki's "Shredni Vashtar", Joseph Conrad's "The Secret Sharer", Rudyard Kipling's "Riki-Tikii-Tavi", Nathaniel Hawthorne's "Wakefield", Edgar Allan Poe's "The Tell Tale Heart", and Robert Louis Stevenson's "Letter to the Reverend Dr. Hyde".

Orson Welles, Sir Laurence Olivier, and Michael Redgrave present a collection of classic Russian fiction including "The Overcoat", "The Queen of Spades", and "A Day in the Country."

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready….

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready.

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, Actor, Genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went Indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice; perfect for radio. Here, in the Black Museum he sets the scene as true life crime is retold. Mr Welles we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true-life crime is retold. Mr Welles, we’re ready.