Showing results by narrator "John Rayburn" in All Categories

It would be easy to call it a case of naivete on the part of Richard Hannay, but there was much more to the story. He had just returned to London after living in Rhodesia, so he wasn’t fully versed in the intrigue going on in England. That wasn’t much of a reason for Hannay allowing a man he met to live in his flat. However, that’s what he did, even though Franklin Scudder claimed to be a spy with involvement in an anarchist plot to assassinate the Greek Premier. Hannay got into a major problem when Scudder was found murdered in the apartment.

French author Jules Verne earned recognition as one of the founders of science-fiction tales. Although, as one of those called “fathers of science fiction”, Verne often said he had not aimed at seeming scientific, claiming, “I have invented nothing." However, he did feel, “Anything one man can imagine, other men can make real.” As one of those “other” men he did exactly that in his marvelous description of Phileas Fogg and his remarkable journey Around the World in Eighty Days, a trip done without any modern transportation.

There were times when Bertie Wooster, the fictional narrator of these stories, was thought of as being at least a trifle feather-brained. However, he had a valet who seemed to know everything about everything. These are among more than 300 short stories written by a man who began a short-lived career in banking after his college days. However, it didn’t take long for P. G. Wodehouse to decide he didn’t like that kind of job, and he began writing in whatever spare time he had.

Shore Road has a bunch of auto thefts outside Bayport, home territory of the Hardy Boys, Frank and Joe. They find out that one of their friends, Jack Dodd and his father, have been accused of the thefts. This bothers the lads because they feel certain there has been a big mistake and they intend to do something about it. As a result of their intentions and investigation the Hardy Boys wind up helping in capture of the actual car thieves who had framed and kidnapped their friends. It’s exciting listening as they work hard to aid the Dodds, father and son.

The contents of this book stem from a series of short stories originally in Cosmopolitan magazine in the early twentieth century.

Seeing justice done in your own way of thinking is not the wisest path to follow. However, it was indeed how one individual managed his life. He did it in such a way that criminals at all levels feared him, as did Scotland Yard as they tried to put a halt to his actions. The Yard itself hadn’t the slightest idea of what he looked like because this man, who came to be known as The Ringer, had a baffling way of disguising himself.

Written nearly a century and a half ago, this book was the first major animal story in children’s literature, although the author had intended it for adults. Anna Sewell had been crippled at a young age, but could still drive a horse-drawn carriage. She often drove her father to the station to go to work and later picked him up to bring him home. During those times, she saw there was often inhumane treatment of horses and was inspired to write about it in order to, as she said, “To induce kindness, sympathy, and an understanding treatment of horses.”

Throughout the stories here is information on how places, cities, and states got their names. However, questions arise because Native American tribes of the day didn’t yet have a written alphabet, and none of those came along until Sequoyah invented one in 1821, one that was actually more of a syllabary with symbols that stood for consonant/vowel sequences and could make words, basically just a writing system.

This book is an example of Alternative History. That, in essence, is asking what the future could be like. It suggests the US could have become a Dominion of America. Call this standard history with a twist, or even mythology in part. It is certainly historical material, told in fictional fashion.

This is a kind of history, or at least remembrances. It’s primarily personal but overall takes a look at the way things were many, many decades ago. Details may get a little out of whack from a chronological order now and then, but the gist of the way things in some desperate personal and national times will be fairly well put in place. It begins a trifle before the outset of the 1929 stock market crash that led to the Great Depression. Then, it points to the difficulties, financial and otherwise, that confronted individuals and the beleaguered nation overall.

Here is a story of a young man of eighteen who wandered for years after an accidental shooting of his brother. He felt as though he was a counterpart of the Biblical killing by Cain of his brother Abel. It was written by Zane Grey, one of the greatest Western novelists. It takes us through a lonely land of prospectors and hermits as it tells of surviving searing Death Valley heat, an area that many consider the deadliest land in the world. Listen now and hear a highly surprising finish.

A young veteran of WWI in poor health heads to Arizona to try and recover. He meets young Flo Hunter, who successfully nurses him. However, life gets more complicated when his fiancée, Carley Burch, comes to him from back east. She winds up not liking life in the west and goes back to New York. Flo gets badly injured in an accident and vet Glenn Kilbourne wants to repay her for her assistance and proposes marriage. As wedding day approaches, Carley decides she made a mistake and returns to Arizona looking for him. Flo realizes they’re still in love and calls off the marriage.

Here is a meeting with George and Marion Kerby, a couple of free-wheeling ghosts, who meet up with respectable banker Cosmo Topper. This was noted by the New York Times, claiming: “Thorne Smith created the modern American ghost story, ghosts with style and wit; ghosts that haunt us still.” Others pointed out, “Smith was a master of urbane wit and sophisticated repartee.” The overall mood has a touch of silliness, but it provides lighthearted reading and listening, a matter of nonsensical escapism. For Topper it meant relief from a nagging wife with ongoing indigestion.

It wouldn’t be out of line to call this book a great world of pretend. It is actually eight short stories that are clever and magical, as well as frightening at times. The storyteller, Edith Nesbit, was born in 1858 in what is now Greater London. She had the imaginative foresight to concoct tales that often found her called the creator of modern children’s fantasy. Her imagination attracted children of her time and involved them in what seemed to be a real world filled with unexpected adventures. Her powers of invention brought us the magical stories we’re about to hear.

Dick Martin is leaving Scotland Yard. His final job, investigating a stolen book, takes him from a conversation with librarian Sybil Lansdown to a meeting with a Doctor Stalletti, who will become a key figure. Along the way, Martin becomes involved with a small-time crook—an expert at picking locks—who tells him about a recent lock-picking job that has made him quite nervous. But before he can pass along details, the lock-picker is murdered.

An older woman of the elite class has lots of money and abundant courage and determination. Miss Cornelia Van Gorder wants some adventure in her life, so she rents a large mansion to see what she can stir up. She moves in with her niece and an unpredictable Irish maid and is confronted by an embezzlement problem at the owner’s bank. But that’s just the beginning of troubles, because a murderous masked criminal known as The Bat is using the mansion as a hideout.

A 17th-century writer named Charles Perrault was sometimes called Mother Goose, an imaginary author of fairy tales. His early material was inspired and derived from earlier folk tales that he greatly embellished and improved. This collection includes "Cinderella", along with other such known favorites as “Sleeping Beauty", “Little Red Riding Hood”, “Blue Beard”, and “Puss in Boots”, along with such lesser known fairy tales as “The Ridiculous Wishes”, “Little Thumb”, “Ricky of the Tuft", “Griselda,” and “Donkey Skin”.

When writer Frank Theydon emerges from a London theater, he notices an attractive young woman and an older man waiting for their car. He arrives home after a short delay and notices the older man, whom he’d overheard tell his companion he was stopping at his club, outside the building.

Of all the forms of theater, radio drama commanded the most effective stage. No medium - not theater, not film, not television - had more sheer space in which to achieve the basic goal of drama, telling a story. Theater is bounded by the bare boards and the footlights and the flats, film by the white screen, and television by the comparatively tiny tube. But radio...radio played itself out in boundless space...the listener’s mind...your mind.

Broadcasting veteran John Rayburn presents a historic reenactment of the classic 1946 World Series championship games between the St. Louis Cardinals and Boston Red Sox. In Game 7 Enos Slaughter of the Cardinals scored the winning run from first when Boston shortstop Johnny Pesky seemed to hesitate on the relay throw. Southpaw pitcher Harry Brecheen won three games for St. Louis, including the deciding game in relief.