Showing results by narrator "Denise Kahn" in All Categories

Interview with John Murdoch, director of the Courtauld Gallery, Somerset House, London, recorded in 1993, describes the formation of key Impressionist works by Sam Courtauld in the early twentieth century.

Pamela Roberts, curator of the Royal Photographic Society, Bath, gives an interview to Cv/VAR in 1994, which charts the development of photography from its primary innovation in the 1840s by Hill & Adamson, Fox Talbot, through Roger Fenton in the Crimea War, leading to Royal Patronage of Prince Albert and development of the society into the 20th century.

Ashley Easton rescues a badly abused horse, deciding to return to show jumping, the passion of her youth. The animal gives unquestioned love, something lacking from her husband, Keith. But when Ashley begins to compete, she is terrified as the show course seemingly changes into an old forest and the jumps appear as real walls, fences and trees. Her thoughts spill through her head in elegant French. As she attacks the fences with an unfamiliar, fearless abandon, she begins winning every competition.

Marina Vaizey and Anne Blood consider the historical impact of photography on the fine and interpretive arts, from pioneers such as Hill and Adamson, Fox Talbot and Louis Daguerre to Edward Steichen and Man Ray. The documentary power and graphic clarity of the medium challenged and persuaded artists such as Degas, Sickert, Warhol, and innumerable creative voices. In their essays Marina and Anne explore the conjunctions and variations where document and dream intermingle.

On a business trip from the US to Paris, Jebby meets Dodi on a flight. Jebby is an ethnomusicologist, and Dodi is an international photographer. They are immediately attracted to each other, but from the very first moment Dodi triggers what seems like past life memories for Jebby of a poignant and passionate time they shared together.

A collection of reviews and studies of photographers published since 2001. Includes David Bailey, Horst, Cecil Beaton, Don McCullin, Lee Miller, Francesca Woofman, E.O.Hoppe, and others.

When Madame Reynaud is tricked into inviting every one of her elderly friends to come to the house for a surprise party, she learns that Monique has a surprise of her own. All Madame Reynaud's problems come crashing down at the annual Fete of the Three Kings, when she finds herself in a compromising situation with the baker, Monsieur Boffard. In the end, the Gypsy Queen from the laundry sets the situation straight, for she sees the future and tells Madame Reynaud what she must do - the solution she really knew all along.

The first edition of Curators and Collections, published in 1997, was based on interviews and features published in the quarterly review, Cv Journal of Art and Crafts (1988-1991). These recorded the launch of the Irish Museum of Modern Art in 1991, the construction of Tate Modern in 1997, as well as exploring special collections at the National Gallery, Courtauld Gallery, The British Museum, and Royal Photographic Society.

Alexis Hightower considers trust a four-letter word, and she has no intention of getting serious with anyone. After all, her day job as a nurse is plenty serious enough. On one of her nights off, she attends a concert for her favorite band and ends up on stage. She never expected to meet the legendary singer in person, or that he would be the one to make her question her way of life. But how do you learn to trust again when the one you want is desired by thousands?

Terror at the International Hot Air Balloon Fiesta. Hot Air, a thriller filled with passion, romance, survival and courage. Sean Sandoval, half Navajo, half Irish, has bravery in his blood and passion in his heart. From boyhood to one of the Air Force's elite pararescuemen, his path in life is always connected to air.

A presentation by exhibition curator Catherine David in 1997 describes her plans for Documenta X Kassel; title 'Retroperspective', including works by Joseph Beuys and Walter de Maria. She proposes the ambitions of the projects, in linking strands of modern and progressive art, with aspirations of different nationalities and cultures.

Artist Recordings 2 brings together leading artists active in the fields of painting, drawing, print, and sculpture. Conversations explore work in progress and the development of their practice. Patterns of personal experience link with a broader continuum of progressive ideas and show how their imaginative interventions bear on the world.

A collection of recordings made between 1988 and 1996 with emerging and established artists, from Anthony Caro and Arman to James Turrell and Rachel Whiteread. In considering their work, often in the context of a current exhibition, they discuss their ideas in formation and factors which informed their development.

Ambitious and beautiful Athena Lakis has one simple rule: No romance with a Greek. In theory, this tenet should be easy to keep. After all, reaching for her lifelong dream to own and operate a prestigious hotel on prime seaside property in Greece, she has her hands full. The major hurdle being her drop-dead gorgeous competition: Greek tycoon Alexandros Strintzaris. Alexandros has his sights set on more than just a real estate deal.

The work of the photographer, theatrical designer, narcissist, snob, careerist, and exceptionally talented Cecil Beaton (1904-1980), including 18,000 vintage prints, negatives and transparencies, contact sheets and 45 books of cuttings are at the Victoria & Albert Museum. They have all been brilliantly culled for the alluring and significant exhibition of some of Beaton's royal portraits, billed as A Diamond Jubilee Celebration.

A study of three leading German artists presently exhibited in London at Tate Modern, the British Museum and the Royal Academy. In 2014, a resonant series of anniversaries and commemorations prompted an enhanced awareness in London of the history of the Teutonic world in general, and - specifically - a sense of post-war Germany in terms of three of its most symbolic and emblematic visual artists.

Since the beginning of time, food is what brought us all together. But as the human race evolved over time, our desire for unique culinary experiences grew to an insatiable intrigue to be transported to exotic places and enjoy a rich tapestry of taste. A taste sparked by the leaders of the culinary renaissance of their times, a taste that has been maintained through history, a taste that emerged into a tradition and was perfected from generation to generation.

This essay considers the major Cézanne exhibition at the Tate Gallery London, staged from 8th February until 28th April 1995. Rather than focusing exclusively on the artist's work, the piece attempts to place the exhibition in context, exploring the institutional arena of presentation and the social and economic strata to which the retrospective is mainly addressed.

Over 100 reviews cover the London art scene from 1994 to 2011. Exhibitions in the city's private and public galleries are explored in detailed and informative texts. The reviews were first published in a variety of weekly arts magazines and sites and now appear in a professionally narrated audiobook.

This book contains an interview by Sarah Batiste recorded in 1989 with Jill Dunkerton, senior conservator of Italian Painting at the National Gallery London. In it she considers works by Duccio, Jacopo Di Cione and other early Trecento painters from 1270 to 1370 exhibited in Art in the Making at The National Gallery 1989-90.