Showing results by author "Marina Vaizey" in All Categories

An in-depth study by Marina Vaizey explores the lives and art of David Hockney and Vanessa Bell, drawing on exhibitions at the Tate and Dulwich Picture Gallery.

A collection of reviews and studies of photographers published since 2001. Includes David Bailey, Horst, Cecil Beaton, Don McCullin, Lee Miller, Francesca Woofman, E.O.Hoppe, and others.

The work of the photographer, theatrical designer, narcissist, snob, careerist, and exceptionally talented Cecil Beaton (1904-1980), including 18,000 vintage prints, negatives and transparencies, contact sheets and 45 books of cuttings are at the Victoria & Albert Museum. They have all been brilliantly culled for the alluring and significant exhibition of some of Beaton's royal portraits, billed as A Diamond Jubilee Celebration.

A study of three leading German artists presently exhibited in London at Tate Modern, the British Museum and the Royal Academy. In 2014, a resonant series of anniversaries and commemorations prompted an enhanced awareness in London of the history of the Teutonic world in general, and - specifically - a sense of post-war Germany in terms of three of its most symbolic and emblematic visual artists.

Cv/VAR series 104 reviews "David Hockney RA: A Bigger Picture", exhibited at the Royal Academy from January to April 2012. The project of creating monumental landscape paintings was based on a small area near the artist's home at Bridlington in East Yorkshire. Works developed with time-framed films, photographs, iPad studies, drawings, sketchbooks, oils, and watercolors, recording particular motifs and places in the changing seasons.

Francesca Woodman killed herself at the age of 22, the biographical fact that colors her work and which it is de riguer to mention. She left behind paintings it is said, as yet publicly unseen, and literally hundreds upon hundreds of negatives and 800 proofs of black and white pre-digital photography.

Renowned artist Lucian Freud (1922-2011) was commemorated in an exhibition of 50 portraits spanning his working life, held at The National Portrait Gallery London from February to May 2012. The review explored the development of his art from the potent and hypersensed studies of the 1940s to major paintings in the later phase, where the artist engaged in a complex and sometimes brutal meditation on the human being, drawn from an intimate engagement with the sitter.

Cv/VAR 154 publishes a study of photography and art in which authors Marina Vaizey and Anne Blood consider the historical impact of photography from pioneers Hill and Adamson, William Fox Talbot, and Louis Daguerre to contemporary practitioners such as Andreas Gursky and Boris Mikhailov. The documentary power and graphic clarity of the medium challenged and persuaded artists such as Degas, Sickert, Andy Warhol, and Richard Hamilton, and innumerable creative voices. The volume includes biographical details of leading figures and a guide to national collections and study centres.

It is an enthralling and unexpected selection, and the anthology resonates beyond this showing. It is from the Eric and Louise Franck collection, which has been donated to the Tate, and is part of the process by which the gallery has very belatedly, but with almost overwhelming enthusiasm, entered into collecting and showing photography as a medium in in its own right, with a very active patrons group supporting acquisitions. One of the benefits of Tate joining the fray is evident in the installation of this show.