Showing results by author "Loren Estleman" in All Categories

Legendary author Loren D. Estleman has built a distinguished career in both the Western and mystery genres. His historical Westerns are instant classics, and The Branch and the Scaffold is another triumph. Brutally efficient judge Isaac C. Parker is determined to rid Arkansas and the Indian Territory of all manner of criminals. But his quest for justice and liberal use of the gallows earn him just as many friends as enemies and take a toll on every aspect of his life.

The second wacky comedic murder romp for Hollywood film detective Valentino. Valentino wants to keep The Oracle, his beloved run-down movie palace, from being condemned before it even reopens, but murder keeps intruding into his otherwise quiet life. At a gala party held in memory of screen legend Greta Garbo, he's having fun until the host, a hotshot developer named Rankin, tells Valentino about a certain letter from Garbo to his late wife. She and Garbo had been...close. Such a letter is of great interest to a film archivist like Valentino. But the plot thickens when Rankin tells Val that his assistant, Akers, is using this letter to blackmail him.

Ater a tour in Vietnam and several years working the streets of Detroit as a private investigator, Amos Walker has seen a lot. But he’s never encountered anything quite like his newest assignment. Ann Maringer, an aging stripper hard at work at one of the city’s many low-grade joints, hires him to find a missing person: herself. She expects to disappear any day now, she says, and she wants to be found.

The tabloids were full of it. Constance Thayer, after a night of clubbing, drinks, and drugs, had taken an automatic pistol from the collection of her industrialist husband Doyle Thayer Jr. and emptied it into his back, as he lay naked and unconscious in their Iroquois Heights home. The news of Constance Thayer's X-rated past breathed new life into the scandal for another month. Walker's job was to gather enough dirt on the late Mr. Thayer to make his widow look clean by comparison. What he found was a monstrous magnate, a dubious corpse, and a gang of country-style gunrunners.

Marla Bernstein is a pretty, dark-haired teenager who also happens to be the ward of Ben Morningstar - a semi-retired mobster who prefers to keep family business out of the newspapers. When Marla suddenly disappears, the gang boss is forced to call in private eve Amos Walker, who quickly learns his new employer doesn't take "no" for an answer when he offers a job opportunity. Unfortunately, the only clue to Marla's whereabouts is a pornographic photograph that clearly proves that she's become part of a world that disgusts even her criminal guardian....

When Amos Walker was a teen, he had a poster of Gail Hope on his wall. A 60s bombshell in the beach-blanket tradition, she has fallen hard since her glory days as one of the dying studio system’s final starlets. But when she calls on Amos Walker she remains as lovely as ever: an elegant beauty with a $750,000 problem.

Barry Stackpole was tough once. Amos Walker met him in a Cambodian shell crater when Walker was serving his country and Stackpole was on the payroll of the Detroit News, and they formed the kind of bond that war often creates. At war’s end, they returned to the Motor City, where Stackpole took to reporting crimes and Walker to solving them. A violent run-in with a big time mobster left Stackpole a leg and two fingers short, and he became an alcoholic. He has made several attempts to get his life straight since, but never quite managed.

Jay has never forgotten the photo once sent to him of his young fiancée - naked in the arms of another man. Now on his deathbed and convinced the photo was a fake, the hunt is on for a modern-day witchfinder. And Amos Walker is the man for the job.

Bela Lugosi's Frankenstein screen test puts Valentino in the picture for murder.... Everyone knows Frankenstein's monster was played by Boris Karloff. His portrayal is so famous that the play Arsenic and Old Lace was filled with Karloff/monster jokes - even when the part of the deformed villain was played by another actor. But before Karloff's memorable portrayal, another 1930s Hollywood icon, Bela Lugosi, tested for the part of the monster. The test footage was lost for decades, until Valentino, that never-say-die film archivist, gets a hot tip about the whereabouts of the incriminating (for really bad, heavily accented acting) footage.

Siegfried, a terrorist group made up of a killer, a bassist, an ex-marine, a demolitions expert, a Black Panther, a national guardsman, and a couple of spoiled teenagers, is about to become Detroit's worst nightmare. The motley gang boards a river cruise boat armed with M16s and enough explosives to burn the city down. They have eight hundred hostages, and if they don't get what they want, Siegfried will kill every soul aboard.

Johns Davis has just left the Alamo when he feels the garrote wrap around his neck. The bookie slams his foot on the gas, sending the car into oncoming traffic. It bounces off a van, hops the curb, and crashes into a hotel, knocking Davis unconscious and breaking the neck of his would-be assassin. Davis can breathe again, but just for a moment. When the mob wants you dead, they'll always send another killer.

The Reverend Thomas Aquinas Sunsmith is halfway through his sermon when killers open fire. He is preaching against the evils of gambling, which a cartel of mobsters is trying to legalize in Detroit. The hail of gunfire misses the reverend, but a choir member is cut down—the first victim in the battle for the soul of the Motor City. The Detroit mob has erupted into civil war, and professional killer Peter Macklin is caught in the middle. A former mob employee, he has since tried to stay away from the savagery of organized crime, but now they're offering him a job too tempting to refuse.

For years, Donna ignored the guns in her husband's safe, his long hours, and all the cash he couldn't possibly have made as an "efficiency expert." But finally she was forced to admit that Peter Macklin is a killer for hire. Donna wants a divorce, and she wants to take her husband for all he's worth. But she won't get a penny if he's dead.