Showing results by narrator "Imogen Church" in All Categories

Hansel and Gretel are sent into the forest by their mother to collect berries as a punishment. The siblings get lost in the twilight and discover the gingerbread house of an old ugly witch. She enchants the children and wants to bake them into gingerbread. Hansel and Gretel use their wits to save themselves and push the wicked old woman into her own oven. The children are finally found by their worried parents, who are looking for them in the forest. In the end the family is happily united.

In this comprehensive anthology, former Poet Laureate Andrew Motion has gathered together exceptional poems from the 14th century through to the present day, creating an extraordinary poetic journey for the listener. From the love poems of Shelley and Keats to the grim war elegies of Owen and Sassoon, there is a poem here for every sentiment, each with something different to offer.

So I’m knocked up again. Preggers. Up the duff. Or to put it another way...whoops. And I am in NO WAY prepared for the shit-storm of pregnancy. While Nick and I get our heads around unexpected parenthood, I’m having all the usual pregnancy symptoms: throwing up, indigestion, sciatica, constipation, migraines, and brain-fuddling tiredness.

So I’m knocked up again. Preggers. Up the duff. Or to put it another way...whoops. And while Alex and I get our heads around unexpected parenthood, I’m having all the usual pregnancy symptoms: throwing up, indigestion, sciatica, constipation, migraines and brain-fuddling tiredness. Mother Nature is a psychopathic old hag. Luckily, modern science offers some lovely distractions in the form of cruise ships and European air travel.

Catherine needs a replacement: someone to step into her place and temporarily take things in hand. Catherine Elliott needs a person to stand in for her at home and work while she does...something else. Her friend Becca thinks she’s having a breakdown, her husband, Allie, is baffled, and her seven year old daughter, Petra, scornful. But Catherine is determined that somebody must take her place. She auditions a series of stand-ins, drawing her husband into the process of casting the character.

Returning home from a holiday, Tarot reader Dolly Greene learns that much has changed on her street. Squatters have taken over at No.7 Tinderbox Lane, and a mysterious Brazilian woman has moved in next door at No.3. She also finds a surly Russian girl, Marina, waiting outside the house, insisting on a reading. Marina's cards reveal conflict, misery and death and Dolly knows she should feel concerned. But the girl is so disagreeable she's only too relieved when the reading finally comes to an end.

Love is Angela Carter's fifth novel and was first published in 1971. With surgical precision it charts the destructive emotional war between a young woman, her husband and his disruptive brother as they move through a labyrinth of betrayal, alienation and lost connections.

'Tell Mum I miss her.' Bodyguard Sam Wylde has had her British licence revoked. She is now operating in Europe, running security on a swanky motor yacht during the Historic Grand Prix race. And at the same time she trawls for news of her ex-husband and daughter. In fact, the owner of the boat is bankrupt and the bank wants the multimillion-dollar vessel back. Sam is in the middle of a very dangerous situation that is rapidly escalating out of control.

Who can you trust if you can't trust yourself? Twenty-seven-year-old Lizzie has a great relationship with her teenage stepson, Sam, even though they could pass for brother and sister. When Sam becomes sullen and withdrawn, Lizzie starts to suspect that something sinister is going on at school. But no-one believes her, and then suspicion falls on Lizzie herself....

Sam Wylde is a Close Protection Officer to the rich and powerful. In a world dominated by men, being a woman has been an advantage. And she is the best in the business at what she does. She takes a job protecting the daughter of the Sharifs - Pakistani textile tycoons - but she realises that there is more to their organisation than meets the eye and suddenly she finds herself in danger.

Connie Granger has escaped the devastation of her bombed out city home. She has found work in the Women's Timber Corps, and for her, this remote community must now serve a secret purpose. Seppe, an Italian prisoner of war, is haunted by his memories. But in the forest camp, he finds a strange kind of freedom. In each other they find the means to imagine their own lives anew, and to face that which each fears the most. But outside their haven, the world is ravaged by war and old certainties are crumbling.

In the heart of Southwest London, just a short stroll from the Thames, lies a single row of cottages. Residents may come and go, but they all have one thing in common: Tinderbox Lane - small, enclosed, unknown to any iPhone or supermarket delivery van - is the place they call home. Foremost among the residents is Dolly Greene: divorced and permanently broke, she shares her tiny house with her 21-year-old daughter, Pippa, who can't afford to leave. Aside from Pippa the other constant in Dolly's life is her tarot business.

Cass Wheeler - a British singer-songwriter, hugely successful since the early '70s, whose sudden disappearance from the music has been the subject of intense speculation among her fans - is in the studio that adjoins her home, taking a journey back into her past. Her task is to choose 16 songs from among the hundreds she has written since her early teens, for a uniquely personal greatest hits record, describing the arc of her life through song.

It is the middle of the roaring '20s, and Gittel is living The Hague with her parents, whose blazing rows are the traditional preserve of Sundays and public holidays. What luck, then, that Gittel is Jewish and must submit to 'the double helping of public holidays that is the lot of Jewish families'. After every matrimonial slanging match, Gittel's mother runs off to her parents' home in Antwerp - with her daughter in tow.

With an abandoned degree behind her and a 30th birthday approaching, amateur writer Bonnie Falls moves out of her parents' home into a nearby flat. Her landlady, Sylvia Slythe, takes an interest in Bonnie, encouraging her to finish one of her stories, in which a young woman moves to the seaside, where she comes under strange influences. As summer approaches, Sylvia suggests to Bonnie that, as neither of them has anyone else to go on holiday with, they should go away together - to the seaside, perhaps.

A collection of long-lost love letters from 1928 to 1930, recently discovered in a dusty cellar in Paris. Mademoiselle S., identified here only as Simone, was a well-educated and cultured lady living in Paris at the height of the glamorous Roaring '20s.

Abby Archer, a smart and savvy woman who refuses to be taken in by celebrity culture, becomes fascinated with it girl and media darling Brooke Simmons after she falls into a coma following a car crash. Her loyal security-guard-turned-lover Nick Lawson is implicated in the accident - someone Abby met just days before. One day Abby begins to feel unwell and is shocked to see the face looking back at her in the mirror is no longer her own but that of Brooke Simmons.

He was everything that Alice wanted in a man, or everything that she had thought she wanted. Until the moment arrived when they were destined to be joined at last, and she knew that she didn't want him at all. The sound that escaped her full lips was barely audible, no more than a whisper. And yet the single word that she spoke silenced the entire congregation instantly. 'No.'

"Dawn broke that morning in the same way that it did every other day, but I knew nothing would ever be the same again. The shore resembled a scene after battle. Bodies were scattered haphazardly across the sand, nude, lithe, breathing in unison as if the scene which we had all witnessed had unified the crowd in some unearthly way. I turned to look at Iris. She was laughing, as if the events of the previous night had filled her with giddy amazement."

It took years for Giselle to complete the journey from Orleans to New Orleans. Her mother had given birth to her a week or so earlier than her parents had expected, while the family were staying at their country villa in Orleans, in the French provinces by the curve of the Loire river. Throughout her childhood she would hear people, relatives and friends, speaking of New Orleans in America and she always imagined it as a newer, cleaner version of the sleepy regional city where she was born.