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London. A candidate for global capital. Centre of an empire. The swift-beating heart of culture. A sprawling metropolis of life’s rich tapestry. And a bewildering Escher cityscape of overlapping and colliding forces. People, streets, buildings interweaving and interchanging. And our eminent writers have the talent and focus to reveal the story that lies beneath the words.

Gilbert Keith Chesterton was born in Campden Hill, Kensington, on May 29th, 1874. Originally, after attending St Paul's School, he went to Slade to learn the art of illustration. In 1896 he joined a small London publisher and began his journalistic career as a freelance art and literary critic before going on to writing weekly columns in the Daily News and the Illustrated London News. Chesterton's poems range from the virtues and vices of England and the English to his worldview and religious beliefs.

As a poetical movement, Georgian poetry is easy to classify. It began naturally enough in 1910, when George V ascended to the throne of England. Edward Marsh, a civil servant, polymath and arts patron, decided that the verse of that time needed to be seen in its own right and from 1912-1922 set out to publish anthologies. Marsh agreed a deal with the poet and bookseller Harold Munro, who had recently opened The Poetry Bookshop in London’s Devonshire Street to publish the books in return for a share of the profits.

Victoria’s reign was long and presided over the restless expansion of the British Empire and reams of creative genius. Within these volumes we can bring only a glimpse of the richness, beauty and words of their poets and their musings on this remarkable age. Many are world renowned - Tennyson, Browning, Arnold, Kipling, Austin, Hopkins, Hardy and Swinburne. Some almost forgotten - Patmore, Newbolt, Synge. And some are barely noted - Lyall, Meynell and Merdeith. But together they encompass a great poetical age.

A dazzling and uplifting biography of the great Saint Francis of Assisi who gained the world by giving up worldly goods to be be independent of all. Less is more at the highest level. Told in a remarkably astute, nuanced, optimistic, uplifting biography by G. K. Chesterton, known as the Prince of Paradox.

The indomiitable cleric's gentle expertise in ferreting out the guilty is presented in selected stories, including: "The Absence of Mr. Glass", "The Paradise of Thieves", "The Duel of Dr. Hirsch", "The Man in the Passage", "The Mistake in the Machine", "The Head of Caesar", "The Purple Wig", "The Perishing of the Pendragons", "The Salad of Colonel Cray", "The Strange Crime of John Bounoir" and "The Fairy Tale of Father Brown".

Both by calling and conviction Father Brown knew better than most of us, that every man is dignified when he is dead. But even he felt a pang of incongruity when he was knocked up at daybreak and told that Sir Aaron Armstrong had been murdered. There was something absurd and unseemly about secret violence in connection with so entirely entertaining and popular a figure. For Sir Aaron Armstrong was entertaining to the point of being comic; and popular in such a manner as to be almost legendary. Why, or more to the point, who killed Sir Aaron?

When a zombie followed August DuPont home one day, he didn't expect her to stick around. But Claudette is in no hurry to leave August's side. And when he decides to go to Croissant City in search of the elusive Zombie Stone, Claudette joins him. It's a good thing she does, because no sooner had August set out than a mysterious white alligator began to follow him. Reptiles aren't the only creatures to look out for, though. When August is reunited with his dour cousins the Malveaus, and their menacing mother, Orchid, finding the stone before they do takes on a new urgency.

Alexis Parker is close to finishing her two years of training at the Office of International Operations. Having gone undercover to thwart arms dealers, working with Interpol to bring down a group of forgers, and dealing with more paperwork than anyone could ever imagine, she's ready to become a full-fledged federal agent.

The OIO is hot on the trail of a bomber. So far, there has only been a single detonation at an impound lot, but with a threatening phone call promising more fireworks, it is a race against time to identify the bomber and stop him before there's more destruction.

When her first assignment goes south, will Agent Alexis Parker's training be enough to save her and her partner? Fresh out of Quantico, Alex has a lot to prove, especially since her rival, Michael Carver, is assigned to help on her first case. Weapons are being smuggled into the country, and it's up to Alex and Michael to determine the source before things reach an unsettling end.

I have strung these things together on a slight enough thread, but as the things themselves are slight, it is possible that the thread (and the metaphor) may manage to hang together. These notes range over very variegated topics, and in many cases, were made at very different times.

«Si solo leemos una obra de Chesterton —debería avergonzarnos si así fuera— ha de ser Ortodoxia. Seguramente, nadie ha defendido la fe cristiana con argumentos tan sorprendentes y ejemplos tan deslumbrantes, como Chesterton lo hizo en Ortodoxia. Una obra maestra de retórica que (...) realmente constituye uno de los libros mejor escritos del siglo XX» (Dale Ahlquist, presidente y cofundador de la American Society Ches- terton ). Ortodoxia es el libro más importante de una personalidad excepcional.

A disastrous office affair has left Channing Hughes unemployed and (very bloody) cynical. What better time to leave Boston for her native England, where her late grandfather has named her sole heir of the Hughes fortune, along with the centuries-old manor house that’s been in the family for generations. Only one problem with that plan - there is no Hughes fortune. If anyone deserves to be cynical about life, it’s Dr. Lark Latimer. She overcame a dysfunctional upbringing in East Boston only to lose both her college sweetheart and a promising medical career when her Ma fell critically ill.

Die Milchstraße ist nach Jahren der Unterdrückung wieder frei, die Macht der Ewigen Krieger gebrochen. Die Menschen und die Angehörigen anderer Sternenvölker machen sich gemeinsam an den Wiederaufbau. Doch die nächste Bedrohung nähert sich. Ganze Sonnensysteme materialisieren im Leerraum zwischen den Galaxien. Wie es aussieht, stammen sie aus einem fremden Universum. Ihr Auftauchen löst den sogenannten Strangeness-Schock aus. Menschen werden verwirrt, Raumschiffe schwer beschädigt, Welten verwüstet.

Emergency vehicles clustered around the building. I pushed past the firefighters, ignoring the smoke billowing up from the warehouse. My friends were inside. My partner was inside. I turned the corner. The sight of the bloody sheet confirmed my worst fears. How could this have happened? Alexis Parker graduated at the top of her class at Quantico. But as a newly minted federal agent, she's assigned the cases no one else wants and is forced to make hard choices.

Immerse yourself in a captivating poetry chapbook that weaves together the lives of a farmer, his loyal dog, and a mysterious donkey in a tapestry of profound reflections on existence. "The Donkey & Soul" is a lyrical exploration of the human condition, delving deep into the realms of memory, time, mortality, and the very nature of reality itself.

La solución, en las malas ficciones policíacas, es de orden material: una puerta secreta, una barba suplementaria. En las buenas, es de orden psicológico: una falacia, un hábito mental, una superstición. Ejemplo de las buenas y aun de las mejores es cualquier relato de Chesterton.

The G.K. Chesterton Classics Collection brings together some of the most celebrated works of one of the 20th century's most influential writers, spanning his diverse contributions to detective fiction, theology, storytelling, and poetry. This richly illustrated edition includes key works such as The Innocence of Father Brown, featuring the iconic amateur detective whose sharp intellect and moral insight unravel complex mysteries; Orthodoxy, Chesterton's profound defense of Christian faith; and The Ballad of the White Horse, a lyrical epic about King Alfred the Great.

Why do humans have a horror of skeletons? Is this aversion justified? What does it signify? Such are the animating questions of this essay by G. K. Chesterton, who acts as a witty defendant for humanity’s hidden form.